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Prospero Orsi
Prospero Orsi, also referred to as Prosperino delle Grottesche (1560s–1630s) was an Italian painter of the late-Mannerism, Mannerist and early-Baroque period, active mainly in Rome. Biography He apparently trained under Giuseppe Cesari d’Arpino. Baglione recounts that during the papacy of Sixtus V, Prospero was one of the many artists that decorated the Scala Sancta walls and ceilings with frescoes. He worked on the depiction of ''Moses parting the Sea'' and ''Isaac blessing Jacob''. In the benediction loggia of San Giovanni Laterano, he depicted an episode in the ''Life of Constantine''. He also worked painting in the Vatican libraries. He is described as an avid painter of Grotesque, Grotteseques. He also worked with Antonio Circignani to decorate a room in the Palazzo Mattei, Palazzo Antici-Mattei in Rome. While he initially was a close follower of the Cavaliere d’Arpino, he later became allied with Michelangelo da Caravaggio. Orsi and Cherubino Alberti, were among those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragoman
A dragoman or Interpretation was an interpreter, translator, and official guide between Turkish-, Arabic-, and Persian-speaking countries and polities of the Middle East and European embassies, consulates, vice-consulates and trading posts. A dragoman had to have a knowledge of Arabic, Persian, Turkish, and European languages. In the Ottoman Empire, Dragomans were mainly members of the Ottoman Greek community, which possessed considerable multilingual skills, because substantial Greek trading communities did business in the worlds of the Mediterranean Sea, the Black Sea, the Atlantic Ocean and the Indian Ocean. To a lesser extent, other communities with international commercial links, notably the Armenians, were recruited. Etymology and variants In Arabic the word is ترجمان (''tarjumān''), in Turkish ''tercüman''. Deriving from the Semitic quadriliteral root ''t-r-g-m'', it appears in Akkadian as "targumannu," in Ge'ez (Classical Ethiopic) as ትርጓም (''t-r- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as ''The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Painters
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castel Sant’Angelo
The Mausoleum of Hadrian, usually known as Castel Sant'Angelo (; English: ''Castle of the Holy Angel''), is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum. The structure was once the tallest building in Rome. Hadrian's tomb The tomb of the Roman emperor Hadrian, also called Hadrian's mole, was erected on the wikt:right bank, right bank of the Tiber, between AD 134 and 139. Originally the mausoleum was a decorated cylinder, with a garden top and golden quadriga. Hadrian's ashes were placed here a year after his death in Baiae in 138, together with those of his wife Vibia Sabina, Sabina, and his first adopted son, Lucius Aelius, who died in 138. Following this, the remains of succeeding emperors were also placed here, the last recorded deposition being Caracalla in 217. The urns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galeazzo Ghidoni
Galeazzo Ghidoni or Gidoni (Cremona, late 16th century - early 17th century) was an Italian painter. Biography He was a pupil in Cremona of Antonio Campi Antonio Campi (c. 1522 – 1587) was an Italian painter of the Renaissance. He was born in Cremona. His style merges Lombard with Mannerist styles. In Cremona, his extended family was the foundation of the Cremonese school of painting. Gi .... His first activity in Cremona is documented by 1583. His ''San Giovanni Battista preaching to the crowds'' (1598) was once in the now destroyed church of San Mattia of Cremona. He was later active in Florence (Cloister of the Ognissanti) and Rome in the early 17th century. His two sons Giovanni Battista and Vicenzo Gidoni were painters in Florence. Giuseppe Richa S.J., Second part, thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherubino Alberti
Cherubino Alberti (1553–1615), also called Borghegiano, was an Italian engraver and painter. He is most often remembered for the Roman frescoes completed with his brother Giovanni Alberti during the papacy of Clement VIII. He was most prolific as an engraver of copper plates. Biography Alberti was born in 1553 in Borgo San Sepolcro, Tuscany (from which he took his nickname of ''Borgheggiano''), into family of artists. He was the second son of Alberto Alberti, a carver and sculptor, and his brothers Alessandro Alberti and Giovanni Alberti were artists as well. Alberti studied in Rome under Cornelius Cort and worked as an engraver, modeling his works after the inventions of other artists. His early influences included Raphael and contemporary Mannerist art. Between 1571 and 1575 he made engravings after works of Federico and Taddeo Zuccari. Over the next ten years his engravings included works after Raphael, Michelangelo, Polidoro da Caravaggio, Andrea del Sarto, Rosso Fior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
