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Portrait Of Pier Maria Rossi Di San Secondo
''Portrait of Pier Maria Rossi di San Secondo'' is a painting by the Italian Mannerist artist Parmigianino, executed around 1535–1539 and housed in the Museo del Prado, Madrid, Spain. The subject was Count of San Secondo, and the painting forms a pair with a group portrait of his Countess and their children, ''Portrait of Camilla Gonzaga and Her Three Sons'', although the latter is not unanimously attributed to Parmigianino. History It is mentioned in a 1686 inventory of the collections of the Royal Alcazar of Madrid, as the ''portrait of count of San Sigundo''. The subject has been identified with Pier Maria III de' Rossi basing on this note, and by another from 1630 by one of his descendants about the existence of a portrait of him by Parmigianino. The painting arrived in Spain in 1664, after King Philip IV of Spain, Philip IV had supported the Rossi family in a dispute with the house of Farnese, Farnese of Parma about some territories. It has been dated from around 1535 ...
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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ...
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Damask
Damask (; ar, دمشق) is a reversible patterned fabric of silk, wool, linen, cotton, or synthetic fibers, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern.Kadolph, Sara J., ed.: ''Textiles'', 10th edition, Pearson/Prentice-Hall, 2007, , p. 251Monnas, Lisa. ''Merchants, Princes and Painters: Silk Fabrics in Italian and Northern Paintings 1300–1550''. New Haven, Yale University Press, 2008, pp. 295–299 History The production of damask was one of the five basic weaving techniques—the others being tabby, twill, lampas, and tapestry—of the Byzantine and Middle Eastern weaving centres of the early Middle Ages.Jenkins, David T., ed.''The Cambridge History of Western Textiles'' Cambridge, UK: Cambridge University Press, 2003, , p. 343. Used in daily nomadic life this form of weaving was ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portraits By Parmigianino
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ...
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Pietro Aretino
Pietro Aretino (, ; 19 or 20 April 1492 – 21 October 1556) was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics. He was one of the most influential writers of his time and an outspoken critic of the powerful. Owing to his communications and sympathies with religious reformers, he is considered to have been a Nicodemite Protestant. Life His father was Luca Del Tura, a shoemaker from Arezzo in Tuscany, Italy, who abandoned his family to join the militia. The father later returned to Arezzo, finally dying in poverty at the age of 85, unforgiven by his son, who never acknowledged the paternal name, taking ''Aretino'' (meaning 'Arretine, from Arezzo') as a surname. His mother was Margherita, known as Tita, Bonci. Either before or after the abandonment (it is not known which), she entered into a lasting relationship with a local noble, Luigi Bacci, who supported Tita, Pietro and his two sisters and brought up Pie ...
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Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lov ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Codpiece
A codpiece () is a triangular piece that attached to the front of men's hose, covering the fly. It may be held in place by ties or buttons. It was an important fashion item of European clothing during the 15th–16th centuries. In the modern era, similar clothing pieces are worn in the leather subculture, and in performance costumes, such as for rock and metal musicians. A similar device with rigid construction, an athletic cup, is used as protective gear for male athletes. In European fashion From the ancient world there are extant depictions of articles of clothing designed to cover just the male genitalia; for example, archaeological recovery at Minoan Knossos on Crete has yielded figurines, some of whom wear only a garment covering the male genitalia. However, the codpiece, ''per se'', appeared in everyday European fashion for men only many centuries later, associated with hose and trousers. In 14th century European fashions, men's hose were two separate legs worn over lin ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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House Of Farnese
The House of Farnese family (, also , ) was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family. Its most important members included Pope Paul III, Alessandro Farnese (a cardinal), Alexander Farnese, Duke of Parma and Piacenza (a military commander and Governor of the Spanish Netherlands), and Elisabeth Farnese, who became Queen of Spain and whose legacy was brought to her Bourbon descendants. A number of important architectural works and antiquities are associated with the Farnese family, either through construction or acquisition. Buildings include the Palazzo Farnese in Rome and the Villa Farnese at Caprarola, and ancient artifacts include the Farnese Marbles. History Origins The family could trace its origins back to around AD 984 and took its name from one of its oldest feudal possessions - ''Castrum Farneti''. There has been some debate as to the origins of the name Far ...
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