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Peter Hofmann
Peter Hofmann (22 August 1944 – 30 November 2010) was a German tenor who had a successful performance career within the fields of opera, rock, pop, and musical theatre. He first rose to prominence as a heldentenor at the Bayreuth festival's ''Jahrhundertring'' (''Centenary Ring'') in 1976, where he drew critical acclaim for his performance of Siegmund in Richard Wagner's ''Die Walküre''. He was active as one of the world's leading Wagnerian tenors over the next decade, performing roles like Lohengrin, Parsifal, Siegfried, and Tristan at major opera houses and festivals internationally. Hofmann's busy and demanding schedule in combination with an "imperfect vocal technique", led to intermittent vocal problems which became more prominent in the singer's opera performances in the late 1980s. These difficulties led him to completely abandon his opera career in 1989 in favor of pursuing a full-time career in popular music. Hofmann had already spent portions of his opera career pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Hofmann
Peter Hofmann (22 August 1944 – 30 November 2010) was a German tenor who had a successful performance career within the fields of opera, rock, pop, and musical theatre. He first rose to prominence as a heldentenor at the Bayreuth festival's ''Jahrhundertring'' (''Centenary Ring'') in 1976, where he drew critical acclaim for his performance of Siegmund in Richard Wagner's ''Die Walküre''. He was active as one of the world's leading Wagnerian tenors over the next decade, performing roles like Lohengrin, Parsifal, Siegfried, and Tristan at major opera houses and festivals internationally. Hofmann's busy and demanding schedule in combination with an "imperfect vocal technique", led to intermittent vocal problems which became more prominent in the singer's opera performances in the late 1980s. These difficulties led him to completely abandon his opera career in 1989 in favor of pursuing a full-time career in popular music. Hofmann had already spent portions of his opera career pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstadt
Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel. Darmstadt holds the official title "City of Science" (german: link=no, Wissenschaftsstadt) as it is a major centre of scientific institutions, universities, and high-technology companies. The European Organisation for the Exploitation of Meteorological Satellites (EUMETSAT) and the European Space Operations Centre (ESOC) are located in Darmstadt, as well as Gesellschaft für Schwerionenforschung, GSI Centre for Heavy Ion Research, where several chemical elements such as bohrium (1981), meitnerium (1982), hassium (1984), darmstadtium (1994), roentgenium (1994), and copernicium (1996) were discovered. The existence of the following elements were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrice Chéreau
Patrice Chéreau (; 2 November 1944 – 7 October 2013) was a French opera and theatre director, filmmaker, actor and producer. In France he is best known for his work for the theatre, internationally for his films '' La Reine Margot'' and '' Intimacy'', and for his staging of the '' Jahrhundertring'', the centenary '' Ring Cycle'' at the Bayreuth Festival in 1976. Winner of almost twenty movie awards, including the Cannes Jury Prize and the Golden Berlin Bear, Chéreau served as president of the jury at the 2003 Cannes festival. From 1966, he was artistic director of the ''Public-Theatre'' in the Parisian suburb of Sartrouville, where in his team were stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot, with whom he collaborated in many later productions. From 1982, he was director of "his own stage" at the Théâtre Nanterre-Amandiers at Nanterre where he staged plays by Jean Racine, Marivaux and Shakespeare as well as wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuppertal Opera
Opernhaus Wuppertal (Wuppertal Opera House) is a German theatre in Wuppertal, North Rhine-Westphalia. It houses mostly performances of operas, but also plays, run by the municipal Wuppertaler Bühnen. The house is also the venue for dance performances by the company created by Pina Bausch. The house was built in 1905 on a design by Carl Moritz as the ("Barmen Municipal Theatre"). It was rebuilt after being severely damaged during World War II and again restored over the period 2006–2009. The theatre is located in the center of Wuppertal-Barmen, served by the Wuppertal Suspension Railway and Wuppertal-Barmen station. History The original building was the ("Barmen Municipal Theatre"), an all-purpose theatre for opera and plays built in 1905 before Barmen was merged into Wuppertal. It was designed by the architect Carl Moritz in a style drawing on neo-Baroque and Jugendstil. It was completed in 1907. The theatre was severely damaged during a World War II air raid on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Lübeck
The Theater Lübeck (formerly ''Stage of the Hansestadt Lübeck'', colloquially ''Stadttheater'') is one of the largest theaters in the German state of Schleswig-Holstein. It is managed by ''Theater Lübeck GmbH'', a state-owned company of the Hansestadt Lübeck. Public interest in theatrical works and opera arose in Lübeck in the early days of the Age of Enlightenment and the first opera production in the city took place on 2 June 1746 in the house of master craftsman Schröder Ecke on the Königstraße. The predecessor of the current building dates from 1752. The transition of the company to the city in the 19th century is described by Thomas Mann in his novel ''Buddenbrooks''. Prominent conductors that began their careers in Lübeck include Hermann Abendroth, Wilhelm Furtwängler and Christoph von Dohnányi. Structure The Theater was built in 1908 in the Art Nouveau style, on the site of an 18th-century theater on the Beckergrube in Lübeck's Old City. It was designed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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