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Piano Quartet No. 1 (Brahms)
The Piano Quartet No. 1 in G minor, Op. 25, was composed by Johannes Brahms between 1856 and 1861. It was premiered in 1861 in Hamburg, with Clara Schumann at the piano. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet.Melvin Berger, ''Guide to Chamber Music'', 2001, Dover. p. 90–91, Like most piano quartets, it is scored for piano, violin, viola and cello. Structure The quartet is in four movements: Analysis First movement This first movement, a sonata form movement in G minor and common time, begins immediately with the first theme, a declamatory statement in straight quarter-notes, stated in octaves for the piano alone. This theme is the opening cell that governs the content of the rest of the musical material in the movement. The other instruments soon join in to develop this initial theme and cadence in G minor. There are four other themes in the exposition. The second is in B major ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Time
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with , , and being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. It features in a good amount of music by artists such as The Chipmunks, Louis Armstrong or Bob Dylan. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Piano Quartet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Johannes Brahms
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is inse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Von Dohnányi
Ernst von Dohnányi (Hungarian: ''Dohnányi Ernő'', ; 27 July 1877 – 9 February 1960) was a Hungarian composer, pianist and conductor. He used a German form of his name on most published compositions. Biography Dohnányi was born in Pozsony, Kingdom of Hungary, Austria-Hungary (today Bratislava, capital of Slovakia). He was the son of Frigyes Dohnányi and his wife Ottilia Szlabey. He first studied music with his father, a professor of mathematics and an amateur cellist, and then when he was eight years old, with Carl Forstner, organist at the local cathedral. In 1894, in his 17th year, he moved to Budapest and enrolled in the '' Royal National Hungarian Academy of Music'', studying piano with István Thomán and composition with Hans von Koessler, a cousin of Max Reger. István Thomán had been a favorite student of Franz Liszt, while Hans von Koessler was a devotee of Johannes Brahms's music. These two influences played an important part in Dohnányi's life: Liszt on his p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahms–Schoenberg Quartet
''Brahms–Schoenberg Quartet'' is a one-act ballet by George Balanchine, to Johannes Brahms's Piano Quartet No. 1, orchestrated by Arnold Schoenberg. The ballet premiered on April 21, 1966 at the New York State Theater, performed by the New York City Ballet. Background and production Arnold Schoenberg's orchestration of Johannes Brahms's Piano Quartet No. 1 premiered in 1937. According to the George Balanchine Trust, Balanchine had said the chamber music were "too long, with too many repeats, and meant for small rooms", therefore went with the Schoenberg version. The ballet is plotless and has four movements, titled Allegro, Intermezzo, Andante and Rondo Alla Zingarese. In the original production, Barbara Karinska, Peter Harvey and Ronald Bates designed the costumes, sets and lighting respectively. In 1985, two years after Balanchine died, NYCB switched to a new set designed by David Mitchell, Mark Stanley later redesigned the lighting. ''Brahms–Schoenberg Quartet'' premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles Philharmonic Orchestra
The Los Angeles Philharmonic, commonly referred to as the LA Phil, is an American orchestra based in Los Angeles, California. It has a regular season of concerts from October through June at the Walt Disney Concert Hall, and a summer season at the Hollywood Bowl from July through September. Gustavo Dudamel is the current Music Director, Esa-Pekka Salonen is Conductor Laureate, Zubin Mehta is Conductor Emeritus, and Susanna Mälkki is Principal Guest Conductor. John Adams is the orchestra's current Composer-in-Residence. Music critics have described the orchestra as the most "contemporary minded", "forward thinking", "talked about and innovative", and "venturesome and admired" orchestra in America. According to Salonen, "We are interested in the future. We are not trying to re-create the glories of the past, like so many other symphony orchestras." "Especially since we moved into the new hall", continues Deborah Borda (former CEO), "our intention has been to integrate 21st-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Klemperer
Otto Nossan Klemperer (14 May 18856 July 1973) was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor. A protégé of the composer Gustav Mahler, Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. From 1929 to 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. The rise of the Nazis caused him to leave Germany in 1933, and shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumour. An operation to remove it was succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuoso, virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda (music), coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (music), free time (without a strict, regular pulse) and can be wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Concerto (Brahms)
__NOTOC__ The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra. The orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings. Origin of the work The Double Concerto was Brahms' final work for orchestra. It was composed in the summer of 1887, and first performed on 18 October of that year in the in Cologne, Germany. Brahms approached the project with anxiety over writing for instruments that were not his own. He wrote it for the cellist Robert Hausmann, a frequent chamber music collaborator, and his old but estranged friend, the violinist Joseph Joachim. The concerto was, in part, a gesture of reconciliation towards Joachim, after their long friendship had ruptured following Joachim's divorce from his wife Amalie. (Brahms had sided with Amalie in the dispute.) The concerto makes use of the musical motif A–E–F, a permutation of F–A–E, which stood for a personal motto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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