Pre-revolutionary Iranian Cinema
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Pre-revolutionary Iranian Cinema
Pre-revolutionary Iranian cinema ( fa, سینمای ایران قبل از انقلاب) contains films and cinematic events made in Pahlavi Iran, Iran before Iranian Revolution era. Hooshang Kavoosi, an Iranian film critic first used term ''Persian Film, Filmfarsi'' ( fa, فیلمفارسی) to point to Iranian popular films before revolution. History The 1960s was a significant decade for Iranian cinema, with 25 commercial films produced annually on average throughout the early ‘60s, increasing to 65 by the end of the decade. The majority of production focused on melodrama and thrillers. From 1937 till 1947 because of the world economic conditions and then the involvement in World War Two, the motion picture industry in Iran did not produce a single film, but the flow of foreign film to Iran did not stop. In 1947, Esmail Koushan, with the help of some of his colleagues, established Mitra Films (1997), the first real film company in Tehran. Through their persistence, local fea ...
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Pahlavi Iran
The Imperial State of Iran ( fa, کشور شاهنشاهی ایران, ), also known as the Imperial State of Persia, was the official name of the Iranian state under the rule of the Pahlavi dynasty. It was formed in 1925 and lasted until 1979, when the Pahlavis were overthrown as a result of the Islamic Revolution, which abolished Iran's continuous monarchy and established the present-day Islamic Republic of Iran. The Pahlavi dynasty was founded in 1925 by Reza Shah, a former brigadier-general of the Persian Cossack Brigade. His reign lasted until 1941, when he was forced to abdicate by the Allies of World War II following the Anglo-Soviet invasion of Iran. He was succeeded by his son, Mohammad Reza Pahlavi, who was the last Shah of Iran. The Pahlavis came to power after Ahmad Shah Qajar, the last Iranian ruler under the Qajar dynasty, proved unable to stop encroachments on Iranian sovereignty by the United Kingdom and the Soviet Union, had his position extremely weakened b ...
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Sohrab Shahid-Saless
Sohrab Shaheed Salles or Sohrab Shahid-Saless ( fa, سهراب شهید ثالث; June 28, 1944 in Tehran, Iran – July 2, 1998 in Chicago, Illinois) was an Iranian film director and screenwriter and one of the most celebrated figures in Iranian cinema in the 20th century. After 1976 he worked in the cinema of Germany and was an important component of the film diaspora working in the German industry. Film career After the revolution aftermaths in Iran and with restrictions faced by film makers and the difficulties of acquiring raw 35 mm film rolls, he made his first feature, the milestone film ''A Simple Event'' (1973), he describes the everyday life of a ten-year-old boy living in a small town with an ill mother and a father struggling to make a living smuggling fish. In contrast, ''Still Life'' (1974) explores the monotony in the life of an old railway switchman – a film that won many prizes, including one at the 1974 Berlinale. In 1975 Sohrab directed ''Far from Home ...
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Ali Hatami
Ali Hatami ( fa, علی حاتمی , August 14, 1944 – December 7, 1996) was an Iranian film director, screenwriter, art director, and costume designer. The ''Tehran Times'' dubbed him "the Hafez of Iranian cinema due to the poetic ambiance of his movies." Career Hatami graduated from the College of Dramatic Arts in Iran and subsequently began his professional career as a writer. He made his feature film directorial debut with ''Hasan Kachal'' (''Hasan the Bald'') in 1970, which was the first Iranian musical film. He wrote and directed several films that focused on Iranian culture, including ''Hajji Washington'' (1982), ''Kamalolmolk'' (1984), and '' Love Stricken'' (1992). The ''Tehran Times'' dubbed him "the Hafez of Iranian cinema due to the poetic ambiance of his movies." Hatami was also known for directing television series; he established a small production village—the Ghazali Cinema Town—to function as a set for historical productions, which he ultimately used to pr ...
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Nasser Taghvai
Nasser Taghvai ( fa, ناصر تقوایی, also romanized as Nāser Taghvā'i and Nāser Taqvāyi; born 10 July 1941) is an Iranian film director and screenwriter. Biography Taghvāi was born in Abadan. After early experiences as a story writer, he began filming documentaries in 1967. He made his debut, ''Tranquility in the Presence of Others'', in 1970 and gained the attention of Iranian critics. His concern for the ethnography and atmosphere of southern Iran is notable in his films. Most of his works have been based on novels. '' Captain Khorshid'' is an adaptation of Ernest Hemingway's ''To Have and Have Not'', which won the third prize at the 48th Locarno International Film Festival in Switzerland in 1988. In 1999 he directed a segment of the film ''Tales of Kish'', which was nominated for the Palme d'Or at the Cannes Film Festival. Filmography * Rahaee (Short Film), 1971 * ''Tranquility in the Presence of Others'', 1972 * ''Sadeq the Kurdish'', 1972 * ''Curse'', 1973 * ...
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Forough Farrokhzad
Forugh Farrokhzad ( fa, فروغ فرخزاد; 28 December 1934 – 14 February 1967) was an influential Iranian poet and film director. She was a controversial modernist poet and an iconoclast,* feminist author.Forugh Farrokhzad died at the age of 32 due to a car accident. Early life and career Forugh Farrokhzad was born in Tehran on 28 December 1934, to career military officer Colonel Mohammad Bagher Farrokhzad (the Farrokhzad family hail from Tafresh) and his wife Touran Vaziri-Tabar. The fourth of seven children (Amir, Massoud, Mehrdad, Fereydoun, Pooran, Gloria), she attended school until the ninth grade, then was taught painting and sewing at a girls' school for the manual arts. At the age of 16, she was married to satirist Parviz Shapour. She continued her education with painting and sewing classes and moved with her husband to Ahvaz. Her only child, a son named Kamyar Shapour (subject of ''The Return''), was born a year later. "After her separation, and later her divorc ...
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Amir Naderi
Amir Naderi ( fa, امیر نادری (), born 15 August 1946, in Abadan) is an Iranian film director, screenwriter, and photographer. He is best known for '' The Runner'' and ''Vegas: Based on a True Story''. Career Amir Naderi grew up in Abadan, a working-class port city in the south of Iran. He became interested in photography and cinema at an early age. As a filmmaker he was inspired by Henri Cartier-Bresson's photography of urban experience and everyday life, as well as the aesthetics of Italian neorealist cinema, such as location shooting, the use of nonprofessional actors, looser narrative structures, and a focus on the plight of poor and working-class people. Naderi's early films explored similar themes and visual strategies, but they did so within the context of Iranian life and culture. Naderi made his directorial debut with ''Goodbye Friend'' in 1971. Iranian film scholar Hamid Naficy cites Naderi's film ''Harmonica'' as an important example of how Iranian prerevolu ...
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Parviz Kimiavi
Parviz Kimiavi ( fa, پرويز کيمياوی; born 1939, in Tehran) is an Iranian (Persian) film director, screenwriter, editor and one of the most prominent figures of Persian cinema of the 20th century. Kimiavi studied photography and film at l'École Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes. Filmography: Directing *'' The Old Man and His Stone Garden'' (Piremard va bagh-e sangi'ash, 2004) *'' Iran Is My Homeland'' (Iran sara-ye man ast, 1999) *''Simone Weil'' (1988) (TV) *'' Zourkhaneh: The House of Strength'' (Zourkhaneh: La maison de force, 1988) (TV) * ''Blue Jeans'' (Blue jean, Le, 1984) (TV) *'' Oswaldo Rodriguez'' (1983) (TV) *'' Portrait of a Tunisian Boy'' (Portrait d'un jeune Tunisien, 1982) (TV) *'' The Trench'' (Tranche, La, 1981) (TV) *'' OK Mister!'' (1979) *'' The Garden of Stones'' (Bagh-e Sangi, 1976) *''The Mongols ...
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Masoud Kimiay
Masoud Kimiai (or Masoud Kimiaei, fa, مسعود کیمیایی, born 29 July 1941) is an Iranian director, screenwriter and producer. Biography Kimiai started his career as an assistant director and made his debut, ''Come Stranger'', in 1968. With his second film, '' Qeysar'' (1969), he and Dariush Mehrjui with The film The Cow, caused a historical change in Iranian film industry. But Dariush Mehrjui's film with more artistic values has sustained its level of greatness through history of Iranian cinema. Qeysar became a great success at the box office and opened the way for young, talented filmmakers who never had a chance in the industry before. His films deal with people at the margin of the society with his anti-hero characters that die at the end. Many directors of commercial films imitated his ''Kaiser/ Qeysar'' for about 6 years, but in the last decade he focuses on young antagonists. He usually writes his screenplays, using slang dialogues based on ordinary traditio ...
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Esmail Koushan
Esmail Koushan ''or Kooshan'' ( fa, اسماعیل کوشان) (1917–1981) was an Iranian film director who was one of the pioneering figures of Persian cinema. He has been called "the father of the Iranian film industry" by Georges Sadoul. Koushan, who studied film-making in Germany at Universum Film Aktienge-Sellschafe (UFA), began by dubbing foreign-language films into Parsi.A BRIEF CRITICAL HISTORY OF IRANIAN FEATURE FILM (1896-1975)
, '''', retrieved 2011-01-29''Film'', Issues 59-67 (1972), p. 13, British Federation of Film Societies He then set up the Mitrafilm company, which produce ...
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Abdolhossein Sepanta
Abdolhossein Sepanta ( fa, عبدالحسین سپنتا, 4 June 1907 – 28 March 1969) was an Iranian film director and producer. He made the earliest sound films in the Persian language. He was also a writer and journalist and promoter of liberal politics. Biography Early years Abdolhossein Sepanta was born in the Vagonkhaneh Avenue area in Tehran in 1907. His father, Gholam Reza Khan was the translator of Mozzafar-al-Din Shah, a King of the Qajar dynasty. Abdolhossein began his studies at the Saint Louis and Zoroastrian Colleges in Tehran circa 1925. He found a keen interest in ancient Persian history and literature. Therefore, in 1927, he chose Sepanta as his surname. In 1927, he traveled to India via Bushehr. There, he became acquainted with Dinshah Irani as his Indian Translator, who was the director of the Persian Zoroastrian Society. After extensive studies in ancient culture, he returned to Iran for a short period. Sepanta soon returned to India again with plans ...
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Amin Amini
Amin may refer to: People * Amin (name), a masculine given name and also a surname * Al-Amin, the sixth Abbasid caliph, who ruled from 809 to 813 * Amin (Qing dynasty), an Imperial Prince of the Qing Dynasty * Amin, an arbitrator who assessed and collected revenue in the Parganas Other uses * Amin, Kurukshetra, now known as Abhimanyupur, a village in Haryana state, India * AMIN, or Anak Mindanao, a political party in the Philippines * "Amin" (song), a song by Anna Vissi * AMIN Worldwide, an alliance of independently owned advertising agencies * ''Amin'' (film), a 2018 French drama film * Amen in religion See also * Amine (other) * Amen (other) * Aming (J-pop) Aming (あみん) is female Japanese pop/folk duo composed of Takako Okamura and Haruko Kato that debuted in 1982 with their hit "Matsu wa is the debut single by Aming released on July 21, 1982 in Japan. Track list # "Matsu wa" (待つわ) ..., a Japanese singing duo popular in the early ...
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