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PERI GmbH
In Persian mythology, peris (singular: peri; from fa, پَری, translit=parī, , plural , ; borrowed in European languages through ota, پَری, translit=peri) are exquisite, winged spirits renowned for their beauty. Peris were later adopted by other cultures. They are described as mischievous beings that have been denied entry to paradise until they have completed penance for atonement. Under Islamic influence, Peris became benevolent spirits, in contrast to the mischievous jinn and evil '' divs'' (demons). Scholar indicates an Indo-Iranian origin for the character, who was later integrated into the Arab houri tale tradition. Etymology The Persian word comes from Middle Persian ''parīg'', itself from Old Persian ''*parikā-''. The word has been borrowed in Azerbaijani as ''pəri'', in Hindustani as ''parī'' (Urdu: پری / Hindi: परी) and in Turkish as ''peri''. In Persian mythology and literature Peris are detailed in Persianate folklore and poetry, appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Şahkulu (painter)
Şahkulu, (Persian language, Persian form: Shahquli, Shahquli-i Baghdadi) (d. 1556) was an Ottoman Empire, Ottoman painter who played a leading role in a formation of the saz style. Saz style "in which mythical creatures derived from Chinese or Islamic sources move through an enchanted forest made up of oversized composite blossoms and feathery leaves, has parallels in the art of the Aq Qoyunlu, Aqqoyunlu and Safavid Iran, Safavid courts at Tabriz, where Shahquli trained under a master named Aqa Mirak" (it was not the Aqa Mirak, well-known painter of Tahmasp I, Tahmasp's court). According to Sam Mirza Safavi (who does not mention his emigration to Ottoman lands) Şahkulu came from Qom. His name is in a document found in Ottoman Archives among the scholars and artisans who were exiled from Tabriz to Istanbul via Amasya on 12 April 1515, the aftermath of Ottoman occupation of Tabriz after the battle of Chaldiran. The 1525-26 register of court artisans list him as the head draftsman ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Div (Persian Mythology)
Div or dev (Persian: ': ) (with the broader meaning of demons or fiends) are monstrous creatures within Middle Eastern lore. Most of their depictions derive from Persian mythology, integrated to Islam and spread to surrounding cultures including Armenia, Turkic countries and Albania. Although they are not explicitly mentioned within canonical Islamic scriptures, their existence was well accepted by most Muslims just like that of other supernatural creatures. They exist along with jinn, ''peri'' (fairies) and ''shayatin'' (devils) within South- and Central Asia demon-beliefs. They are described as having a body like that of a human, only of gigantic size, with two horns upon their heads and teeth like the tusks of a boar. Powerful, cruel and cold-hearted, they have a particular relish for the taste of human flesh. Some use only primitive weapons, such as stones: others, more sophisticated, are equipped like warriors, wearing armour and using weapons of metal. Despite their uncout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahmina
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kingdom of Samangan , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , burial_coordinates = , monuments = , nationality = , other_names = , siglum = , citizenship = , education = , alma_mater = , occupation = , years_active = , era = , employer = , organization = , agent = , known_for = Rostam and Sohrab , notable_works = , style = , net_worth = , height = , television = , title = , term = , predecessor = , successor = , party = , movement = , opponents = , boards = , crimin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rostam
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a well full of poisoned spears and was killed in Kabulistan. , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , burial_coordinates = , monuments = , nationality = , other_names = RustamRustem , siglum = , citizenship = , education = , alma_mater = , occupation = , years_active = , era = , employer = , organization = , agent = , known_for = Seven Labours Battle with Sohrab Battle with Esfandiyārkilling Demons , notable_works = , style = , net_worth = , height = , television = , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rostam And Sohrab
The tragedy of Rostam and Sohrab forms part of the 10th-century Persian epic ''Shahnameh'' by the Persian poet Ferdowsi. It tells the tragic story of the heroes Rostam and his son, Sohrab.Ebrahimi, Mokhtar & Taheri, Abdollah. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi's Shahnameh. Journal of History Culture and Art Research. 6. 96. 10.7596/taksad.v6i1.707. Plot Rostam lived in Zabulistan, hero and one of the favorites of King Kaykavous. Once, following the traces of his lost horse, he enters the kingdom of Samangan where he becomes the guest of the king during the search for his horse. There, Rostam meets princess Tahmina. She admires Rostam and knows of his reputation. She goes into his room at night and asks if he will give her a child and in return, she will bring his horse. Rostam leaves after he impregnates Tahmina and his horse is returned. Before he leaves, he gives her two tokens. If she has a girl, she is to take the jewel and plait it in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahriman
Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman 𐭠𐭧𐭫𐭬𐭭𐭩 (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah
Shah (; fa, شاه, , ) is a royal title that was historically used by the leading figures of Iranian monarchies.Yarshater, EhsaPersia or Iran, Persian or Farsi, ''Iranian Studies'', vol. XXII no. 1 (1989) It was also used by a variety of Persianate societies, such as the Ottoman Empire, the Kazakh Khanate, the Khanate of Bukhara, the Emirate of Bukhara, the Mughal Empire, the Bengal Sultanate, historical Afghan dynasties, and among Gurkhas. Rather than regarding himself as simply a king of the concurrent dynasty (i.e. European-style monarchies), each Iranian ruler regarded himself as the Shahanshah ( fa, شاهنشاه, translit=Šâhanšâh, label=none, ) or Padishah ( fa, پادشاه, translit=Pâdešâh, label=none, ) in the sense of a continuation of the original Persian Empire. Etymology The word descends from Old Persian ''xšāyaθiya'' "king", which used to be considered a borrowing from Median, as it was compared to Avestan ''xšaθra-'', "power" and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyumars
Keyumars or Kiomars ( fa, کیومرث) was the name of the first king (shah) of the Pishdadian dynasty of Iran according to the ''Shahnameh''. The name appears in Avestan in the form of ''𐬔𐬀𐬌𐬌𐬊 𐬨𐬆𐬭𐬆𐬙𐬀𐬥 Gaiio Mərətan'', or in medieval Zoroastrian texts as ''Gayōmard'' or ''Gayōmart''. In the Avesta he is the mythological first human being in the world. The corresponding name in Middle Persian is 𐭪𐭣𐭬𐭫𐭲 ''Kayōmart''. In Ferdowsi's ''Shahnameh'' he appears as the first shah of the world. He is also called the ''pišdād'' (), the first to practice justice, the lawgiver. The Avestan form means "the living mortal", from ''gaya'' "life" and ''marətan'' "mortal, human being"; cf. Persian ''mard'' "human" ( fa, مَرد). Keyumars is also a popular first name in Persian speaking countries (Iran, Afghanistan and Tajikistan). In Zoroastrian literature According to the Zoroastrian creation myth, Gayōmart was the first human, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorush
Sraosha ( ae, 𐬯𐬭𐬀𐬊𐬴𐬀 or ) is the Avestan name of the Zoroastrian ''yazata'' of "Conscience" and "Observance", which is also the literal meaning of his name. In the Middle Persian commentaries of the 9th-12th centuries, the divinity appears as pal, 𐭮𐭫𐭥𐭱, label=none'', S(a)rosh''. This form appears in many variants in New Persian as well, for example , ''Sorūsh''. Unlike many of the other Yazatas (concepts that are "worthy of adoration"), Sraosha is also frequently referred to as the "Angel of Conscience" or "Voice of Conscience", which overlaps with both of his role as the "Teacher of Daena", Daena being the hypostasis of both "Conscience" and "Religion" and Guardian/Companion over the Chinvat Bridge. In scripture In Zoroaster's revelation Sraosha is already attested in the Gathas, the oldest texts of Zoroastrianism and believed to have been composed by Zoroaster himself. In these earliest texts, Sraosha is routinely associated with the Amesha Spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdowsi
Abul-Qâsem Ferdowsi Tusi ( fa, ; 940 – 1019/1025 CE), also Firdawsi or Ferdowsi (), was a Persians, Persian poet and the author of ''Shahnameh'' ("Book of Kings"), which is one of the world's longest epic poetry, epic poems created by a single poet, and the greatest epic of Persian-speaking people, Persian-speaking countries. Ferdowsi is celebrated as one of the most influential figures of Persian literature and one of the greatest in the history of literature. Name Except for his kunya (Arabic), kunya ( – ) and his laqab ( – ''Ferdowsī'', meaning 'Paradise, paradisic'), nothing is known with any certainty about his full name. From an early period on, he has been referred to by different additional names and titles, the most common one being / ("philosopher"). Based on this, his full name is given in Persian language, Persian sources as / . Due to the non-standardized transliteration from Persian alphabet, Persian into English language, English, different spellings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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