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Cherubino Alberti
Cherubino Alberti (1553–1615), also called Borghegiano, was an Italian engraver and painter. He is most often remembered for the Roman frescoes completed with his brother Giovanni Alberti during the papacy of Clement VIII. He was most prolific as an engraver of copper plates. Biography Alberti was born in 1553 in Borgo San Sepolcro, Tuscany (from which he took his nickname of ''Borgheggiano''), into family of artists. He was the second son of Alberto Alberti, a carver and sculptor, and his brothers Alessandro Alberti and Giovanni Alberti were artists as well. Alberti studied in Rome under Cornelius Cort and worked as an engraver, modeling his works after the inventions of other artists. His early influences included Raphael and contemporary Mannerist art. Between 1571 and 1575 he made engravings after works of Federico and Taddeo Zuccari. Over the next ten years his engravings included works after Raphael, Michelangelo, Polidoro da Caravaggio, Andrea del Sarto, Rosso Fior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sansepolcro
Sansepolcro, formerly Borgo Santo Sepolcro, is a town and ''comune'' founded in the 11th century, located in the Italian Province of Arezzo in the eastern part of the region of Tuscany. Situated on the upper reaches of the Tiber river, the town is the birthplace of the painters Piero della Francesca, Raffaellino del Colle (a pupil of Raphael), Matteo di Giovanni, Santi di Tito and Angiolo Tricca. It was also the birthplace of the Italian mathematician Luca Pacioli, and of Matteo Cioni, who translated Piero della Francesca's treatise about perspective in painting (''De prospectiva pingendi'') into Latin. Today, the economy of the town is based on agriculture, industrial manufacturing, food processing and pharmaceuticals. It is the home of Buitoni pasta, founded by Giulia Buitoni in 1827. History According to tradition the founding of the town came about through two 9th-century pilgrims to the Holy Land, Arcanus and Giles, who returned to the region and built a chapel dedicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then apprent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perino Del Vaga
Perino (or Perin) del Vaga (nickname of Piero Bonaccorsi) (1501 – October 19, 1547) was an Italian painter and draughtsman of the Late Renaissance/Mannerism. Biography Perino was born near Florence. His father ruined himself by gambling, and became a soldier in the invading army of Charles VIII. His mother died when he was but two months old; but shortly afterwards he was taken up by his father's second wife. Perino was first apprenticed to a druggist, but soon passed into the hands of a mediocre painter, Andrea de' Ceri,Noted in Vasari's biography. and when eleven years of age, of Ridolfo Ghirlandaio. Perino was one of Ghirlandaio's most talented pupils. Another mediocre painter, Vaga from Toscanella, undertook to settle the boy in Rome. Perino, when he at last reached Rome, was utterly poor, and with no clear prospect beyond journey-work for trading decorators. He was eventually entrusted with some of the subordinate work undertaken by Raphael in the Vatican. He assisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Rosso
Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school. Biography Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. His early works include '' Holy Family with the Infant Saint John the Baptist'' (Walters Art Gallery), ''Cherub Playing a Lute'' (Uffizi) and '' The Infant Saint John the Baptist'' (private collection), all produced around 1521. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherubino Mark
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Villamena
Francesco Villamena (1564–1624) was an Italian engraver, drawing teacher and art collector. Villamena was born in Assisi. He studied under Cornelis Cort. Others state he was a follower of Agostino Carracci. Villamena produced primarily works of religious and historical subjects. He died in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ... in 1624. References Further reading * 1564 births 1624 deaths Italian engravers People from Assisi 16th-century Italian artists Italian male artists 17th-century Italian artists {{Italy-engraver-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci at Getty The academy helped propel painters of the School of Bologna to prominence. Life Agostino Carracci was born in |
Apostolic Palace
The Apostolic Palace ( la, Palatium Apostolicum; it, Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace. The building contains the papal apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia (Vatican), Sala Regia (Regal Room) and Cappella Paolina, had long been closed to tourists, though the Sala Regia allowed occasional tourism by 2019. The Scala Regia (Vatican), Scala Regia (Regal Staircase) can be viewed from one end and used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clementine Hall
The Clementine Hall, called the ''Sala Clementina'' (The Clementine Salon) is a hall of the Apostolic Palace near St. Peter's Basilica in Vatican City. It was established in the 16th century by Pope Clement VIII in honor of Pope Clement I, the third successor of St. Peter. The Clementine Hall is covered in Renaissance frescoes and valuable works of art. It is used by the pope as a reception room and in some cases, site of various ceremonies and rituals. The Clementine Hall is the chamber in which the body of the pope lies for private visitation by officials of the Vatican upon death, like that most recently of the funeral of Pope John Paul II. The pope's body is then traditionally moved from the Clementine Hall and ceremonially carried across St. Peter's Square to St. Peter's Basilica or the Basilica of San Giovanni in Laterano. Frescos Over the doors appears the fresco "The Martyrdom of St. Clement" by the Dutch painter Paul Bril. On the opposite wall appear the frescos "The Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristofano Gherardi
Cristofano or Cristoforo Gherardi, also known as il Doceno, (November 25, 1508 – April 1556) was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany. Biography He was born in Borgo San Sepolcro and also called ''il Doceno dal Borgo''. He was the pupil of the painter Raffaellino del Colle, in whose shop he encountered Rosso Fiorentino and Giorgio Vasari. He painted under Vasari's direction, the one assistant of Vasari's whom Freedberg singles out. In 1536 Vasari invited him to Florence to assist in producing the decorations for the ceremonial entry of Charles V into Florence. The following year, in the reaction after Duke Alessandro's death, Gherardi was among those banished from Florence, so his work for Vasari was confined to projects outside Florence, until his banishment was lifted in 1554 and he was permitted to return. In the long interval he had painted the ''Visitation of Mary to Elizabeth'' for the church of San Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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