Passerelle De Bessengué
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Passerelle De Bessengué
The ''Passerelle de Bessengue'' is an artwork in Douala (Cameroon). It is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands. It was inaugurated during the Salon Urbain de Douala en 2007. The artwork The Passerelle de Bessengue is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands. La Passerelle was designed by the Cameroonian artist Alioum Moussa. It was initially conceived as a cooperation development project funded by the Institut Régional de Coopération-Développement d’Alsace (Ircod-Alsace), the Municipality of Douala I, and doual’art. As project coordinator, doual’art ran a community-based approach involving the local Development Community of Bessengue-Akwa (CDBA) from the conceptualization phase to the project production. During the process, an artistic contest was organized in order to provid ...
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Public Art
Public art is art in any Media (arts), media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance. Independent art created or staged in or near the public realm (for example, graffiti, street art) lacks official or tangible public sanction has not been recognized as part of the public art genre, however this attitude is changing due to the efforts of several street artists. Such unofficial artwork may exist on private or public property immediately adjacent to the public realm, or in natu ...
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Douala
Douala is the largest city in Cameroon and its economic capital. It is also the capital of Cameroon's Littoral Region (Cameroon), Littoral Region. Home to Central Africa's largest port and its major international airport, Douala International Airport (DLA), it is the commercial and economic capital of Cameroon and the entire Economic Community of Central African States, CEMAC region comprising Gabon, Congo, Chad, Equatorial Guinea, Central African Republic and Cameroon. Consequently, it handles most of the country's major exports, such as Petroleum, oil, Cocoa bean, cocoa and coffee, timber, metals and fruits. , the city and its surrounding area had an estimated population of 5,768,400. The city sits on the estuary of Wouri River and its climate is tropical. History The first Europeans to visit the area were the Portuguese people, Portuguese in about 1472. At the time, the estuary of Wouri River was known as the Rio dos Camarões (Shrimp River). By 1650, it had become the site ...
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Cameroon
Cameroon (; french: Cameroun, ff, Kamerun), officially the Republic of Cameroon (french: République du Cameroun, links=no), is a country in west-central Africa. It is bordered by Nigeria to the west and north; Chad to the northeast; the Central African Republic to the east; and Equatorial Guinea, Gabon and the Republic of the Congo to the south. Its coastline lies on the Bight of Biafra, part of the Gulf of Guinea and the Atlantic Ocean. Due to its strategic position at the crossroads between West Africa and Central Africa, it has been categorized as being in both camps. Its nearly 27 million people speak 250 native languages. Early inhabitants of the territory included the Sao civilisation around Lake Chad, and the Baka hunter-gatherers in the southeastern rainforest. Portuguese explorers reached the coast in the 15th century and named the area ''Rio dos Camarões'' (''Shrimp River''), which became ''Cameroon'' in English. Fulani soldiers founded the Adamawa Emirate ...
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Alioum Moussa
Alioum Moussa, born in 1977 in Maroua (Cameroon), is a graphic designer and illustrator by training. He lives and works in Yaoundé (Cameroon). Biography A self-taught visual artist, Alioum Moussa expresses himself through several media: primarily in painting but also performance, installation and assemblages of objects. In recent years, he has been experimenting with theatrical scenery. His career began in 1993, when he won the award for best Cameroonian artisan at a competition organized by the Ministry of Commerce. He has been honing himself through varied workshops in different parts of the world and at many residencies, IAAB (Basel, Switzerland) in 2006, to the University of Ideas, organized by the Pistoletto Foundation (Biella, Italy) in 2010. He received an artist’s visa from AFAA/Culturesfrance in 2007. In 2010, he won the Illy contest and his design was selected to decorate coffee canisters on display and for sale. His gaze is filled with humor for the human being and th ...
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Doual’art
doual'art is a non profit cultural organisation and art centre founded in 1991 in Douala, Cameroon and focussed on new urban practices of African cities. History doual'art was registered as a non profit organization in 1992 and it was established by Marilyn Douala Bell and Didier Schaub. In 1995 they created ''Espace doual'art'', an exhibition space and gallery in the neighbourhood of Bonanjo in Douala. In 1996 they produced La Nouvelle Liberté by Joseph-Francis Sumégné, considered a landmark in Douala. In 2005 they organized the first Ars&Urbis event, an international symposium to foster discussion and theory about the contribution of art to urban transformation. The event led to the establishment of the SUD Salon Urbain de Douala, a triennial exhibition focused on public art. In December 2007 it launched the first edition of the SUD Salon Urbain de Douala. In December 2010 the second edition of SUD Salon Urbain de Douala took place. The salon produces the itinerant exhibi ...
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Alioum Moussa, La Passerelle, Photo By Sandrine Dole July 2012 01
Alioum is both a surname and a given name. Notable people with the name include: *Sidi Alioum (born 1982), Cameroonian football referee *Alioum Boukar (born 1972), Cameroonian footballer * Alioum Moussa (born 1977), Cameroonian graphic designer and illustrator *Alioum Saidou Alioum Saidou (born 19 February 1978) is a Cameroonian former professional footballer who played as a defensive midfielder. He played international football for the Cameroon national team, with whom he played at the 2006 Africa Cup of Nations. ...
(born 1978), Cameroonian footballer {{given name, type=both ...
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List Of Public Art In Douala
This is a list of public art in Douala, within the city and its adjacent municipalities, including statues, sculptures, murals and other significant artworks located outside in public view. Sites Permanent artwork Temporary or disappeared artworks References Bibliography * Pensa, Iolanda (Ed.) 2017. Public Art in Africa. Art et transformations urbaines à Douala /// Art and Urban Transformations in Douala. Genève: Metis Presses. {{ISBN, 978-2-94-0563-16-6 * Marta Pucciarelli (2014) Final Report. University of Applied Sciences and Arts of Southern Switzerland, Laboratory of visual culture Culture in Douala, Public art Public art in Douala Douala Douala is the largest city in Cameroon and its economic capital. It is also the capital of Cameroon's Littoral Region (Cameroon), Littoral Region. Home to Central Africa's largest port and its major international airport, Do ...
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Contemporary African Art
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category ic are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression? Western scholars and curators have made numerous attempts at defining contemporary African art since the 1990s and early 2000s and proposed a range of categories and genres. They triggered heated debates and controversies, especially on the foundations of postcolonial critique. Recent trends indicate a far more relaxed engagement with definitions and identity ascriptions. The global presence and entanglement of Africa and its contemporary artists have become a widely acknowledged f ...
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