|
Purandaradasa
Purandara Dasa ( IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijayanagara Empire
The Vijayanagara Empire, also called the Karnata Kingdom, was a Hinduism, Hindu empire based in the region of South India, which consisted the modern states of Karnataka, Andhra Pradesh, Tamil Nadu, Kerala, Goa and some parts of Telangana and Maharashtra. It was established in 1336 by the brothers Harihara I and Bukka Raya I of the Sangama dynasty, members of a pastoralist Herder, cowherd community that claimed Yadava lineage. The empire rose to prominence as a culmination of attempts by the southern powers to ward off Islamic invasions of India, Perso-Turkic Islamic invasions by the end of the 13th century. At its peak, it subjugated almost all of South India's ruling families and pushed the sultans of the Deccan beyond the Tungabhadra River, Tungabhadra-Krishna River, Krishna river doab region, in addition to annexing modern day Odisha (ancient Kalinga (historical region), Kalinga) from the Gajapati Empire, Gajapati Kingdom thus becoming a notable power. It lasted until 1646 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haridasa
The Haridasa Bhakti Sahitya devotional movement (sampradaya) originated in Karnataka, India, after Madhvacharya, and spread to eastern states such as Bengal and Assam of medieval India. Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.Sharma (1961), p. 514 This movement was ushered in by the ''Haridasas'' (''lit'' "servants of Lord Hari") and took shape in the 13th century – 14th century CE period, prior to and during the early rule of the Vijayanagara Empire. The main objective of this movement was to propagate the Dvaita philosophy of Madhvacharya (''Madhva Siddhanta'') to the masses through a literary medium known as ''Dasa Sahitya'' (''lit'' "literature of the servants of the lord"). Prominent Hindu philosophers, poets and scholars such as Sripadaraya, Vyasathi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhwacharya
Madhvacharya (; ; CE 1199-1278 or CE 1238–1317), sometimes anglicised as Madhva Acharya, and also known as Purna Prajna () and Ānanda Tīrtha, was an Indian philosopher, theologian and the chief proponent of the ''Dvaita'' (dualism) school of Vedanta. Madhva called his philosophy ''Tattvavāda'' meaning "arguments from a realist viewpoint". Madhvacharya was born on the west coast of Karnataka state in 13th-century India. As a teenager, he became a Sanyasi (monk) joining Brahma-sampradaya guru Achyutapreksha, of the Ekadandi order. Madhva studied the classics of Hindu philosophy, and wrote commentaries on the Principal Upanishads, the ''Bhagavad Gita'' and the Brahma Sutras (''Prasthanatrayi''), and is credited with thirty seven works in Sanskrit. His writing style was of extreme brevity and condensed expression. His greatest work is considered to be the ''Anuvyakhyana'', a philosophical supplement to his bhasya on the Brahma Sutras composed with a poetic structure. In some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanakadasa
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions. Life Kanaka Dasa was born into a Kannada Kuruba (shepherd) Hindu family in Baada village, near Bankapura in Karnataka, and was a warrior at Bankapura fort. He was taught by Srinivasacharya. As a child, he became an expert in ''tarka'', ''vyakaran'', and ''mimamsa''. Based on one of his compositions, it is interpreted that he was seriously injured in a battle and was miraculously saved. After this incident, he gave up his profession as a warrior and devoted himself to composing music, writing literature and explaining philosophy to people. His ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Language
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th ''melakarta'' raga under Venkatamakhin's ''melakarta'' system. Originally known as ''malavagowla'', "maya" was prefixed to it after the advent of the scheme of the 72 ''melas''. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga. Structure and Lakshana Venkatamakhin defines its lakshana thus: पूर्णो माळवगोळाख्यः स ग्रहो गीयते सदा ''Mayamalavagowla'' is the 3rd raga in the 3rd ''chakra, Agni''. Its mnemonic name is ''Agni-Go''. Its mnemonic phrase is ''sa ra gu ma pa dha nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes in this raga are ''ṣaḍjam, śuddha r̥ṣabham, ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hampi
Hampi or Hampe, also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in Hampi (town), Hampi town, Vijayanagara district, east-central Karnataka, India. Hampi was the capital of the Vijayanagara Empire in the 14th century. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. By 1500 CE, Hampi-Vijayanagara was the world's second-largest medieval-era city after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by sultanate armies in 1565, after which Hampi remained in ruins. Located in Karnataka near the modern-era city of Hosapete, Hampi's ruins are spread over and it has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittala
Vithoba, also known as Vi(t)thal(a) and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is generally considered as a manifestation of the god Vishnu, or his avatar Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith of Maharashtra and the Haridasa faith of Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Vijayanagara Empire")
.jpg "Click for more on -> Vittala")
