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Il Rosso
Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school. Biography Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. His early works include '' Holy Family with the Infant Saint John the Baptist'' (Walters Art Gallery), ''Cherub Playing a Lute'' (Uffizi) and '' The Infant Saint John the Baptist'' (private collection), all produced around 1521. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houghton Typ 525 68
Houghton may refer to: Places Australia * Houghton, South Australia, a town near Adelaide * Houghton Highway, the longest bridge in Australia, between Redcliffe and Brisbane in Queensland * Houghton Island (Queensland) Canada * Houghton Township, Ontario, a former township in Norfolk County, Ontario New Zealand * Houghton Bay South Africa * Houghton Estate, a suburb of Johannesburg United Kingdom *Hanging Houghton, Northamptonshire *Houghton, Cambridgeshire * Houghton, Cumbria *Houghton, East Riding of Yorkshire *Houghton, Hampshire *Houghton, Norfolk *Houghton Saint Giles, Norfolk * Houghton, Northumberland, a location in the United Kingdom * Houghton, Pembrokeshire *Houghton, West Sussex *Houghton-le-Side, Darlington * Houghton-le-Spring, Sunderland * Houghton Park, Houghton-le-Spring *Houghton Bank, Darlington *Houghton Conquest, Bedfordshire *Houghton on the Hill, Leicestershire *Houghton on the Hill, Norfolk *Houghton Regis, Bedfordshire *New Houghton, Derbyshire * Litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Primaticcio
Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Young Man Seated On A Carpet
''Portrait of a Young Man Seated on a Carpet'' is a c. 1525–1527 oil on panel painting by Rosso Fiorentino, now in the National Museum of Capodimonte. Its subject is unknown. It may have been produced during or just after Rosso's stay in Castello di Cerveteri, home to the Anguillara, a ducal branch of the Orsini family. It was recorded in a 1600 inventory which attributed it to Rosso, but it was misattributed around 1650 to Titian. It later entered the Farnese collection in Parma as a work by Parmigianino, with the Farnese's librarian Orsini acting as an intermediary - it is also known to have previously been in his collection. It was brought to Naples with most of the rest of the Farnese collection in 1739 but was only reattributed to Rosso in 1940 thanks to Roberto Longhi Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus, Venus And Cupid
''Bacchus, Venus and Cupid'' is a 1531-1532 oil on canvas painting attributed to Rosso Fiorentino, now in the National Museum of History and Art in Luxembourg. In two editions of ''Lives of the Artists'', Vasari described ''Cupid and Psyche'' and ''Bacchus and Venus'', two mythological oil paintings produced for Francis I of France by Fiorentino. In the first edition (1550) he recorded that the paintings were produced soon after the painter's arrival in France in 1530 and before Primaticcio's arrival two years later. They were both displayed at the end of the Francis I Gallery at Fontainebleau Palace. Almost nothing is known of the painting Vasari called ''Cupid and Psyche'', though it may relate to a ''Cupid and Venus'' for which a preparatory drawing survives in the Louvre. Béguin cautiously identified the Luxembourg work as the ''Bacchus and Venus'' mentioned by Vasari. Its poor-to-moderate condition means that it cannot be directly attributed to Fiorentino nor to any of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage Of The Virgin (Rosso Fiorentino)
''Marriage of the Virgin'' or the Ginori Altarpiece is a 1523 oil on panel painting by Rosso Fiorentino, signed and dated by the artist. It was commissioned by Carlo Ginori for the chapel dedicated to the Virgin Mary and saint Joseph - previously owned by the Masi family that chapel had been acquired by the Ginori family in 1520. It still hangs in the Basilica, whilst a drawn copy attributed to Antonio Circignani is now in the Louvre (n.1592). Gloria Fossi, ''Uffizi'', Giunti, Firenze 2004. Five figures kneel on the steps up to the main scene, with two putti and an old female saint (perhaps Saint Anne) to the left and a Dominican saint (possibly Vincent Ferrer and possibly a portrait of the painting's commissioner) and a young female saint with a book (Saint Apollonia). References {{16C-painting-stub Fiorentino Fiorentino Paintings in Florence Fiorentino Fiorentino Fiorentino Fiorentino is one of the 9 communes or ''castelli'' of the Republic of San Marino. It has 2,5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lorenzo, Sansepolcro
San Lorenzo is a Renaissance-style, Roman Catholic church located on Via Santa Croce 2 corner with Via Luca Pacioli, in Sansepolcro, province of Arezzo, region of Tuscany, Italy. The church is known for its Rosso Fiorentino masterpiece depicting the '' Deposition''. History A Benedictine order church of this name was founded outside the city walls in 1350, but the present church, with its arcaded portico, was built in 1556. It was originally affiliated with the Confraternity of Santa Croce. The church was suppressed in the 19th century, and for many years used as a part of an orphanage, where the children learned how to weave textiles. The main altar has the Rosso Fiorentino altarpiece. Another canvas in the church depicted ''San Benedetto'' by Giovanni Battista Mercati. The canvas of the deposition was commissioned by the Confraternity initially from Raffaellino del Colle. However the Sack of 1527 had exiled Rosso from Rome, and while in Sansepolcro, he was given the commissio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sansepolcro Deposition
The ''Sansepolcro Deposition'' or ''Sansepolcro Lamentation'' is a 1528 oil on canvas painting by Rosso Fiorentino, now in San Lorenzo church in Sansepolcro. It was commissioned in 23 September 1527 by the Confraternity of the Holy Cross (hence its subject) for its altar in Santa Croce church in Sansepolcro. Rosso had arrived in the town shortly before this date. Bibliography (in Italian) *A. Brilli – F. Chieli, ''Sansepolcro e i suoi musei'', Arti Grafiche Motta, Milano 2004, pp. 32–36. * Antonio Natali, ''Rosso Fiorentino'', Silvana Editore, Milano 2006. * Elisabetta Marchetti Letta, ''Pontormo, Rosso Fiorentino'', Scala, Firenze 1994. 1528 paintings Paintings by Rosso Fiorentino Fiorentino Fiorentino is one of the 9 communes or ''castelli'' of the Republic of San Marino. It has 2,548 inhabitants (May 2018) in an area of . Geography It borders the San Marino municipalities Chiesanuova, San Marino, Borgo Maggiore, Faetano, and Mon ... Paintings in Sanse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan center (''Velàthre'', ''Velathri'' or ''Felathri'' in Etruscan, ''Volaterrae'' in Latin language), one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deposition From The Cross, Volterra (Rosso Fiorentino)
The ''Deposition from the Cross'' is an altarpiece, completed in 1521, depicting the Deposition of Christ by the Italian Renaissance painter Rosso Fiorentino. The painting is dated and signed: RUBEUS FLOR. A.S. MDXXI. It is broadly considered to be the artist's masterpiece. Painted in oil on wood, the painting was previously located in the Duomo of Volterra, but has been moved to the town art gallery, Pinacoteca Comunale. Interpretation This painting has often been compared to the fellow Mannerist painter Pontormo's near contemporary (1528) treatment of the same subject in his Deposition canvas in Florence. Unlike Pontormo's bright coloration and unitary collection of billowing figures, the Fiorentino depiction has two arenas: above is an Escher-like geometric struggle of laborers on ladders, removing the crucified Christ, while below, the women and men are subsumed in grief. Mary, pale and downcast, collapses in the arms of two women. Mary Magdalen in bright red, swoons to hug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosso Fiorentino 002
Rosso is the major city of south-western Mauritania and capital of Trarza region. It is situated on the Senegal River at the head of the river zone allowing year-round navigation. The town is 204 km south of the capital Nouakchott. The Arabic name is Al-Quwarib. History Rosso was once the capital of the Emirate of Trarza, a Precolonial Sahrawi dominated state in Africa. Under French colonial rule Senegal and Mauritania were administered as a single entity. When independence came, the new frontier was drawn along the Senegal River, thus splitting the small town of Rosso in two. This article refers to Mauritanian Rosso, on the northern bank of the river. Originally a staging-post for the gum arabic trade, Rosso has grown rapidly since independence. From a population of a mere 2 300 in 1960 it has now overtaken Kaédi to become the 3rd largest city in the country with 48 922 inhabitants (2000 census). Languages Southwestern Mauritania is predominantly a Wolof-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
