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Patera
In the material culture of classical antiquity, a ''phiale'' ( ) or ''patera'' () is a shallow ceramic or metal libation bowl. It often has a bulbous indentation ('' omphalos'', "bellybutton") in the center underside to facilitate holding it, in which case it is sometimes called a ''mesomphalic phiale''. It typically has no handles, and no feet. Although the two terms may be used interchangeably, particularly in the context of Etruscan culture, ''phiale'' is more common in reference to Greek forms, and ''patera'' in Roman settings, not to be confused with the Greek () or Father. Use Libation was a central and vital aspect of ancient Greek religion, and one of the simplest and most common forms of religious practice. It is one of the basic religious acts that define piety in ancient Greece, dating back to the Bronze Age and even prehistoric Greece. Libations were a part of daily life, and the pious might perform them every day in the morning and evening, as well as to begin m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hispania
Hispania ( la, Hispānia , ; nearly identically pronounced in Spanish, Portuguese, Catalan, and Italian) was the Roman name for the Iberian Peninsula and its provinces. Under the Roman Republic, Hispania was divided into two provinces: Hispania Citerior and Hispania Ulterior. During the Principate, Hispania Ulterior was divided into two new provinces, Baetica and Lusitania, while Hispania Citerior was renamed Hispania Tarraconensis. Subsequently, the western part of Tarraconensis was split off, first as Hispania Nova, later renamed "Callaecia" (or Gallaecia, whence modern Galicia). From Diocletian's Tetrarchy (AD 284) onwards, the south of the remainder of Tarraconensis was again split off as Carthaginensis, and all of the mainland Hispanic provinces, along with the Balearic Islands and the North African province of Mauretania Tingitana, were later grouped into a civil diocese headed by a ''vicarius''. The name Hispania was also used in the period of Visigothic rule. The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euboea
Evia (, ; el, Εύβοια ; grc, Εὔβοια ) or Euboia (, ) is the second-largest Greek island in area and population, after Crete. It is separated from Boeotia in mainland Greece by the narrow Euripus Strait (only at its narrowest point). In general outline it is a long and narrow island; it is about long, and varies in breadth from to . Its geographic orientation is from northwest to southeast, and it is traversed throughout its length by a mountain range, which forms part of the chain that bounds Thessaly on the east, and is continued south of Euboia in the lofty islands of Andros, Tinos and Mykonos. It forms most of the regional unit of Euboea, which also includes Skyros and a small area of the Greek mainland. Name Like most of the Greek islands, Euboea was known by other names in antiquity, such as ''Macris'' (Μάκρις) and ''Doliche'' (Δολίχη) from its elongated shape, or ''Ellopia'', ''Aonia'' and ''Abantis'' from the tribes inhabiting it. Its ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eretria
Eretria (; el, Ερέτρια, , grc, Ἐρέτρια, , literally 'city of the rowers') is a town in Euboea, Greece, facing the coast of Attica across the narrow South Euboean Gulf. It was an important Greek polis in the 6th and 5th century BC, mentioned by many famous writers and actively involved in significant historical events. Excavations of the ancient city began in the 1890s and have been conducted since 1964 by the Greek Archaeological Service (11th Ephorate of Antiquities) and the Swiss School of Archaeology in Greece. History of Eretria Prehistory The first evidence for human activity in the area of Eretria are pottery shards and stone artifacts from the late Neolithic period (3500–3000 BC) found on the Acropolis as well as in the plain. No permanent structures have yet been found. It is therefore unclear whether a permanent settlement existed at that time. The first known settlement from the Early Helladic period (3000–2000 BC) was located on the plain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Aurelius
Marcus Aurelius Antoninus (Latin: áːɾkus̠ auɾέːli.us̠ antɔ́ːni.us̠ English: ; 26 April 121 – 17 March 180) was Roman emperor from 161 to 180 AD and a Stoic philosopher. He was the last of the rulers known as the Five Good Emperors (a term coined some 13 centuries later by Niccolò Machiavelli), and the last emperor of the Pax Romana, an age of relative peace and stability for the Roman Empire lasting from 27 BC to 180 AD. He served as Roman consul in 140, 145, and 161. Marcus Aurelius was born during the reign of Hadrian to the emperor's nephew, the praetor Marcus Annius Verus, and the heiress Domitia Calvilla. His father died when he was three, and his mother and grandfather raised him. After Hadrian's adoptive son, Aelius Caesar, died in 138, the emperor adopted Marcus's uncle Antoninus Pius as his new heir. In turn, Antoninus adopted Marcus and Lucius, the son of Aelius. Hadrian died that year, and Antoninus became emperor. Now heir to the throne, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capite Velato
The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans. This legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Western Church. This glossary provides explanations of concepts as they were expressed in Latin pertaining to religious practices and beliefs, with links to articles on major topics such as priesthoods, forms of divination, and rituals. For theonyms, or the names and epithets of gods, see List of Roman deities. For public religious holidays, see Roman festivals. For temples see the List of Ancient Roman temples. Individual landmarks of religious topography in ancient Rome are not included in this list; see Roman temple. __NOTOC__ Glossary A abominari The verb ''abominari'' ("to avert an omen", from ''ab-'', "away, off," and ''ominari'', "to pronounce on an omen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apulia
it, Pugliese , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +01:00 , timezone1_DST = CEST , utc_offset1_DST = +02:00 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-75 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €76.6 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €19,000 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.845 · 18th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chariot
A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000 BCE. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel. The chariot was a fast, light, open, two-wheeled conveyance drawn by two or more horses that were hitched side by side, and was little more than a floor with a waist-high guard at the front and sides. It was initially used for ancient warfare during the Bronze and Iron Ages, but after its military capabilities had been superseded by light and heavy cavalries, chariots continued to be used for travel and transport, in processions, for games, and in races. Etymology The word "chariot" comes from the Latin term ''carrus'', a loanword from Gaulish. In ancient Rome and some other ancient Mediterranean civilizations, a ''biga'' re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White-ground
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cylix Of Apollo
The few pottery exhibits of the Delphi Archaeological Museum include a famous shallow bowl (kylix) with an unusual depiction of the god Apollo. In the white-ground red-figure technique, it was found in a grave underneath the museum. It is the work of an Attic workshop, around 480–470 BC. Scholars have suggested Euphronios or Onesimos as the painter, or described it as in the manner of the Pistoxenos Painter. The scene depicted evokes the verse from the second hymn to Apollo found inscribed on the southern wall of the Treasury of the Athenians: "Sing for the gold-haired Pythios who aims far with his bow and arrow and plays nicely the lyre". Description Inside the cylix Apollo is depicted with an elaborate hairdo and a laurel wreath on his head, sitting on a chair, the legs of which end up in lion's paws. The god wears a white chiton, a red himation (cloak) and sandals. A seven-stringed lyre is attached to his left hand with a red stripe, whereas with his right hand he pours a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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