Pendants (art)
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Pendants (art)
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape painting Landscape painting, also known as landscape ar ...
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Giovanni Paolo Panini
Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was an Italian painter and architect who worked in Rome and is primarily known as one of the ''veduta, vedutisti'' ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon, Rome, Pantheon (on behalf of Francesco Algarotti), and his ''vedute''—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of ''capriccio (painting), capriccio'' themes. In this they resemble the ''capricci'' of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV. Biography As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, whe ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Statue
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Reliefs
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ...
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Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ...
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Jean-Baptiste Théodon
Jean-Baptiste Théodon (1645–1713) was a French sculptor. Born at Vendrest (Seine-et-Marne), he formed his style working in the Manufacture royale des Gobelins organized by Jean-Baptiste Colbert, who saw to it that he was admitted to the newly founded French Academy at Rome in 1675.Roman Baroque Sculpture: The Industry of Art, by Jennifer Montagu, Yale University Press, 1992, page 107 Following the successive reinstallations of the Academy, in the company of his wife, Théodon remained in Rome for three decades, working for the popes at the Lateran and the Basilica of St. Peter, and above all for the Jesuits , image = Ihs-logo.svg , image_size = 175px , caption = ChristogramOfficial seal of the Jesuits , abbreviation = SJ , nickname = Jesuits , formation = , founders = .... After a brief visit to Paris in 1704, he returned once and for all in 1705, to participate, among sculptors of gre ...
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Pierre Le Gros The Younger
Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.Gerhard Bissell, ''Pierre le Gros, 1666–1719'', Reading, Berkshire 1997. He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the ''Altar of Saint Ignatius of Loyola'' in the Gesù and the cycle of the twelve huge ''Apostle statues'' in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roman ...
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Ignatius Of Loyola
Ignatius of Loyola, Society of Jesus, S.J. (born Íñigo López de Oñaz y Loyola; eu, Ignazio Loiolakoa; es, Ignacio de Loyola; la, Ignatius de Loyola; – 31 July 1556), venerated as Saint Ignatius of Loyola, was a Spain, Spanish Catholic priest and theologian, who, with Peter Faber and Francis Xavier, founded the religious order of the Society of Jesus (The Jesuits), and became its first Superior General of the Society of Jesus, Superior General, in Paris in 1541. He envisioned the purpose of the Society of Jesus to be Missionary, missionary work and Education, teaching. In addition to the vows of chastity, obedience and poverty of other religious orders in the church, Loyola instituted a fourth vow for Jesuits of obedience to the Pope, to engage in projects ordained by the pontiff. Jesuits were instrumental in leading the Counter-Reformation. As a former soldier, Ignatius paid particular attention to the spiritual formation of his recruits and recorded his method in the ...
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Church Of The Gesù
, image = Church of the Gesù, Rome.jpg , imagesize = , caption = Giacomo della Porta's façade, precursor of Baroque , mapframe = yes , mapframe-caption = Click on the map for a fullscreen view , mapframe-zoom = 12 , mapframe-marker = religious-christian , coordinates = , location = 54 Piazza del Gesu, Rome , country = Italy , denomination = Catholic , website = , former name = , bull date = , founded date = , founder = , dedication = , dedicated date = , consecrated date = 1584 , relics = , status = Mother church of the Society of Jesus, titular church; titular church , functional status = Active , heritage designation = , designated date = , architect = , style = , years built = , groun ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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