Palazzo Emo Diedo
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Palazzo Emo Diedo
Palazzo Emo Diedo is a neoclassical palace in Venice, Italy located in the Santa Croce district, overlooking the Grand Canal, opposite the railway station. The building is located near San Simeone Piccolo. History The 17th-century palace is an unfinished project by Andrea Tirali. The structure was built for the Emo family. The architectural style contrasts with then dominant Baroque architecture of Baldassarre Longhena. Then the palace passed to ownership of the Diedo family, hence the second name. Today, the palazzo is occupied by a charity organization. Architecture The neoclassical façade consists of a ground floor, noble floor, and a loft of substantial size, for a total of three floors and twenty openings. In the central part of the ground floor there is a portal flanked by two quadrangular windows. The portal is covered with rustication. The noble floor offers a tall trifora decorated with a balustrade and large pediment. The façade terminates with a dentil A dent ...
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Santa Croce (Venice)
Santa Croce is one of the six sestieri of Venice, northern Italy. During the eleventh century, in 1273, it was administered by the Hungarian nobleman and crusader knight Giovanni, member of one of the biggest Christian families in Hungary Renoldi, as reported by the book published in 1866 in Florence book of the Venetian noblemen for the first time shown. Geography It occupies the north west part of the main islands, and can be divided into two areas: the eastern area being largely mediaeval, and the western - including the main port and the Tronchetto - mostly lying on land reclaimed in the 20th century. The district includes the Piazzale Roma, home to Venice's bus station and car parks, and around which is the only area of the city in which cars can travel. The tourist attractions lie mostly in the eastern part of the quarter, and include the churches of San Nicolo da Tolentino, San Giacomo dell'Orio, and San Zan Degola; the Fondaco dei Turchi; the Museum of the History o ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Andrea Tirali
Andrea Tirali (around 1660–1737) was an Italian architect working in Venice and the Veneto. He was responsible for the intricate design of the pavement in the Piazza San Marco in Venice (from 1723).World Architecture
retrieved 21 August 2007 In the Basilica of Saints Giovanni e Paolo, Venice, he built the chapel of St Dominic (1700-20) and the elaborate tomb of the Valier doges (c. 1704–07). He designed the portico to

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Venice, Italy
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historically ...
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Grand Canal (Venice)
The Grand Canal ( it, Canal Grande ; vec, Canal Grando, anciently ''Canałasso'' ) is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city. One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts ('' sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and to Palazzo Venier de ...
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San Simeone Piccolo
San Simeone Piccolo (also called San Simeone e Giuda) is a church in the sestiere of Santa Croce in Venice, northern Italy. From across the Grand Canal it faces the railroad terminal serving as entrypoint for most visitors to the city. History Built in 1718–38 by Giovanni Antonio Scalfarotto, the church shows the emerging eclecticism of Neoclassical architecture. It accumulates academic architectural quotations, much like the contemporaneous Karlskirche in Vienna. Wittkower, in his monograph, acknowledges San Simeone is modeled on the Pantheon with a temple-front pronaos, on the other hand, the peaked dome recalls Longhena's more embellished and prominent Santa Maria della Salute church. The centralized circular church design and the metal dome recalls Byzantine models and San Marco, though the numerous centrifugal chapels are characteristic of Post-Tridentine churches. This was one of the last churches built in Venice, in one of its poorer sestieri. The pediment of the ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Baldassarre Longhena
Baldassare Longhena (1598 – 18 February 1682) was an Italian architect, who worked mainly in Venice, where he was one of the greatest exponents of Baroque architecture of the period. Biography Born in Venice, Longhena studied under the architect Vincenzo Scamozzi and after Scamozzi's death completed his monumental Procuratie Nuove in St. Mark's Square, a complex of imposing residences and offices for officials of the Venetian Republic that gives the square its appearance today. His best-known work is the elegantly decorated Basilica di Santa Maria della Salute begun in 1631 to thank the Virgin for the city's deliverance from the plague. This two domed church on the peninsula between the Canal Grande and the Zattere is one of the city's best-known landmarks. The main entrance, modeled on the Roman triumphal arch, was later copied in successive churches and cathedrals, in Venice and elsewhere. He designed many other churches in the city, among them the Chiesa dell'Ospedaletto an ...
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Noble Floor
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usua ...
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Trifora
Trifora is a type of three-light window. The trifora usually appears in towers and belfries—on the top floors, where it is necessary to lighten the structure with wider openings. Overview The trifora has three openings divided by two small columns or pilasters, on which rest three arches, round or acute. Sometimes, the whole trifora is framed by a further large arch. The space among arches is usually decorated by a coat of arms or a circular opening. Less popular than the mullioned window, the trifora was, however, widely used in the Romanesque, Gothic, and Renaissance periods. Later, the window was mostly forgotten, coming back in vogue in the nineteenth century, in the period of eclecticism and the rediscovery of ancient styles (Neo-Gothic, Neo-Renaissance, and so on). Compared to the mullioned window, the trifora was generally used for larger and more ornate openings. Gallery File:Rivalta Scrivia Abbazia Santa Maria Trifora.jpg, Abbazia di Santa Maria di Rivalta in Tortona ...
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Balustrade
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''illus ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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