Contemporary African art is commonly understood to be art made by artists in
Africa
Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area ...
and the
African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category
ic are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
Western scholars and curators have made numerous attempts at defining contemporary African art since the 1990s and early 2000s and proposed a range of categories and genres. They triggered heated debates and controversies, especially on the foundations of postcolonial critique. Recent trends indicate a far more relaxed engagement with definitions and identity ascriptions. The global presence and entanglement of Africa and its contemporary artists have become a widely acknowledged fact that still requires and provokes critical reflection, but finds itself beyond the pressure of self-justification.
Scope
Although African art has always been contemporary to its producers, the term "contemporary African art" implies a particular kind of art that has conquered, or, as some would say, has been absorbed by the international art world and
art market
The art market is the marketplace of buyers and sellers trading in commodities, services, and works of art.
The art market operates in an economic model that considers more than supply and demand: it is a hybrid type of prediction market where ...
since the 1980s. It is in that decade when
Europe
Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a Continent#Subcontinents, subcontinent of Eurasia ...
and the
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
became aware of art made in Africa by individual artists, thus breaking with the colonial tradition of assuming collective "ethnic" origins of so-called "tribal art" as found in most ethnographic collections.
[Firstenberg (2003). "Negotiating the Taxonomy of Contemporary African Art", in Farrell and Byvanck (eds), ''Looking Both Ways'', pp. 37-41.] The exhibition ''
Magiciens de la terre
Magiciens de la Terre was a contemporary art exhibit at the Centre Georges Pompidou and the Grande halle de la Villette from 18 May to 14 August 1989.
Background
Primitivism
Magiciens de la Terre literally translates to "Magicians of the Earth." ...
'' by
Jean-Hubert Martin
Jean-Hubert Martin () born on June 3, 1944 in Strasbourg, France, is a leading art historian, institution director, and curator of international exhibitions. Through his professional career, he contributed to expand what is considered as contemp ...
in 1989 is widely considered (but also challenged as) a key exhibition in this very recent history of international reception of African and other non-western art. However, this reception, too, has its roots in an exotic and mystifying view on African culture from a dominant western position, as
Rasheed Araeen
Rasheed Araeen ( ur, رشید آرائیں; born 1935) is a Karachi born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, an ...
argued in his response to ''Magiciens de la terre''.
[Araeen, Rasheed (1989). "Our Bauhaus Others' Mudhouse", ''Third Text'' no. 6, pp. 3–16.]
Therefore, although this exhibition and many that followed had a strong influence in creating a kind of a common understanding of what constitutes contemporary African art, it is true that it has been and still is subject to discussions and controversies. Almost every exhibition following ''Magiciens de la terre'' offered a taxonomy or system of categorization that helped to reflect the very notion of contemporary African art, but they failed to recognize the postcolonial need of giving up the
Eurocentric
Eurocentrism (also Eurocentricity or Western-centrism)
is a worldview that is centered on Western civilization or a biased view that favors it over non-Western civilizations. The exact scope of Eurocentrism varies from the entire Western worl ...
epistemology.
[Nzegwu, Nkiru (1998). "Introduction: Contemporary African Art and Exclusionary Politics", ''Issues in Contemporary African Art''. Binghamton, NY: International Society for the Study of Africa ISSA, pp. 1–18.]
Contemporary African art is believed to feature particularities typical to African aesthetics, while at the same time it shares properties with other international contemporary arts. Therefore, it is both, shaped by and feeding into the globalizing art worlds and art markets, like any other contemporary art. At the same time, there are a lot of contemporary art practices and forms in African regions and cities that are almost exclusively locally known. While meeting all three requirements of being contemporary, art, and African, they fail to fit into a certain type of art production that has been spreading on the international art market since at least the 1980s.
Exhibitions variously showed work by artists based in Africa; by artists using aesthetics typical to African traditions; by African artists living in the West but including aesthetics and topics related to their "roots";
traditional artworks related to customary practices such as rituals; and urban African art that reflects the modern experience of cultural pluralism and hybridity. Modernity as a colonial and postcolonial experience appears as an intrinsic and significant attribute in most conceptions of contemporary African art. Scholars and curators therefore have proposed a wide range of taxonomies that tried firstly to define what is African about this art, and secondly, the range of genres it covers. Diverse attempts to define particular genres of contemporary African art, however, mirrored the fascination of art scholars and curators for the appropriation of cultural elements from assumed "Western" into "African" modes of expression and traditions.
Attempts to define genres of contemporary African art
One example is Marshall W. Mount, who proposed four categories: first, "survivals of traditional styles", which show continuities in traditional working material and methods such as bronze casting or wood carving; secondly, art inspired by Christian missions; thirdly, souvenir art in the sense of tourist or "''airport art''", as defined later by Jules-Rossette; and finally, an emerging art requiring "techniques that were unknown or rare in traditional African art".
Valentin Y. Mudimbe, in turn, proposes to think of three currents, rather than categories, namely a "tradition-inspired" one, a "modernist" trend, and "a popular art",
[Mudimbe, Valentin Y. (1991). "'Reprendre': Enunciations and Strategies in Contemporary African Arts", in Vogel, S. (ed.), ''Africa Explores: 20th Century African Art''. Munich: Prestel, p. 280.] whereby Mount’s categories would be situated somewhere "between the tradition-inspired and the modernist trend”.
Similar to other categorizations, this proposal considers the education of the artists as well as the envisaged clientele/patrons as important factors for the respective "currents". In the exhibition catalogue of ''Africa Explores'' (1991), curator Susan Vogel distinguished between "traditional art", "new functional art", "urban art", "international art", and "extinct art". Rejecting these categories, collector André Magnin proposed to group similar works into sections named "territory", "frontier" and "world" in his survey book ''Contemporary African Art'', thus placing them into "imaginary maps". However, this approach was also criticized by Dele Jegede with convincing arguments against its ethnocentric perspective. Among other things, he pointed to the
hubris of attempts to talk about art of a whole continent, but also to the common
reflex to exclude Northern Africa in such considerations and to follow a global, rather than "particularistic focus on the study of the art of the continent" that would provide more specific and deeper bodies of knowledge. In the 1990 exhibition ''Contemporary African Artists: Changing Tradition'', the
Studio Museum in Harlem tried to take the perspective of the presented artists and distinguished between African artists who refuse outside influences; African artists who adopt modes of Western art; and African artists who fuse both strategies.
A commonality to all these categorizations is their reliance on
dichotomies
A dichotomy is a partition of a whole (or a set) into two parts (subsets). In other words, this couple of parts must be
* jointly exhaustive: everything must belong to one part or the other, and
* mutually exclusive: nothing can belong simulta ...
between art and craft, Europe and Africa, urban and rural, and traditional and contemporary. These dichotomies tend to consider mutual influences in African and European art as an exception rather than the norm. Even more, they fail to think of African art independent from Europe as its counterpart or "influence", resulting in a frequent reproach of African artists "copycatting" or "mimicking" European achievements of modernism.
[Oguibe, Olu (1999). "Art, Identity, Boundaries: Postmodernism and Contemporary African Art", in Oguibe, O., and O. Enwezor (eds), ''Reading the Contemporary: African Art from Theory to the Marketplace''. Cambridge: MIT Press, pp. 16–29.][Enwezor, Okwui, and Chika Okeke-Agulu (2009). ''Contemporary African Art since 1980.'' Bologna: Damiani, p. 21.] Such Eurocentric attitudes have been revealingly criticized by theorists such as
Olu Oguibe
Olu Oguibe (born 14 October 1964) is a Nigerian-born American artist and academic.[Olu Oguibe]
Retrieve ...
,
Rasheed Araeen,
Nkiru Nzegwu,
Okwui Enwezor
Okwui Enwezor (23 October 1963 – 15 March 2019) was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ''ArtReview'' list of the 100 m ...
or
Salah M. Hassan. This problem is not easy to solve, and in some cases, it is tackled by simply subverting any attempt of categorization.
The exhibition ''Seven Stories about Modern Art in Africa'', directed by
Clémentine Deliss
Clémentine Deliss (born 1960) is a London-born curator, researcher and publisher.
Biography
Clémen Mary Deliz born in 1960 in London to French-Austrian parents. She studied art in Vienna, Austria, and holds a B.A. in Social Anthropology and a ...
and curated by
Chika Okeke-Agulu
Chika Okeke-Agulu () is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Biography
Chika Okeke-Agulu was born in Umuahia in Nigeria in 19 ...
, Salah M. Hassan,
David Koloane
David Nthubu Koloane (5 June 1938 – 30 June 2019) was a South African artist. In his drawings, paintings and collages he explored questions about political injustice and human rights. Koloane is considered to have been "an influential artist ...
, Wanjiku Nyachae and El Hadji Sy (
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
, 1995) is a case in point. Rather than grafting binary taxonomies, it narrated seven modern art histories in different parts of Africa by invited curators and artists, who were familiar with these recent histories and their respective art scenes. The exhibition proved to offer a highly complex, historically informed and well-researched presentation. Another example for subverting binary taxonomies is the book ''Contemporary African Art after 1980'' by Okwui Enwezor and Chika Okeke-Agulu. Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial. "
rst, within categories of time, it is neither belated nor does it exist out of time; second, because it is post-historical, it did not emerge out of a succession of historical styles; third, because it is critical of colonial valorization of an authentic past, it is postcolonial; and fourth, in relation to its post-colonialism, it seeks, according to
Hans Belting
Hans Belting (born 7 July 1935 in Andernach, Rhine Province) is a German art historian and theorist of medieval and Renaissance art, as well as contemporary art and image theory. He was born in Andernach, Germany, and studied at the universities ...
’s thesis, to be post-ethnic
Neither being out of time nor belated, contemporary African art strategically inhabits a third epistemological space by being in time."
As they add, this being "fundamentally of its time" counts for all contemporary art, not only the African. In their book, Enwezor and Okeke-Agulu discuss contemporary African art by its approaches and guiding topics, rather than trying to define categories on the basis of styles, markets or traditions. Their chapters therefore are designated as "Between postcolonial utopia and postcolonial realism", "Networks of practice" in the globalized field of cultural production, "Politics, culture and critique", "Archive, document, memory", "Abstraction, figuration and subjectivity" and "The body politic: difference, gender, sexuality". Doing so, they locate contemporary African art within a historical perspective, something that had largely missed in previous discussions.
Exhibitions
1962
*''Art from the Commonwealth'',
Commonwealth Institute
The Commonwealth Education Trust is a registered charity established in 2007 as the successor trust to the Commonwealth Institute. The trust focuses on primary and secondary education and the training of teachers and invests on educational pro ...
,
Kensington
Kensington is a district in the Royal Borough of Kensington and Chelsea in the West End of London, West of Central London.
The district's commercial heart is Kensington High Street, running on an east–west axis. The north-east is taken up b ...
, London, 1962.
1966
*''Tendances et Confrontations''. Musée Dynamique, Dakar (1–24 April 1966), within the
World Festival of Black Arts
The World Festival of Black Arts (French: Festival Mondial des Arts Nègres), also known as FESMAN, is a month-long culture and arts festival that takes place in Africa. The festival features poetry, sculpture, painting, music, cinema, theatre, f ...
.
1967
*''Contemporary African Art''. Transcription Centre, London, 1967.
1969
*''Contemporary African Art'',
Studio International
''Studio International'' is an international illustrated contemporary art magazine, formerly published in hard copy in London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Ki ...
, London & New York, 1969.
Camden Arts Centre
Camden Art Centre (formerly known as Hampstead Arts Centre until 1967 and Camden Arts Centre until 2020) is a contemporary art gallery in the London Borough of Camden, England that hosts temporary exhibitions and educational outreach projects. T ...
, London, 1969.
*''Contemporary African Art''.
Otis College of Art and Design
Otis College of Art and Design is a private art and design school in Los Angeles, California. Established in 1918, it was the city's first independent professional school of art. The main campus is located in the former IBM Aerospace headquarte ...
,
Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world' ...
, 1969.
1974
*''African Art Today: Four Major Artists''. African-American Institute, New York, 1974.
*''Contemporary African Art'',
Museum of African Art, Washington D.C., 1974.
*''Contemporary African Arts'',
Field Museum of Natural History
The Field Museum of Natural History (FMNH), also known as The Field Museum, is a natural history museum in Chicago, Illinois, and is one of the largest such museums in the world. The museum is popular for the size and quality of its educational ...
, Chicago, 1974. Curated by Maude Wahlman, National Museum of African Art, Chicago (20 April–3 November 1974).
1977
*''African Contemporary Art'', The Gallery, Washington D.C, 1977. Curated by Kojo Fosu, The Gallery of Art,
Howard University
Howard University (Howard) is a private, federally chartered historically black research university in Washington, D.C. It is classified among "R2: Doctoral Universities – High research activity" and accredited by the Middle States Commissi ...
, Washington D.C. (30 April–31 July 1977).
1978
*''Christliches Africa: Kunst und Kunsthandwerk in Schwarzafrika''. Curated by Josef Thiel, Haus Völker und Kulturen, St. Augustine, 1978.
1979
*''Moderne Kunst aus Afrika'' im ''Rahmen des West-Berliner Festivals Horizonte Festival der Weltkulturen'' (Nr. 1, 1979). Eine Ausstellung der Berliner Festspiele mit Unterstützung der Staatliche Kunsthalle, Berlin, 1979 (title on the cover ''Kunst aus Africa''). Curated by Sabine Hollburg and Gereon Sievernich, Staatliche Kunsthalle, Berlin (24 June–12 August 1979); same exhibition with the title ''Moderne Kunst in Afrika'', Terra, Zutphen, 1980. Curated by Harrie M. Leyten and Paul Faber, Tropenmuseum, Amsterdam (1980); with the title ''Art from Africa'' at Commonwealth Institute, London (1981). The exhibition was also presented in Frankfurt/Main (Paulskirche) during the
Frankfurt Bookfair
The Frankfurt Book Fair (German: Frankfurter Buchmesse, FBM) is the world's largest trade fair for books, based on the number of publishing companies represented. It is considered to be the most important book fair in the world for internationa ...
and in Stockholm.
1984
*''L'art en Afrique est la vie: Paul Ahyi & El loko aus Togo'', Galerie Altana,
Hamburg
(male), (female) en, Hamburger(s),
Hamburgian(s)
, timezone1 = Central (CET)
, utc_offset1 = +1
, timezone1_DST = Central (CEST)
, utc_offset1_DST = +2
, postal ...
, 1984 (3–18 November 1984).
*''Sanaa: Contemporary Art from East Africa''. Curated by Fatmah Abdellah, Mordecai Buluma, Elimo Njau, Commonwealth Institute, London (1984).
1985
*''Tributaries: A View of Contemporary Southern African Art'', BMW Communications Department, 1985. Curated by Richard Burdett,
Africana Museum
Museum Africa or MuseuMAfricA (formerly known as the Africana Museum) is an historical museum in Newtown, Johannesburg, South Africa.
History
The museum was established in 1933, when the Johannesburg Public Library bought a large quantity of ...
, Johannesburg, Germany.
1986
*''From Two Worlds''. Co-curator
Nicholas Serota
Sir Nicholas Andrew Serota, (born 27 April 1946) is an English art historian and curator, who served as the Director of the Tate from 1988 to 2017. He is currently Chair of Arts Council England, a role which he has held since February 2017.
...
,
Whitechapel Art Gallery
The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the ...
(1986).
1987
*''L'art Naïf Africain'',
Musée d'Art Naïf - Max Fourny, Paris, 1987. In collaboration with Le Centre Culturel Français d'Abidjan, Musée d'Art Naïf - Max Fourny, Paris (11 September–11 November 1987).
* ''Ethnicolor'', Paris, 1987. Curated by Bruno Tilliette &
Simon Njami. ''Ethnicolor'', Autrements, Paris, 1987. Catalogue with essays by Bruno Tilliette, Simon Njami, Jean-Loup Pivin,
Pierre Gaudibert.
1988
*Venice Biennal (Aperto 88) International Exiption,
Fathi Hassan
Fathi Hassan ( ar, فتحي حسن, born 10 May 1957) is an Egyptian-born, Italian-based artist known for his installations involving the written word.
Life
Fathi Hassan was born in Cairo in 1957 as the second son to a Nubian family. His ...
.
*June 1988).
*''Art pour l'Afrique: Exposition internationale d'art contemporain''. Musée National des Arts Africains et Océaniens, Paris (08/06–25 July 1988).
*''Kunst uit een andere wereld'' (''Art from another world''), Snoeck-Ducaju & Zoon, Rotterdam, 1988. Curated by Paul Faber, Museo di Etnologia, Rotterdam (4 November 1988 – 13 February 1989).
*''Art contemporain arabe: collection du Musée du l'Institut du Monde Arabe'', Institut du Monde Arabe, Paris, 1988. Curated by Brahim Alaoui, Institut du Monde Arabe, Paris (1988).
1989
*''Bild/konst i södra Afrika'' (''Art/Images in Southern Africa''), edited by Christina Bjork, Kerstin Danielson and Bengt Serenander, Riksutställninger, Kulturhuset, Stoccolma, 1989. Curated by Kerstin Danielsson, Kulturhuset & Kulturhuset, Stoccolma (19 May–24 September 1989); itinerant in Sweden and in Scandinavian countries until May 1990.
*''
Magiciens de la terre
Magiciens de la Terre was a contemporary art exhibit at the Centre Georges Pompidou and the Grande halle de la Villette from 18 May to 14 August 1989.
Background
Primitivism
Magiciens de la Terre literally translates to "Magicians of the Earth." ...
'', Editions du Centre Pompidou, Paris, 1989. Curated by
Jean-Hubert Martin
Jean-Hubert Martin () born on June 3, 1944 in Strasbourg, France, is a leading art historian, institution director, and curator of international exhibitions. Through his professional career, he contributed to expand what is considered as contemp ...
, in collaboration with Jacques Soulillou, André Magnin, Aline Luque, Centre Pompidou, Paris (18 May–14 August 1989).
*''Croisement de Signes'',
Institut du Monde Arabe
The ''Institut du Monde Arabe'', French for Arab World Institute, abbreviated ''IMA'', is an organization founded in Paris in 1980 by France with 18 Arab countries to research and disseminate information about the Arab world and its cultural an ...
, Paris, 1989. Curated by Mohamed Métalsi (24 April–15 August 1989).
*''
The Other Story (exhibition)The Other Story: Afro-Asian Artists in Post-War Britain'',
Hayward Gallery
The Hayward Gallery is an art gallery within the Southbank Centre in central London, England and part of an area of major arts venues on the South Bank of the River Thames. It is sited adjacent to the other Southbank Centre buildings (the R ...
, London, 1989. Curated by
Rasheed Araeen
Rasheed Araeen ( ur, رشید آرائیں; born 1935) is a Karachi born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, an ...
, Hayward Gallery,
South Bank Centre
Southbank Centre is a complex of artistic venues in London, England, on the South Bank of the River Thames (between Hungerford Bridge and Waterloo Bridge).
It comprises three main performance venues (the Royal Festival Hall including the Nat ...
, London (1989).
*''Contemporary Art from the Islamic World'', edited by
Wijdan Ali
Princess Wijdan Ali ( ar, وجدان علي) (born 29 August 1939 in Baghdad, Iraq) is a Jordanian artist, art historian, educator and diplomat. She is the ex-wife of Prince 'Ali bin Naif of Jordan. She is best known for her efforts to revive the ...
in collaboration with Suhail Bisharat, Scorpion Publishing on behalf of the Royal Society of Fine Arts, Amman, London, 1989. Curated by Wijdan Ali, Barbican Concourse Gallery, London.
1990
![El Anatsui - Man's Cloth](https://upload.wikimedia.org/wikipedia/commons/8/8f/El_Anatsui_-_Man%27s_Cloth.jpg)
*''Lotte or the Transformation of the Art Object'', & Accademia d'Arte,
Vienna
en, Viennese
, iso_code = AT-9
, registration_plate = W
, postal_code_type = Postal code
, postal_code =
, timezone = CET
, utc_offset = +1
, timezone_DST ...
, 1990. Curated by
Clémentine Deliss
Clémentine Deliss (born 1960) is a London-born curator, researcher and publisher.
Biography
Clémen Mary Deliz born in 1960 in London to French-Austrian parents. She studied art in Vienna, Austria, and holds a B.A. in Social Anthropology and a ...
.
*''Art from the Frontline: Contemporary Art from South Africa, Angola, Botswana, Mozambique, Tanzanian, Zambia, Zimbabwe, Frontline States'', London:
Karia Press
Norris Chrisleventon "Buzz" Johnson (2 November 1951 – 11 February 2014), generally known as Buzz Johnson, was a Tobago-born publisher and activist who in the 1970s relocated to England, UK. There he set up a small publishing company called Kar ...
, 1990. Curated by Peter Sinclair and Emma Wallace, Glasgow Art Gallery and Museum (esposizione itinerante in Gran Bretagna).
*''Contemporary African Artists: Changing Traditions,
El Anatsui
El Anatsui ( h-nah-ch-wee born 1944) is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his " bottle-top installations". These installations consist of thousands of aluminum piec ...
, Youssouf Bath,
Ablade Glover
Ablade Glover Order of the Volta, CV (born 1934) is a Ghanaian artist and educator. He has exhibited widely, building an international reputation over several decades, as well as being regarded as a seminal figure on the West African art scen ...
,
Tapfuma Gutsa
Tapfuma Gutsa (born 1956) is a Zimbabwean sculptor.
A native of Harare, Gutsa studied sculpture with Cornelius Manguma at the Driefontein Mission School, later becoming the first Zimbabwean recipient of a British Council award. The scholarshi ...
,
Rosemary Karuga, Souleymane Keita,
Nicholas Mukomberanwa,
Henry Munyaradzi,
Bruce Onobrakpeya
Bruce Obomeyoma Onobrakpeya (born 30 August 1932) is a Nigerian printmaker, painter and sculptor. He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C. and the Malm ...
'', the
Studio Museum in Harlem, New York, 1990. Curated by Grace Stanislaus, the Studio Museum in Harlem, New York.
*''Wegzeichen: Kunst aus Ostafrika 1974–89''
'Signs: Art From East Africa 1974–1989'' Museum für Völkerkunde,
Frankfurt-am-Main, 1990. Curated by Johanna Agthe.
1991
*''Africa Explores: 20th Century African Art'', Center for African Art, New York / Prestel-Verlag, Munich, 1991. Curated by Susan Vogel in collaboration with Ima Ebong, The Centre for African Arts, New York (1991); University Art Museum di Berkeley; Dallas Museum of Art; Saint Louis Art Museum; Mint Museum of Art di Charlotte; The Carnegie Museum of Art di Pittsburgh; The Corcoran Gallery of Art di Washington D.C.; The Center for Fine Arts di Miami; Lüdwig; Forum für Internationale Kunst di Aachen, Germany (1993); Fundació Antoni Tàpies di Barcellona (1993); Espace Lyonnais d'Art Contemporain di Lyon (1994); Tate Gallery, Liverpool (1994).
*''Africa Hoy/Africa Now: Jean Pigozzi Collection''. Curated by André Magnin, Centro Atlantico de Arte Moderno,
Las Palmas de Gran Canaria
Las Palmas (, ; ), officially Las Palmas de Gran Canaria, is a Spanish city and capital of Gran Canaria, in the Canary Islands, on the Atlantic Ocean.
It is the capital (jointly with Santa Cruz de Tenerife), the most populous city in the auton ...
(17 September–17 November 1991);
Groninger Museum
The Groninger Museum () is an art museum in the city of Groningen in the Netherlands. The museum exhibits modern and contemporary art of local, national, and international artists.
The museum opened in 1874. The current post-modernist building co ...
,
Groningen
Groningen (; gos, Grunn or ) is the capital city and main municipality of Groningen province in the Netherlands. The ''capital of the north'', Groningen is the largest place as well as the economic and cultural centre of the northern part of t ...
, Olanda (7 December–9 February 1992), Centro Cultural de Arte Contemporaneo,
Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley o ...
(20 February–7 June 1992); ''Out of Africa'',
Saatchi Gallery
The Saatchi Gallery is a London gallery for contemporary art and an independent charity opened by Charles Saatchi in 1985. Exhibitions which drew upon the collection of Charles Saatchi, starting with US artists and minimalism, moving to the D ...
, London, 1993.
*''Art and Ambiguity: Prospectives on the Brenthurst Collection of Southern African Art'',
Johannesburg Art Gallery
The Johannesburg Art Gallery is an art gallery in Joubert Park in the city centre of Johannesburg, South Africa. It is the largest gallery on the continent with a collection that is larger than that of the Iziko South African National Gallery i ...
,
Johannesburg
Johannesburg ( , , ; Zulu and xh, eGoli ), colloquially known as Jozi, Joburg, or "The City of Gold", is the largest city in South Africa, classified as a megacity, and is one of the 100 largest urban areas in the world. According to Demo ...
, 1991.
*''Mit Pinsel und Meissel, Zeitgenössische afrikanische Kunst''
'Signs of the Time: New Art from Africa'' Museum für Volkerkunde,
Frankfurt am Main
Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its na ...
, 1991. Curated by Joanna Agthe and Christina Mundt, Museum für Völkerkunde, Frankfurt am Main (26 April 1991 – 19 April 1992).
*''A Grain of Wheat''. Curated by Leroi Coubagy, Commonwealth Institute, London (1991). In sostegno ai programmi dell'UNICEF.
*''Il Sud del Mondo: L'altra arte contemporanea'', Mazzotta, Milano, 1991. Curated by Pierre Gaudibert and Wijdan Ali (in collaboration with Umberto Melotti), Galleria civica d'arte contemporanea "Francesco Pizzo", Marsala (14 February–14 April 1991).
*''Contemporary Bushmen art of Southern Africa'', Kuru Cultural Project, Botswana, 1991. Curated by Kuru Cultural Project of D'Kar, Botswana in collaboration with Namibian Arts Association.
*''Desplazamientos'', Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain.
*''Transmission'', Rooseum, Malmö, Svezia.
1992
*''The
Jean Pigozzi
Jean "Johnny" Pigozzi (born 1952), heir to the CEO of the automobile brand Simca, is an art collector, photographer, fashion designer and . He lives in Geneva.
Biography
Pigozzi is a "French-born Italian". He was born in Paris in 1952 and is ...
Contemporary African Art Collection at the Saatchi Collection'', The Saatchi Gallery, London, 1992.
*''Home and the World: Architectural Sculpture by Two Contemporary African Artists'', The Museum for African Art, Collana Focus on African Art, New York, 1992.
*''La naissance de la peinture contemporaine en Afrique centrale, 1930–70'', Musée Royal de l'Afrique Centrele, Tervuren, 1992. Musée Royal de l'Afrique Centrele, Tervuren, Bruxelles (1992).
*''Paris Connections: African and Caribbean Artists in Paris'', Asake Bomani and Belvie Rooks (eds), San Francisco: Q.E.D. Press, 1992, 56 pp.
1993
*''Fusion: West African Artists at the Venice Biennale'', Museum for African Art, New York, 1993. Curated by Thomas McEvilly and Susan Vogel, all'interno della Biennale di Venezia, 1993.
*''La grande vérité, les astres africains'',
Musée des Beaux-Arts de Nantes, Nantes, 1993. Curated by Henry-Claude Cousseau, André Magnin, Jonas Storsve (25 June–25 September 1993).
*''Creative Impulses/Modern Expressions-Four African Artists: Skunder Boghossin, Rashid Diab, Mohammed Omer Khalil, Amir Nour'', African Studies and Research Center, Institute for African Development, Council for the Creative and Performing Arts, Cornell University, Ithaca, 1993. Curated by Salah Hassan.
1994
*''Seen/Unseen''. Curated by
Olu Oguibe
Olu Oguibe (born 14 October 1964) is a Nigerian-born American artist and academic.[Olu Oguibe]
Retrieve ...
, Bluecoat Gallery, Liverpool (18 June–23 July 1994)
*''F.R.A.C. Réunion, Lieux De Mémoire'', Curated by Antonio Picariello, artisti: Jack Beng-Thi, Michael Elma, Alain Padeau, Eric Pongérard, Edouard Rajaona, Alì M'roivili dit Napalo, Malla Chummun Raymyead.
*''Otro Païs: Escalas Africanas'' (''Another Century: African Stepovers''), Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria, 1994. Curated by
Simon Njami e Joëlle Busca (coordinamento generale di Orlando Britto Jinorio), Las Palmas de Gran Canaria (15 November 1994 – 15 January 1995); Palma de Mallorca Fundacion "La Caixa" (15 February–16 April 1995).
*''Rencontres Africaines: Exposition d'Art Actuel'', Institute du Monde Arabe, Paris, 1994. Curated by Brahim Alaoui and Jean-Hubert Martin, Paris, Institut du Monde Arabe (6 April–15 August 1994).
*''Around and Around''. Curated by Peter Herrmann and Achim Kubinski, Galerie Peter Herrmann, Stuttgart (1994); Douala (1995); Berlin (1999); Stuttgart (1999).
1995
*''Black Looks, White Masks'', Ministerio de Asuntos Exterioires, Tabapress, Madrid, 1995. Curated by Octavio Zaya and Tumelo Mosaka.
*''Seven Stories About Modern Art in Africa'', Flammarion, New York, 1995. Curated by
Clémentine Deliss
Clémentine Deliss (born 1960) is a London-born curator, researcher and publisher.
Biography
Clémen Mary Deliz born in 1960 in London to French-Austrian parents. She studied art in Vienna, Austria, and holds a B.A. in Social Anthropology and a ...
and Salah Hassan,
David Koloane
David Nthubu Koloane (5 June 1938 – 30 June 2019) was a South African artist. In his drawings, paintings and collages he explored questions about political injustice and human rights. Koloane is considered to have been "an influential artist ...
,
Catherine Lampert,
Chika Okeke-Agulu
Chika Okeke-Agulu () is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Biography
Chika Okeke-Agulu was born in Umuahia in Nigeria in 19 ...
,
El Hadji Sy
EL, El or el may refer to:
Religion
* El (deity), a Semitic word for "God"
People
* EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer
* El DeBarge, music artist
* El Franco Lee (1949–2016), American po ...
,
Wanjiku Nyachae,
Whitechapel Art Gallery
The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the ...
, London (27 September–26 November 1995), in the frame of
Africa95; Malmö, Svezia (27 January-17 March 1996).
*''Vital: Three Contemporary African Artists (
Cyprien Tokoudegba,
Touhami Ennadre &
Farid Belkahia)''.
Tate Gallery Liverpool, Liverpool, 1995 (13 September–10 December 1995), all'interno di Africa95.
*''Big City: Artists from Africa'',
Serpentine Gallery, London, 1995. Curated by
Jean Pigozzi
Jean "Johnny" Pigozzi (born 1952), heir to the CEO of the automobile brand Simca, is an art collector, photographer, fashion designer and . He lives in Geneva.
Biography
Pigozzi is a "French-born Italian". He was born in Paris in 1952 and is ...
and
Julia Peyton-Jones
Dame Julia Peyton-Jones (born 18 February 1952) is a British curator and gallery director, currently Senior Global Director at Galerie Thaddaeus Ropac in London, Paris and Salzburg. She formerly worked as Co-Director of the Serpentine Gallery in ...
(20 September–5 December 1995), all'intero di Africa95.
*''An Inside Story: African Art of Our Time'', edited by Yukiya Kawaguchi, The
Yomiuri Shimbun
The (lit. ''Reading-selling Newspaper'' or ''Selling by Reading Newspaper'') is a Japanese newspaper published in Tokyo, Osaka, Fukuoka, and other major Japanese cities. It is one of the five major newspapers in Japan; the other four are t ...
, Japan Association of Art Museums,
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 ...
, 1995. Curated by Yukiya Kawaguchi,
Setagaya Art Museum
The is an art museum in Yōga, Setagaya, Tokyo. The museum, which opened March 30, 1986, houses a permanent gallery and mounts seasonal exhibitions.
Structure
The main building of the museum, a contemporary design by architect Shōzō Uchii, ...
, Tokyo (23 September–19 November 1995); Tokushima Modern Art Museum (20 January–17 March 1996); Himeji City Museum of Art (6 April-6 May 1996);
Koriyama City Museum of Art (18 May–23 June 1996); Genichiro Museum of Contemporary Art, Marugame Inokuma (7 July–1 September 1996);
Museum of Fine Arts, Gifu (13 September–27 October 1996).
*''Sign Traces Calligraphy: Five contemporary artists from North Africa''. Curated by Rose Issa, London-Barbican Centre/Amsterdam-Treoenmuseum Kit, 1995.
*''Persons and Pictures: the Modernist Eye in Africa'', Newtown Galleries,
Newtown, Johannesburg
Newtown is a suburb of Johannesburg, South Africa. It is located in the capital city of Gauteng Province and the Region F of the City of Johannesburg Metropolitan Municipality. It has the coordinates of 26.204°S and 28.034°E. The suburb originat ...
, 1995. Newtown Galleries, Newtown, Johannesburg (27 September–10 November 1995).
*''New Visions: Recent Works by Six African Artists'', edited by Salah Hassan and
Okwui Enwezor
Okwui Enwezor (23 October 1963 – 15 March 2019) was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ''ArtReview'' list of the 100 m ...
,
Zora Neale Hurston National Museum of Fine Arts,
Eatonville Eatonville may refer to:
* Eatonville, Florida, United States
* Eatonville, Minnesota, United States, an alternative name for the former Dakota village Ḣeyate Otuŋwe
* Eatonville, Mississippi, United States
* Eatonville, Ontario, a neighbourhood ...
, 1995. Curated by Salah Hassan and Okwui Enwezor.
1996
*''Archetyp'Art Italia-Africa, Premio Termoli 1996'', curated by Antonio Picariello (presentazione di Omar Calabrese), Electa Na, 1996. Artisti:
Mimmo Paladino
Mimmo Paladino (born Paduli, 18 December 1948) is an Italian sculptor, painter and printmaker. He is a leading name in the Transvanguardia artistic movement and one of the many European artists to revive Expressionism in the 1980s.
Biography
...
, Massimo Pulini,
Gilberto Zorio, Santolo De Luca, Roberto Nottoli, Roberto Lucca Taroni, Ngwenya Valente Malangatana, Mickael Elma, Alain Padeau, Thierry Fontaine, Alim'Roivili dit Napalo, Sandile Zulu.
*''Colours: Kunst aus Südafrika'',
Haus der Kulturen der Welt
The Haus der Kulturen der Welt (HKW), in English House of the World's Cultures, in Berlin is Germany's national center for the presentation and discussion of international contemporary arts, with a special focus on non-European cultures and so ...
, Berlin, 1996.
*''In/Sight: African Photographers: 1940 to the Present'', Solomon Guggenheim, 1996. Curated by Okwui Enwezor,
Octavio Zaya,
Clare Bell
Clare Bell (born 1952) is a British author in the United States best known for her Ratha series of young adult fantasy novels about prehistoric big cats. These books, also called the ''Named series'', are about intelligent self-aware large cats ...
and Danielle Tilkin,
Guggenheim Museum
The Guggenheim Museums are a group of museums in different parts of the world established (or proposed to be established) by the Solomon R. Guggenheim Foundation.
Museums in this group include:
Locations
Americas
* The Solomon R. Guggenhei ...
(24 May–29 September 1996).
*''Neue Kunst aus Afrika'', Edition Braus, Heidelberg, 1996. Curated by
Alfons Hug, Haus der Kulturen der Welt, Berlin, 1996.
*''Die Andere Reise: Afrika und die Diaspora'' (''The Other Journey: Africa and Diaspora''), Holzhausen, Vienne, 1996.
*''Gendered Visions: The Art of Contemporary Africana Women Artists'', edited by Salah Hassan, Africa World Press, 1997. Curated by Salah Hassan (1996).
*''Africana'', Sala 1, Roma and Adriano Parise Editore, Verona, 1996. A cura Francesca Capriccioli, Sala 1, Roma (1 February 1996). Artisti partecipanti: El Anatsui, Theo Eshetu,
Fathi Hassan
Fathi Hassan ( ar, فتحي حسن, born 10 May 1957) is an Egyptian-born, Italian-based artist known for his installations involving the written word.
Life
Fathi Hassan was born in Cairo in 1957 as the second son to a Nubian family. His ...
, Ali Kichou,
Bertina Lopes, Kivuthi Mbuno,
Kwesi O. Owusu-Ankomah, Hadjira Preure,
Twins Seven Seven
Twins Seven Seven, born Omoba Taiwo Olaniyi Oyewale-Toyeje Oyelale Osuntoki (3 May 1944 – 16 June 2011) was a Nigerian painter, sculptor and musician. He was an itinerant singer and dancer before he began his career as an artist, first attend ...
, Panga Wa Panga, George Zogo. Testi in catalogo: Mary Angela Schroth, Gianni Baiocchi, Olu Oguibe.
1997
*''Veilleurs de Monde: Gbedji Kpontolè – Une aventure béninoise'', Editions CQFD, Paris, 1998. Exhibition and residency project, Centre Culturel Français du Benin (12 August–9 September 1997).
*''Die Anderen Modernen: Zeitgenössische Kunst aus Afrika, Asien und Lateinamerika'', Editions Braus & Hauses der Kulturen des Welt, Berlin, 1997. Curated by
Alfons Hug, Hauses der Kulturen des Welt, Berlin (8 May–27 July 1997).
*''Cross/ing: Time , Space , Movement''. Curated by Olu Oguibe,
University of South Florida
The University of South Florida (USF) is a public research university with its main campus located in Tampa, Florida, and other campuses in St. Petersburg and Sarasota. It is one of 12 members of the State University System of Florida. USF i ...
, Tampa (4 September–18 October 1997); Track 16 Gallery,
Santa Monica
Santa Monica (; Spanish: ''Santa Mónica'') is a city in Los Angeles County, situated along Santa Monica Bay on California's South Coast. Santa Monica's 2020 U.S. Census population was 93,076. Santa Monica is a popular resort town, owing to ...
(28 February–24 April 1998);
Indianapolis
Indianapolis (), colloquially known as Indy, is the state capital and most populous city of the U.S. state of Indiana and the seat of Marion County. According to the U.S. Census Bureau, the consolidated population of Indianapolis and Marion ...
(7 August 1999).
*''Modernities & Memories''. Curated by Brahim Alaoui, Pia Alisjahbana, Suhail Bisharat, Clifford Chanin, Salima Hashmi, Salah Hassan, Hasan-Uddin Khan, Beral Madra, Toeti Heraty Noerhadi, A. D. Pirous, Zenobio Institute, in contemporanea con la XLVII Biennale di Venezia, 1997.
*''Suites Africaines''. Curated by ''Revue Noire'', Couvent des Cordeliers, Paris (5 March–16 April 1997).
*''Lumière noire: Art contemporain'', Château de Tanlay-Yonne, Yonne, Francia, 1997. Curated by Michel Nuridsany, Centre d'Art de Tanlay, Yonne (7 June–5 October 1997).
*''Image and Form: Prints, Drawings and Sculpture from Southern Africa and Nigeria'', (edited by) John Picton, School of Oriental and African Studies,
University of London
The University of London (UoL; abbreviated as Lond or more rarely Londin in post-nominals) is a federal public research university located in London, England, United Kingdom. The university was established by royal charter in 1836 as a degree ...
, London, 1997. Curated by
Robert Loder
Robert Beauclerk Loder, (24 April 1934 – 22 July 2017) was an English businessman and art collector. He was particularly concerned in developing contemporary African art.
Biography
Loder was the son of John Loder, 2nd Baron Wakehurst and hi ...
, Lisa Muncke, John Picton.
*''Transforming the Crown: African, Asian and Caribbean artistis in Britain, 1966–1996'', edited by
Franklin Sirmans
Franklin Sirmans (born in New York City (Queens)) is an American art critic, editor, writer, curator and has been the director of the Pérez Art Museum Miami (PAMM) since October 2015. His initiatives there include ensuring that PAMM's art program ...
and Mora J. Beauchamp-Byrd, the Caribbean Cultural Center/African Diaspora, New York, 1997.
*''Inklusion: Exklusion. Kunst im Zeitalter von Postkolonialismus und globale Migration'', Köln, Germany, 1997.
1998
*''Africa Africa: Vibrant New Art from a Dynamic Continent''. Curated by Rajae Benchemsi, Rob Burnet,
Yacouba Konaté, Toshio Shimizu, Jean-Hubert Martin, Tobu Museum of Art, Tokyo (11 September–24 November 1998).
*''Body & Soul''. Curated by Anke van der Laan, Stadsgalerij Heerlen, Olanda (4 April–14 June 1998).
*''Transatlantico''. Curated by
Octavio Zaya, Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria (15 April–14 June 1998).
*''Transforming the Crown: African, Asian & Caribbean Artists in Britain 1966–1996''. Curated by M. Franklin Sirmans and Mora J. Beauchamp-Byrd, New York, 1998.
*''Snap me one! Studiofotografen in Afrika'', Münchner Stadtmuseum, 1998. Curated by Tobias Wendl and Heike Behrend, Münchner Stadtmuseum (1998); Städtisches Museum Abteiberg, Mönchengladbach; Iwalewa Haus, Bayreuth, Germany; National Museum for African Art, Smithsonian Institution, Washington D.C., US (1999).
1999
*''Africa by Africa: A Photographic View''. Curated by the
Barbican Art Gallery
The Barbican Centre is a performing arts centre in the Barbican Estate of the City of London and the largest of its kind in Europe. The centre hosts classical and contemporary music concerts, theatre performances, film screenings and art exhib ...
in collaboration with ''
Revue Noire
Revue Noire is a specialist publisher of books and web material relating to African contemporary art and culture, based in France. From 1991 to 2001, Editions Revue Noire published the printed quarterly magazine ''Revue Noire (magazine), Revue Noi ...
'' and
Autograph
An autograph is a person's own handwriting or signature. The word ''autograph'' comes from Ancient Greek (, ''autós'', "self" and , ''gráphō'', "write"), and can mean more specifically: Gove, Philip B. (ed.), 1981. ''Webster's Third New Inter ...
, Barbican Centre, London (29 January–28 March 1999).
*''Trafique''. Curated by Piet Vanrobaeys, S.M.A.K. extra muros, Gent (4 April–16 May 1999).
*''Contemporary African Art from the Jean Pigozzi Collection'', Sotheby's, London, 1999. Asta presso Sotheby's (24 June 1999).
*''South meets West'', Berna, 2000. Curated by Bernhard Fibicher,
Yacouba Konaté and Yuonre Vera, Accra (10 November–5 December 1999); Berna (6 April–25 June 2000).
*''Transatlantic Dialogue: Contemporary Art In and Out of Africa''. Curated by Michael D. Harris, Ackland Art Museum (12 December 1999 – 26 March 2000); Washington D.C., Smithsonian Institution (21 May–3 September 2000); Chicago, DuSable Museum of African American History (7 October–31 December 2000).
*''Tagewerke: Bilder zur Arbeit in Afrika'' (''All in a day's work: images of work in Africa''), Museum für Völkerkunde, Frankfurt am Main, 1999. Curated by Joanna Agathe, Museum für Völkerkunde, Galerie 37, Frankfurt am Main.
*''Amabhuku, Amabhuku: Illustrations d'Afrique/Illustrations from Africa'', La Joie par les Livres AJPL, Clamart, Francia, 1999. Curated by Marie Laurentin, Viviana Quiñones and Cécile Lebon, Fiera Internazionale del Libro per l'Infanzia, Bologna (8–11 April 1999).
2000
*''TransAfricana: Artisti contemporanei'', Edizione Lai Momo, Bologna, 2000. Curated by Mary Angela Schroth, Bologna (15 January-24 February 2000).
*''Il ritorno dei Maghi: Il Sacro nell'arte africana contemporanea'', Edizioni Skira, Milano, 2000. Curated by Sarenco ed Enrico Mascelloni (Orvieto, 8 April–30 June 2000).
*''Partage d'Exotisme: Biennale d'Art Contemporain de Lyon'', Lione, 2000. Curated by Jean-Hubert Martin.
*''Insertion: Self and Other''. Curated by Salah Hassan. Apexart, New York (18 April–20 May 2000).
*''Continental Shift: A Voyage Between Cultures. An Exhibition of Contemporary Art'', Modo Verlag Freiburg, 2000. Contemporaneamente in quattro spazi espositivi: Ludwig Forum for International Art, Aachen; the Bonnefanten Museum, Maastricht (exhibition on Africa curated by Marjorie A. Jongbloed); the National Gallery, Heerlen; the Museum of Modern and Contemporary Art, Liége (21 May–21 September 2000).
*''
La Cour Africaine: Mobiliers et objets contemporains''. Curated by Ibrahim Loutou, L'Afrique en créations, Salle des Malades, Lille (23 October–30 November 2000).
*''Dreierkonferenz: Aboudramane, Owusu-Ankomah,
Lawson Oyekan
Lawson Oyekan (born in London, England 1961), is a British Nigerian contemporary ceramic sculptor and the first recipient of the Grand Prix Award for the 1st World Ceramic Biennale 2001 in Korea.
Overview
Lawson Oyedokun Oyekan was born in 1961 i ...
''. Curated by Peter Herrmann, Galerie Peter Herrmann, Stuttgart (4 November–24 December 2000).
*''Mostra Africana de Arte Contemporânea''. Curated by Solange Oliveira Farkas, Fundação Cultural Palmares and Associação Cultural Videobrasil, São Paulo, Brasile (16 August–17 September 2000).
*''El Tiempo de Africa''. Curated by
Simon Njami, Centro Atlantico de Arte Moderno (12 December 2000 – 4 February 2001); Madrid, 19 April–31 May 2001.
*''EXITCONGOMUSEUM'', Royal Museum for Central Africa, Tervuren, 2000. Curated by Toma Muteba Luntumbue, Royal Museum for Central Africa, Tervuren, Belgio.
*''Blick-Wechsel: Afrikanische Videokunst'', Ifa Gallery, Bonn. Curated by Marcel Odenbach, Ifa Galleries Bonn, Stuttgart, Berlin (2000–01).
2001
*''Authentic/Ex-Centric'', Forum For African Arts, Ithaca (NY), 2001. Curated by Salah Hassan and Olu Oguibe, exhibition "a latere" 49ª Biennale di Venezia (9 June–30 September 2001).
*''Africas: The Artist and the City – A Journey and an Exhibition'', Centre de Cultura Contemporania de Barcelona, Barcelona, 2001. Curated by Pep Subiros (29 May–11 September 2001).
*''African Styles: Kleidung und Textilien aus Afrika'', Iwalewa-Haus, Bayreuth, Germany. Curated by Kerstin Bauer (21 October 2001 – 31 March 2002).
*''Unpacking Europe: Towards a Critical Reading'', edited by Salah Hassan and Iftikhar Dadi, Museum Boijmans Van Beuningen & NAI Publishers, Rotterdam, 2001. Curated by Salah Hassan and Iftikhar Dadi in collaboration with Chris Dercon and Patricia Pulles, Museum Boijmans Van Beuningen, Rotterdam (13 December 2001 – 24 February 2002).
*''Art populaire''. Curated by Hervé Chandès in collaboration with Hélène Kelmachter and André Magnin, Fondation Cartier pour l'art, Paris, (21 June–4 November 2001).
*''The Short Century: Independence and Liberation Movements in Africa 1945–1994'', edited by Okwui Enwezor, Prestel, Munich-New York, 2001. Curated by Okwui Enwezor, Villa Stuck, Munich (15 February–22 April 2001); Haus der Kulturen der Welt, Berlin (18 May–22 July 2001); Museum of Contemporary Art, Chicago (8 September–30 December 2001); P.S.1 Contemporary Art Center and The Museum of Modern Art, New York (10 February–5 May 2002).
2002
*''Afrikanische Reklamekunst'', Iwalewa-Haus, Bayreuth, Germany. Curated by Otto Frick (24 October 2002 – 16 February 2003).
*''Die Welt ist ein Maskentanz: Afrikanische Künstler in der Sammlung Greiffenberger'', Iwalewa-Haus, Bayreuth, Germany. Curated by Sigrid Horsch-Albert (9 May–31 August 2002).
*''africa apart _ Afrikanische Künstlerinnen und Künstlern konfrontieren Aids''. Curated by Arbeitsgruppe Unterbrochen Karrieren, Thomas Michalak, Torsten, Neuendorff, Beate M. Sauer-Dolezal, Sabine Schlenker, Ingo Taubhorn, Neue Gesellschaft für bildende Kunst, Berlin, Germany (14 December 2002 – 9 February 2003).
* ''Flash Afrique: Photography from West Africa'', Steidl, 2002. Curated by Thomas Miessgang, Gerald Matt, Barbara Schröder, Kunsthalle Wien, Vienna, 2002.
2003
*''A Fiction of Authenticity: Contemporary Africa Abroad'', Contemporary Art Museum, St. Louis – USA, 2003. Curated by Shannon Fitzgerald, Carnegie Mellon University, Pittsburgh USA (20 September 2003 – 3 January 2004).
*''Looking Both Ways: Art of the Contemporary African Diaspora'', Museum for African Art, New York. Curated by Laurie Ann Farrell, Museum for African Art, New York (14 November 2003 – 1 March 2004); Peabody Essex Museum, Salem, MA (27 March–18 July 2004); Cranbrook Art Museum, Bloomfield Hills, MI (12 September–28 November 2004); Museu Calouste Gulbenkian, Lisboa (1 March 2005); Museum of African Diaspora, San Francisco (March 2006).
*''Transferts''. Curated by Toma Muteba Luntumbue, Palais des Beaux-Arts, Bruxelles (21 June–14 September 2003), all'interno di Africalia 03.
*''Fault Lines: Contemporary African Art Shifting Landscapes'', inIVA, London, 2003. Curated by Gilane Tawadros and Sarah Campbell, all'interno della 50ª Biennale di Venezia (15 June–2 November 2003).
*''Iwalewa Reload'', Iwalewa-Haus, Bayreuth, Germany (15 October 2003 – 22 February 2004).
*''Roots & Routes: Afrikaner in Oberfranken'', Iwalewa-Haus, Bayreuth, Germany (14 November 2003 – 22 February 2004).
*''Correspondances Afriques'', Iwalewa-Haus, Bayreuth, Germany. Curated by Artur Elmer (24 April 2003 – 24 August 2003).
*''Fuoriluogo 8 / Afritalia''. Curated by Mary Angela Schroth, Chiesa San Bartolomeo and Galleria Limiti inchiusi, Campobasso (29 August–20 September 2003)
*''NEXT FLAG.Reexistencia cultural generalizada: Exposition d'art contemporain africain – Collection Hans Bogatzke'' (il titolo della pubblicazione è ''Next Flag: The African Sniper Reader'', edited by Fernando Alvim, Heike Munder and Ulf Wuggenig, Migros Museum für Gegenwartskunst, Zürich, 2005). Curated by
Fernando Alvim
Fernando is a Spanish and Portuguese given name and a surname common in Spain, Portugal, Italy, France, Switzerland, former Spanish or Portuguese colonies in Latin America, Africa, the Philippines, India, and Sri Lanka. It is equivalent to the G ...
and
Simon Njami, Site de l'Université du Travail Paul Pastur, Charleroi, Belgio (14 March–18 May 2003).
2004
*''Africa Remix''. Curated by
Simon Njami in collaboration with Els van der Plas,
David Elliott,
Jean-Hubert Martin
Jean-Hubert Martin () born on June 3, 1944 in Strasbourg, France, is a leading art historian, institution director, and curator of international exhibitions. Through his professional career, he contributed to expand what is considered as contemp ...
, Marie-Laure Bernadac, Roger Malbert, Museum Kunst Palast, Düsseldorf (24 July-7 November 2004); Hayward Gallery, London (10 February–17 April 2005);
Centre Georges Pompidou
The Centre Pompidou (), more fully the Centre national d'art et de culture Georges-Pompidou ( en, National Georges Pompidou Centre of Art and Culture), also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of ...
, Paris (25 May-15 August 2005); Mori Art Museum, Tokyo (2 May 2006).
*''Africa Screams: The Evil in Cinema, Art and popular Culture''. Curated by Thomas Miegang and Tobias Wendl, Kunsthalle Wien, Austria (4 November 2004 – 30 January 2005); Iwalewa-Haus, Bayreuth, Germany (29 April–12 September 2004); Kunstverein Aalen (3 April–12 July 2005); Museum der Weltkulturen in Frankfurt (8 July 2005 – 15 January 2006).
*''Black Box: Les Afriques''. Curated by Laurent Jacob, Espace 251 Nord asbl, 2004; Tri Postal, Lille, Francia (31 March–8 August 2004) durante Lille 2004.
*''Les Afriques: 36 artistes contemporains'', Editions Autrement, Paris, 2004. Curated by Olivier Sultan, Musée des Arts derniers/Jean-Marc Patras Galerie/Espace CPP, Paris. In occasione della Foire internationale des Arts derniers.
*''L'Afrique à venir''. Curated by Peter Herrmann, Galerie Peter Herrmann, Stuttgart (24 April–20 June 2004).
*''Africani in Africa''. Palazzo Pazzi-Ammanti, Firenze (29 December 2004 – 6 March 2005).
* ''Escape and Memory'', Curated by Enrico Mascelloni and Virginia Ryan, Camera dei deputati, Roma, June 2004.
*''New Identities. Zeitgenössische Kunst aus Südafrika''. Kunstmuseum Bochum, Germany (31 July–7 November 2004).
*''Insights'': ''Selections from the contemporary collection''. Curated by Kinsey Katchka and Allyson Purpurra, National Museum of African Art, Smithsonian Institution, Washington DC (febbraio-novembre 2004).
*''Der Black Atlantic''. Haus der Kulturen der Welt, Berlin, Germany (17 September–15 November 2004).
*''L'arte africana dall'Algeria al Sudafrica''. Curated by "Oltre l'Africa"-Centro Studi e Documentazione Africana, in collaboration with la SUI-Sviluppi Umani Immaginati, Toscana (15 September 2004–)
2005
*''Zeitgenössische Kunst aus Afrika und Europa im Dialog''. Curated by Dany Keller, Iwalewa-Haus, Bayreuth, Germany (28 April–4 September 2005).
*''Plakate in Afrika''. Iwalewa-Haus, Bayreuth, Germany (20 October 2005 – 26 February 2006).
*''Gleichzeitig in Afrika...''
'Meanwhile in Africa...'' Curated by Christian Hanussek, Akademie der Bildenden Künste, Nürnberg (3–17 June 2005); Universität der Künste, Berlin (18–28 January 2006).
*''Mostra Pan-Africana de Arte Contemporânea''. Museu de Arte Moderna da Bahia, Brasile (18 March–17 April 2005).
*''Africa Urbis: Perspectives urbaines'', edited by Olivier Sultan, Musée des arts derniers, Paris, 2005. Curated by Olivier Sultan, Musée des arts derniers, Paris.
*''TEXTures: word and symbol in contemporary African art''. Curated by Elizabeth Harney, Smithsonian Museum of African Art, Washington D.C. (2 September 2005).
*''African American vernacular photography''. Curated by Brian Wallis, International Center of Photography, New York (9 December 2005 – 26 February 2006).
* ''Arts of Africa: Jean Pigozzi's Contemporary Collection'', Skira, Milano, 2005. Curated by André Magnin, Grimaldi Forum, Monaco.
* ''Mostra Pan-Africana de Arte Contemporanea'', Associação Cultural Videobrasil, 2006. Curated by FundaCAo Cultural Palmares, Museu de Arte Moderna Da Bahia, Mam E Sala Walter Da Silveira, Salvador-Ba (18 March–17 April 2005).
2006
*''Olvida quién soy/Erase me from who I am'', Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna, 2006. Curated by Elvira Dyangani Ose in collaboration with Tracy Murinik, Gabi Ngcobo and Khwezi Gule, CAAM, Isole Canarie (23 February-30 April 2006).
*''Africa Nera: Protagonisti dell'arte africana''. Curated by Enrico Mascelloni, Franco Riccardo and Sarenco, Castel dell'Ovo, Napoli (18 May–13 June 2006).
*''Snap Judgments: New Positions in Contemporary African Photography'', International Center of Photography, New York, 2006. Curated by Okwui Enwezor, International Center of Photography, New York (10 March–28 May 2006), Miami Art Central, Miami, Florida (30 June–27 August 2006).
*''100% Africa''. Curated by André Magnin, The Guggenheim Museum Bilbao, Spagna (October 2006– February 2007).
*''Des Hommes sans Histoire: Histoire et spoliation des biens culturels à travers les œuvres d'artistes contemporains''. Curated by Olivier Sultan, Musée des Arts Derniers, Paris (29 June–31 July 2006).
*''Distant Relatives/Relative Distance''. Curated by Michael Stevenson, Cape Town, Sudafrica (8 June–12 August 2006).
* ''There & Back: Africa'', La Casa Encendida, Obra Social Caja Madrid, 2006. Curated by Danielle Tilkin.
2007
*''Africa Today – The dark side of the art''. Curated by Luca Faccenda and Marco Parri, La Vetrina di Roma, Rome, Italy, 2007.
*''
Check List Luanda Pop''. Curated by
Fernando Alvim
Fernando is a Spanish and Portuguese given name and a surname common in Spain, Portugal, Italy, France, Switzerland, former Spanish or Portuguese colonies in Latin America, Africa, the Philippines, India, and Sri Lanka. It is equivalent to the G ...
and
Simon Njami. 52nd Venice Biennale, Venice, Italy (June–July 2007).
* ''Why Africa? La Collezione Pigozzi'', Fondazione Pinacoteca del Lingotto Giovanni and Marella Agnelli, Mondadori Electa, Milano, 2007. Curated by
André Magnin, Pinacoteca del Lingotto, Torino, 6 October 2007 – 3 February 2008.
* ''AfriqueEurope: Reves croises'' in Ateliers des Tanneurs, Brussels, Belgium. Group exhibition curated by
Yacouba Konaté. Artists included:
El Anatsui
El Anatsui ( h-nah-ch-wee born 1944) is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his " bottle-top installations". These installations consist of thousands of aluminum piec ...
,
Nu Barreto, El Berry Bickle and Luis Basto,
Frédéric Bruly Bouabré
Frédéric Bruly Bouabré, also known as Cheik Nadro (11 March 1923 – 28 January 2014), was an Côte d'Ivoire, Ivorian artist.
Life and career
Bouabré was born in Idibouo-Zépréguhé, Zépréguhé, Ivory Coast, and was among the first Ivoria ...
,
Dilomprizulike
Dil-Humphrey Umezulike, better known as Dilomprizulike (born 1960 in Enugu, Nigeria) is a contemporary artist working in sculpture, performance and painting who has adopted the moniker "Thejunkmanfromafrika". He studied art at the University of Nig ...
, Mustapha Dime, El Loko,
Tapfuma Gutsa
Tapfuma Gutsa (born 1956) is a Zimbabwean sculptor.
A native of Harare, Gutsa studied sculpture with Cornelius Manguma at the Driefontein Mission School, later becoming the first Zimbabwean recipient of a British Council award. The scholarshi ...
, Annie Haloba, Jak Katarikawe,
Jems Robert Koko Bi
Jems Robert Koko Bi is an Ivorian sculptor.
He was born in 1966, in Sifra, Ivory Coast. He studied Spanish History between 1986 and 1988 at the University of Abidjan. Between 1988 and 1995, he studied at Institut National Supérieur des Arts e ...
,
Abdoulaye Konaté,
Bill Kouelany
Bill(s) may refer to:
Common meanings
* Banknote, paper cash (especially in the United States)
* Bill (law), a proposed law put before a legislature
* Invoice, commercial document issued by a seller to a buyer
* Bill, a bird or animal's beak
Plac ...
, Siriki Ky, Ndary Lo, Toyin Loye, Churchill Madikida, Joel Mpah Dooh, Francis Mampuya,
Ingrid Mwangi
Ingrid Mwangi (born 1975) is a German artist, of Kenyan-German descent. She works with photography, sculpture and in multimedia, performance, and installation art. In 2005, she co-founded ''Mwangi Hutter.''
Early life and education
Ingrid Njeri ...
, Robert Hutter, Serigne Niang, Babacar Niang, Samuel Olou,
Freddy Tsimba
Freddy Tsimba (born 1967) is a sculptor and visual artist from the Democratic Republic of Congo. He has made sculptures from bullet casings collected on Congolese war battlefields. One of his artwork entitled ''Au-delà de l'espoir'' (Beyond the h ...
, and Guy Bertrand Wouété.
2009
*''Tanzania VS Congo'',
George Lilanga,
Maurus Mikael Malikita,
M. Charinda,
M.Sagula, (Tanzania)
Cheri Cherin,
Cheick Ledy,
Jean Paul Mika (Congo), Kyo Art Gallery, Viterbo, 2 September 2009 – 26 September 2009. Curated by Massimiliano Del Ninno.
2010
![PC - 8400 - 0102 Genesis Tapfuma Gutsa 35x36x91cm](https://upload.wikimedia.org/wikipedia/commons/6/66/PC_-_8400_-_0102_Genesis_Tapfuma_Gutsa_35x36x91cm.jpg)
*''L'Africa nei loro occhi'': Cheri Cherin, Pierre Bodo, Amani Bodo,Jean Paul Mika Nsimba (Repubblica democratica del Congo);
George Lilanga (Tanzania); Almighty God (Ghana); Bruce Onobrakpeya, Prince Twins Seven Seven, (Nigeria); Kivuthi Mbuno (Kenia); Ester Mahlangu, Churchill Songezile Madikida (Sud Africa). Curated by Antonella Pisilli, Ex Convento dei Carmelitani Scalzi per la settima edizione di Vitarte, Viterbo, (12–15 March 2010)
* ''Africa, Assume Art Position!'' Primo Marella Gallery, Milano, 2010. By Primo Giovanni Marella, curated by
Yacouba Konaté with
Mounir Fatmi,
Cameron Platter,
Soly Cissé,
Barthélémy Toguo,
Abdoulaye Konaté,
Joel Andrianomearisoa,
Peter Eastman, Nandipha Mntambo,
Moridja Kitenge Banza, Stuart Bird, Athi Patra Ruga, Vitshios Mwilambwe Bondo, Primo Marella Gallery, Milano (12 November 2010 – 30 January 2011).
* ''Who Knows Tomorrow'':
El Anatsui
El Anatsui ( h-nah-ch-wee born 1944) is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his " bottle-top installations". These installations consist of thousands of aluminum piec ...
,
Zarina Bhimji
Zarina Bhimji (born 1963) is a Ugandan Indian photographer, based in London. She was nominated for the Turner Prize in 2007, exhibited at Documenta 11 in 2002, and is represented in the public collections of Tate, the Museum of Contemporary Art i ...
, Antonio Ole,
Yinka Shonibare
Yinka Shonibare (born 9 August 1962), is a British-Nigerian artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is t ...
, Pascale Marthine Tayou. Nationalgalerie, Berlin. Curated by
Chika Okeke-Agulu
Chika Okeke-Agulu () is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Biography
Chika Okeke-Agulu was born in Umuahia in Nigeria in 19 ...
, Britta Schmitz, Udo Kittelmann (2 June–23 September).
*''Events of the Self: Portraiture and Social Identity: Contemporary African Art from
the Walther Collection
The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The collection has two exhibition spaces: the Walther Collection in N ...
'', Neu-Ulm, Germany. Curated by Okwui Enwezor (June 2010–May 2011).
*''Colui che non-dimentica'',
Frédéric Bruly Bouabré
Frédéric Bruly Bouabré, also known as Cheik Nadro (11 March 1923 – 28 January 2014), was an Côte d'Ivoire, Ivorian artist.
Life and career
Bouabré was born in Idibouo-Zépréguhé, Zépréguhé, Ivory Coast, and was among the first Ivoria ...
, Kyo Art Gallery, Viterbo, 9 October 2010 – 15 November 2010. Curated by Antonella Pisilli.
2011
* ''Africa, Assume Art Position!'' Primo Marella Gallery, Milano, 2010. Un progetto di Primo Giovanni Marella, a cura di
Yacouba Konaté con
Mounir Fatmi,
Cameron Platter,
Soly Cissé,
Barthélémy Toguo,
Abdoulaye Konaté,
Joel Andrianomearisoa,
Perter Eastman,
Nandipha Mntambo
Nandipha Mntambo (born 1982) is a South African artist who has become famous for her sculptures, videos and photographs that focus on human female body and identity by using natural, organic materials.
Life
Nandipha Mntambo was born in Swazi ...
,
Moridja Kitenge Banza,
Stuart Bird,
Athi Patra Ruga,
Vitshios Mwilambwe Bondo, Primo Marella Gallery, Milano (12 November 2010 – 30 January 2011).
* ''Il Divin saggio'', Almighty God, Kyo Art Gallery, Viterbo, 29 April 2011 – 7 May 2011. Curated by Antonella Pisilli.
* ''Transafricana'',
Esther Mahlangu
Esther Mahlangu (born 11 November 1935) is a South African artist. She is known for her bold large-scale contemporary paintings that reference her Ndebele heritage. She is one of South Africa's best known artists.
Early life
Esther Nikwambi Mah ...
(South Africa),
George Lilanga (Tanzania),
Seni Camara (Senegal),
Mikidadi Bush (Tanzania),
Kivuthi Mbuno (Kenya),
Peter Wanjau (Kenya), Fondazione 107, Torino, 17 June–16 October 2011. Curated by Achille Bonito Oliva.
2012
* ''Bestiario'',
Soly Cissé, Kyo Art Gallery, Viterbo, 14 April–14 May 2012. Curated by Antonella Pisilli.
* Making Way: Contemporary Art from South Africa and China. Curated by Ruth Simbao. Albany Museum, Fort Selwyn and the Provost, National Arts Festival, Grahamstown, South Africa (2012)
2013
* ''Lena'',
Gavin Rain, Kyo Art Gallery, Viterbo, 28 June–7 July 2013. Curated by Antonella Pisilli.
* Making Way: Contemporary Art from South Africa and China. Curated by Ruth Simbao. Standard Bank Gallery, Johannesburg, South Africa (2013)
2014
* ''STILL FIGHTING IGNORANCE & INTELLECTUAL PERFIDY'', Ben Uri Museum, London, 1–30 March 2014. Curated by Kisito Assangni
Including: Said Afifi (Morocco) , Nirveda Alleck ( Mauritius) , Jude Anogwih (Nigeria) , Younes Baba-Ali (Morocco) , Rehema Chachage (Tanzania) , Saidou Dicko (Burkina Faso) , Ndoye Douts (Senegal) , Kokou Ekouagou (Togo) , Mohamed El Baz (Morocco) , Samba Fall (Senegal) , Dimitri Fagbohoun (Benin) , Wanja Kimani (Kenya) , Nicene Kossentini (Tunisia) , Kai Lossgott (South Africa) ,
Michele Magema
Michele (), is an Italian male given name, akin to the English male name Michael (given name), Michael.
Michele (pronounced ), is also an English female given name that is derived from the French Michèle. It is a variant spelling of the more c ...
(D.R.Congo) , Nathalie Mba Bikoro (Gabon) , Victor Mutelekesha (Zambia) ,
Johan Thom (South Africa) , Saliou Traoré (Burkina Faso) , Guy Woueté (Cameroon) , Ezra Wube (Ethiopia).
* SLIP: Igshaan Adams and Mbali Khoza. Curated by Ruth Simbao. Albany Museum, Grahamstown, South Africa (September 2014)
* ''Ici l'Afrique / Here Africa'' – L'Afrique contemporaine à travers le regard de ses artistes
Georges Adéagbo (Bénin), Omar Ba (Sénégal), Faouzi Bensaïdi* (Maroc), Filipe Branquinho (Mozambique), Frédéric Bruly Bouabré (Côte d'Ivoire), Edson Chagas (Angola), Romuald Hazoumé (Bénin), Pieter Hugo (South Africa), Adelita Husni-Bey (Libye),
Nadia Kaabi-Linke (Tunisia), Gonçalo Mabunda (Mozambique), Mustafa Maluka (South Africa), Abu Bakarr Mansaray (Sierra Leone), J. D. 'Okhai Ojeikere (Nigeria), Joshua Okoromodeke (Nigeria), Richard Onyango (Kenya), Idrissa Ouédraogo* (Burkina Faso), Chéri Samba (Congo), Sarkis & Guem & Perdrix* (France/Bénin), Zineb Sedira (Algérie),
Malick Sidibé
Malick Sidibé (1935 – 14 April 2016) was a Malian photographer noted for his black-and-white studies of popular culture in the 1960s in Bamako. Sidibé had a long and fruitful career as a photographer in Bamako, Mali, and was a well-known fig ...
(Mali), Abderrahmane Sissako* (Mauritanie), Yinka Shonibare MBE (UK/Nigéria), Pascale Marthine Tayou (Cameroon), Barthélémy Toguo (Cameroon), 8 May–6 July 2014, Château de Penthes Ch. de l'Impératrice, Genève-Pregny, Commissaire générale Adelina von Fürstenberg.
* ''Happiness'',
Lovemore Kambudzi, Kyo Art Gallery, Viterbo, 28 June–1 July 2014. Curated by Antonella Pisilli
* ''Nouchi City'',
Aboudia, Galerie Cécile Fakhoury, Abidjan, 26 September 2014 – 15 November 2014
* ''The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists''
2018
* "AfroPunk- Kendell Geers" Didier Claes Gallery, Brussels
2019
* IncarNations - African Art as Philosophy, Curated by
Kendell Geers
Jacobus Hermanus Pieters Geers, commonly known as Kendell Geers, is a South African conceptual artist. Geers lives and works in Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text ...
and
Sindika Dokolo
Sindika Dokolo (16 March 1972 – 29 October 2020) was a Congolese businessman and art collector. Since 2002 he had been married to Isabel dos Santos, the eldest daughter of José Eduardo dos Santos, then President of Angola. As of January 2020 ...
,
BOZAR
The Centre for Fine Arts (french: Palais des Beaux-Arts, nl, Paleis voor Schone Kunsten) is a multi-purpose cultural venue in Brussels, Belgium. It is often referred to as BOZAR (a homophone of ''Beaux-arts'') in French or PSK in Dutch. The b ...
, Brussels
2020
* "OrnAmenTum'EtKriMen" Kendell Geers curated by Danillo Eccher, M77 Gallery Milano
Collections of essays
*''Colloquium: Function and Significance of African Negro Art in the Life of the People and for the People'', Paris: Presence Africaine, 1968. Conferenza a cura della Society of African Culture (SAC) in collaboration with UNESCO, 30 March–8 April 1966.
*''Ethnic and Tourists Arts: Cultural Expressions from the Fourth World'', edited by
Nelson H. H. Graburn
Nelson H. H. Graburn, is a Professor Emeritus in Sociocultural Anthropology at University of California, Berkeley.
Education
Graburn studied as King's School, Canterbury from 1950-55. He earned his B.A. in Natural Sciences and Social Anthropolog ...
, University of California Press, Berkeley, 1976.
*''Modern Konst I Afrika'' (''Modern Art in Africa''), edited by Sune Nordgren, Kalejdoskop, Lund (Svezia), 1978.
*''Patrimoine Culturel et Création Contemporaine: en Afrique et dans le Monde Arabe'', edited by Mohamed Aziza, Dakar: Les Nouvelles Editions Africaines, 1977.
*''Airport Art: das exotische Souvenir'', Institut für Auslandsbeziehungen, Stuttgart, 1987.
*''Kunstreise nach Afrika: Tradition und Moderne'', edited by Ronald Ruprecht, Iwalewa-Haus, Universität, Bayreuth, 1988.
*''African Art in Southern Africa: From Tradition to Township'', edited by A. Nettleton and D. Hammond-Tooke, Johannesburg: A.D. Donker, 1989.
*''The Myth of Primitivism: Perspectives on Art'', edited by Susan Hiller, London/New York: Routledge, 1991.
*''Art, Anthropology and the Modes of Re-Presentation: Museums and Contemporary non-Western Art'', edited by Harrie Leyten and B. Damen, KIT Press-Koninklijk Instituut voor de Tropen, Amsterdam, 1993.
*''Banque centrale des etats de l'Afrique de l'ouest. BCEAO: Collection d'art contemporain'', edited by Ousmane Sow Huchard, BCEAO, Dakar, 1993.
*''Creer en Afrique: 2e colloque européen sur les arts d'Afrique noire'', Musée National des Arts d'Afrique and d'Océanie, Paris, 23–24 October 1993.
*''Global Visions Towards a New Internationalism in the Visual Arts'', edited by
Jean Fisher, London: Kala Press, 1994.
*''Cultural Diversity in the Arts: art, art policies and the facelift of Europe'', edited by Ria Lavrijsen, Royal Tropical Institute, Amsterdam, 1993.
*''Art Criticism and Africa'', edited by Katy Deepwell, Saffron Books, African Art and Society Series, London, 1997.
*''Images of Enchantment: Visual and performing Arts of the Middle East'', edited by Sherifa Zuhur, The American University in Cairo Press, Cairo, 1998.
*''Issues in Contemporary African Art'', edited by Nkiru Nzegwu, International Society for the Study of Africa, ISSA Binghamton University, Binghamton, NY, 1998.
*''Dialogue of the Present: 18 Contemporary Arab Women Artists'', edited by Siumee H. Keelan, Fran Lloyd, London, 1999.
*''Reading the Contemporary. African Art from Theory to the Marketplace'', edited by Olu Oguibe and Okwui Enwenzor, Institute of International Visual Arts (inIVA) and MIT Press, London, 1999.
*''autopsia & desarquivios'', edited by Fernando Alvim and Catherine Goffeau Alvim, Espace Sussuta Boé, Bruxelles, 1999.
*''Colors of Enchantment: Theater, Dance, and the Visual Arts of Middle East'', edited by Sherifa Zuhur, The American University in Cairo Press, Cairo-New York, 2001.
*''Anthologie de l'art africain du XX siècle'', edited by N'Goné Fall and Jean Loup Pivin, Paris: Éditions Revue Noire, 2001. Raccolta di saggi e schede di artisti.
*''Afriche, Diaspore, Ibridi – Il concettualismo come strategia dell'arte africana contemporanea'', edited by Eriberto Eulisse, AIEP Edizioni, Bologna, 2003.
*''African cultural dynamics: Africalia Encounters in Bamako (01–03/11/2002)'', curated by Joëlle Busca, Africalia, 2003.
*''Repenser la coopération culturelle en Afrique: Rencontre Africalia d'Ostende (27–29/05/2003), Rencontre Africalia de Liège (26–27/06/2003), Rencontre Africalia de Bruxelles (19–20/09/2003)'', edited by Joëlle Busca, Africalia, 2004.
*''Over Here: International Perspectives on Art and Culture'', edited by Gerardo Mosquera and Jean Fisher (con il progetto artistico di Francis Alÿs), New Museum of Contemporary Art-New York/The MIT Press-Cambridge Massachusetts & London, 2004.
*''Next Flag: The African Sniper Reader'', edited by Fernando Alvim, Heike Munder and Ulf Wuggenig, Migros Museum für Gegenwartskunst, Zürich, 2005.
* "Hand Grenades From My Heart" Kendell Geers writings, edited by Jérôme Sans, Blue Kingfisher Limited, Beijing, 2013,
Monographs
*Margaret Trowell. ''African Arts and Crafts: Their Development in the School'', London: Longman, 1937.
*Robert Goldwater. ''Primitivism in Modern Painting'', New York: Random House, 1938 (1966, Harvard Belknap Press, Cambridge, MA, 1986).
*Rolf Italiaander. ''Neue Kunst in Afrika: eine Einführung'', Bibliograf. Institut, Mannheim, 1957.
*Evelyn S. Brown. ''Africa's contemporary art and artists: a review of creative activities in painting, sculpture, ceramics and crafts of over 300 artists working in the modern industrialized societies of some of the countries of sub Saharan Africa'', Division of Social Research and Experimentation,
Harmon Foundation
The Harmon Foundation was established in 1921 by wealthy real-estate developer and philanthropist William E. Harmon (1862–1928). A native of the Midwest, Harmon's father was an officer in the 10th Cavalry Regiment.
The Foundation originally s ...
, New York, 1966.
*Ulli Beier. ''Contemporary Art in Africa'', London: Pall Mall Press, 1968.
*Frank Willet. ''African Art'', London: Thames and Hudson, 1971.
*Marshall Ward Mount. ''African Art: The Years since 1920'', Bloomington: Indiana University Press, 1973 (New York: Da Capo Press, 1989).
*Judith D. Miller. ''Art in East Africa: A Guide to Contemporary Art'', F. Muller, London-Africa Book Service (EA).-Nairobi, 1975.
*Kiure Francis Msangi. ''The Place of Fine Art in the East African Universities'', 18th Annual Meeting
*''Bruce Onobrakpeya: Nigeria's Master Printmaker'' - Wendy Lawrence. Best of Africa - Toronto 1979. of the African Studies Association, San Francisco, 1975.
*Eugene Burt. ''An Annotated Bibliography of the Visual Arts of East Africa'', Bloomington: Indiana University Press, 1980.
*Ulli Beier. ''Neue Kunst in Afrika: das Buch zur Austellung'', Berlin: Reimer, 1980.
*Paulin Hountondji. ''African Philosophy: Myth or Reality'', New York, 1982.
*Jan Vansina. ''Art History in Africa: An Introduction to Method'', London & New York: Longman, 1984.
*''Bruce Onobrakpeya: Symbols of Ancestral Groves'' (Monograph of Prints and Paintings 1978–1985), with introduction by Prof. Babatunde Lawal. 256 pp. 182 b/w, 3 drawings, 60 colour illustrations, essays, interviews, notes and comments, biographical and bibliographical notes. 1985.
*Bennetta Jules-Rosette. ''The Messages of Tourist Art: An African Semiotic System in Comparative Perspective'', Plenum Press, New York, 1984.
*Kojo Fosu. ''20th century art of Africa'', Zaria: Gaskiya Corporation, 1986 (Accra: Artists Alliance, 1993).
*Sally Price. ''Primitive Art in Civilized Places'', The University of Chicago, 1989. ''I primitivi traditi: L'arte dei "selvaggi" e la presunzione occidentale'', Einaudi, Torino, 1992.
*Johanna Agthe. ''Wegzeichen: Kunst aus Ostafrika (Signs: Art from East Africa), 1974–98'', Museum für Völkerkunde, Frankfurt-an-Main, 1990.
*Bruce Onobrakpeya: ''The Spirit in Ascent''. Introduction by Dele Jegede, 279 pp. Ovuomaroro Gallery production 1992.
*Osa D. Egonwa. ''African Art: A Contemporary Source Book'', Benin City: Osasu Publishers, 1991.
*Jutta Stroeter-Bender. ''Zeitgenoessische Kunst des "Dritten Welt"'', Koeln: DuMont Buchverlag GmbH & Co, 1991. ''L'art contemporain dans les pays du "Tiers-monde"'', Paris: L'Harmattan, 1995.
*Pierre Gaudibert. ''L'art africain contemporain'', Paris: Editions Cercle d'Art, 1991.
*Betty LaDuke. ''Africa through the Eyes of Women Artists'', Trenton, NJ: Africa World Press, 1991.
* Bruce Onobrakpeya: ''Sabbatical Experiments 1978–1983'' (exhibition of prints and drawings), with an introduction by Prof. Babatunde Lawal. Ovuomaroro Gallery, Lagos, 1983.
* Nicole Guez. ''Art africain contemporain: Guide'', Paris: Editions Dialogue Entre Cultures, 1992 (Association Afrique en Création, 1996).
* Jean Kennedy. ''New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change'', Smithsonian Institution Press, London-Washington DC, 1992.
* Thomas McEvilley. ''Art and Otherness: Crisis in Cultural Identity, Documenttext'', New York: McPherson and Co., 1992. ''L'identité culturelle en crise: Art et différence à l'époque postmoderne et postcoloniale'', Nîmes, France: Editions Jacqueline Chambon, 1992.
*
Paul Gilroy
Paul Gilroy (born 16 February 1956) is an English sociologist and cultural studies scholar who is the founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College, London (UCL). Gilroy is the 2019 ...
, ''The Black Atlantic: Modernity and Double Consciousness'', London: Verso, 1993
* Robert Atkins. ''Artspoke'', New York: Abbeville Press, 1993.
* Christopher B. Steiner. ''Africa in Transit'', Cambridge (UK): Cambridge University Press, 1994.
* Edward Lucie-Smith. ''Race, Sex and Gender in Contemporary Art: The Rise of Minority Culture'', London: Art Books International; New York: Harry N. Abrams, 1994.
* ''A Study Exploring Opportunities to Strengthen U.S.-Based Collaborations with Performing Artists of Africa, Asia and Latin America. Prepared with the Support of the Ford Foundation'', New England Foundation for the Arts, 3 June 1994. Project director Ceclila Fitzgibbon; Project consultants Elizabeth Peterson and Robert Wisdom (Archivio Ford Foundation).
* ''Catalogue de la collection d'oeuvres d'artistes contemporains d'Afrique et d'Océanie acquises ou conservées par l'ADEIAO'', introduction by Lucette Albaret and Paul Balta, ADEIAO, Paris, 1995.
* Colin Rhodes. ''Primitivism and Modernism'', London: Thames and Hudson, 1995.
* André Magnin and Jacques Soulillou. ''Contemporary Art of Africa'', New York-London: Thames and Hudson, 1996.
* Ulrike Bässler-Pietsch. ''Das Bild unserer Welt; Afrika: von Kairo bis Kapstadt'', aktualisierte Ausg., 1996.
* Betty LaDuke. ''Africa: Women's Art, Women's Lives'', Trenton, NJ: Africa World Press, 1997.
* E. Okechukwu Odita. ''Diversity in Contemporary African Art: Causes And Effects'', Columbus Ohio: The Ohio State University, 1997.
*Wijdan Ali. ''Modern Islamic Art: Development and Continuity'', Gainesville: University Press of Florida, 1997.
*Richard J. Powell. ''Black Art and Culture in the 20th Century'', London: Thames and Hudson, 1997.
*Karl-Ferdinand Schaedler. ''Afrikanische Kunst: von der Frühzeit bis heute'', München: Heyne, 1997.
*Christopher D. Roy. ''Kilengi. Afrikanische Kunst aus der Sammlung Bareiss'', Hanover: Kestner-Ges., 1997.
*Gert. Chesi. ''Afrika – Asien. Kunst und Ritualobjekte – die Sammlungen im Haus der Völker'', Innsbruck: Haymon-Verlag, 1997.
*
Sidney Littlefield Kasfir. ''Contemporary African Art'', London: Thames & Hudson, 1999.
*Nicolas Bissek. ''Les peintres de l'estuaire'', Paris: Editions Karthala, 1999.
*Enrico Mascelloni e Sarenco. ''Dialogo notturno sull'arte contemporanea alla luce del piccolo carro'', Verona: Adriano Parise Editore, 1999.
*Joëlle Busca. ''L'art contemporain africain: du colonialisme au postcolonialisme'',Paris: L'Harmattan, 2000.
*Gen Doy. ''Black Visual Culture: modernity and postmodernity'', London: I. B. Tauris, 2000.
*Joëlle Busca. ''Perspectives sur l'art contemporain africain'', Paris: L'Harmattan, 2000. ''L'arte contemporanea africana'', L'Harmattan Italia, 2002.
*
Teresa Macrì
Teresa Macrì (born 1960 in Catanzaro) is an Italian art critic, curator, writer and radio broadcaster.
Early life and education
Macrì was born in Catanzaro. At the end of the 1970s she moved to Rome, where she obtained a degree in History of A ...
. ''Postculture'', Maltemi, Roma, 2002.
*Iba Ndiaye Diadji. ''L'impossible Art Africain'', Dakar: Editions Dekkando, 2002.
*Thomas Fillitz. ''Zeitgenössische Kunst aus Afrika: 14 Künstler aus Côte d´Ivoire und Bénin'', Wien: Böhlau Verlag, 2002.
*''Onobrakpeya'' by Richard A. Singletary. 78 pp. 143 colour reproductions. The Ford Foundation, The Institute of International Education, 2002.
*Ivan Bargna. ''Arte Africana'', Jaca Book, Milano, 2003.
*Olu Oguibe. ''The Culture Game'', University of Minnesota Press, Minneapolis/London, 2003.
*Bärbel Küster. ''Matisse und Picasso als Kulturreisende: Primitivismus und Anthropologie um 1900'', Akademie Verlag, Berlin, 2003.
*Michela Manservisi. ''African Style: Stilisti, mode e design nel continente nero'', Cooper & Castelvecchi, Roma, 2003.
*Jean-Loup Amselle. ''L'art de la friche: Essai sur l'art africain contemporain'', Paris: Editions Flammarion, 2005. In Italian: ''L'arte africana contemporanea'', Bollati Boringhieri, Torino, 2007.
*Christophe Domino and André Magnin. ''L'art africain contemporain'', Editions Scala, 2005.
*Hortense Volle. ''La promotion de l'art africain contemporain et les N.T.I.C'', Paris: L'Harmattan, 2005.
*Sophie Perryer (ed.). ''Distant Relatives / Relative Distance'', Cape Town: Michael Stevenson, 2006.
*
Sidney Littlefield Kasfir and Gus Gordon. ''Contemporary African Art'', Paw Prints, 2008.
*
Regula Tschumi ''The Buried Treasures of the Ga: Coffin Art in Ghana.'' Bern: Benteli, 2008.
* Okwui Enwezor and Chika Okeke-Agulu. ''Contemporary African art since 1980'', Bologna: Damiani Editore, 2009.
*
André Magnin, ''Africa? Una nuova storia'', Rome: Gangemi, 2009.
* André Magnin and Luca Beatrice, ''Africa arte contemporanea'', Milan: Prearo, 2009.
* Okwui Enwezor, ed., and
Chika Okeke-Agulu
Chika Okeke-Agulu () is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Biography
Chika Okeke-Agulu was born in Umuahia in Nigeria in 19 ...
, Gabrielle Conrath-Scholl, Willis E. Hartshorn, Virginia Heckert,
Kobena Mercer
Kobena Mercer (born 1960) is a British art historian and writer on contemporary art and visual culture. His writing on Robert Mapplethorpe and Rotimi Fani-Kayode has been described as "among the most incisive (and delightful to read) critiques o ...
,
Artur Walther,
Deborah Willis. ''Events of the Self: Portraiture and Social Identity: Contemporary African Art from
the Walther Collection
The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The collection has two exhibition spaces: the Walther Collection in N ...
'', Göttingen: Steidl, 2010.
* ''Uche Okeke: Art In Development - A Nigerian Perspective''. Editor Leclair Grier Lambert. 101 pp. 81 b/w illustrations. Asele Institute Nimo/African American Cultural Centre, Minneapolis, 1982.
* ''Offerings from the Gods''. Text by Dele Jegede 68 pp. 48 b/w illustration. Society of Nigerian Artists, Lagos State Chapter, 1985.
* ''Africa On Her Schedule Is Written a Change''. Barbara Haeger 105 pp. 13 b/w illustrations. African Universities Press, 1981.
* Bruce Onobrakpeya: ''Sahelian Masquerades''. Monograph of prints and paintings Edited by Safy Quel 132 pp. 17 colour and 155 b/w and line pictures, Ovuomaroro Gallery production, 1982.
* Bruce Onobrakpeya: ''25 Years of Creative Search''. Introduction by C. O. Adepegba, 57 pp. 51 b/w pictures, Ovuomaroro Gallery production, 1984.
*''The Zaria Art Society: A New Consciousness''. Edited by Paul Chike Dike and Pat Oyelola, with essays by Cornelius O. Adepegba, Oloidi, Don Akatakpo and Jacob Jari. 298 pp. 302 b/w reproductions and 133 colour reproductions. A publication of the National Gallery of Art, 1998.
* ''Agbarha-Otor 98 and 99: A Catalogue of First and Second Harmattan Workshop Exhibition''. 84 pp. 127 b/w and 33 colour reproductions. Curated by Mike Omoighe, Ovuomaroro Gallery Production, 1999.
* ''Amos Tutuola Show: A Folklore Inspired Art In Honour of the Novelist''. Edited by Mudiare Onobrakpeya and curated by Mike Omoighe and Toyin Akinosho; 40 pp. 25 b/w and 32 colour reproductions. Ovuomaroro Gallery production, 1999.
* ''Bruce Onobrakpeya: Poems and Lithographs'', print notes and comments No.9. Introduced by Bruce Onobrakpeya 49 pp. 48 b/w line reproductions; Ovuomaroro Gallery Publications, 1989.
* ''Glimpses of Our Stars - An Intimate Encounter with Nigerian Leading Artistes'' by Oji Onoko, 468 pp. 99 B/W reproductions. All Media International Ltd, 1999.
* ''Forty Years of Bruce Onobrakpeya in Contemporary Visual Art: The Portrait of a Visual Artist''. Edited by Mudiare Onobrakpeya and Uche Abalogu with an introduction by Simon Ikpakronyi. A collection of 26 essays on Bruce Onobrakpeya. 70 pp. Ovuomaroro Gallery Production.
* ''Bruce Onobrakpeya: Portfolio of Art and Literature'', Catalogue. Edited by Pat Oyelola. Poems and extracts from various literary works. 56 pp. 30 illustrations in colour and b/w Ovuomaroro Gallery Production, 2003
* ''Bruce Onobrakpeya: Jewels of Nomadic Images'', 196 pp., with essays by Ekpo Udoma,
Olu Amoda and Peju Layiwola, 439 b/w and colour illustrations, Ovuomaroro Studio Press, 2009.
* ''The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists'' (Mara Ambrožič, Zdenka Badovinac, Roberto Casati, Johannes Hoff,
Achille Mbembe
Joseph-Achille Mbembe, known as Achille Mbembe (; born 1957), is a Cameroonian historian, political theorist, and public intellectual who is a research professor in history and politics at the Wits Institute for Social and Economy Research at the ...
,
Simon Njami, Pep Subirós).
* "AniMystikAKtivist - Between Traditional and the Contemporary in African Art" Jens Hoffmann and Z.S. Strother. Yale University Press and MercatorFonds, 2018,
"Foundations of Contemporary African Art" by Matthew Stanford, 2009
Magazines
* ''ADA: Architecture Design Art''. Johannesburg, from 1989 to 1996. Founded by Jennifer Sorrell.
* ''ART AFRICA''
''A comprehensive editorial content of art from Africa and the diaspora'' Quarterly digital and annual print publication founded by Suzette and Brendon Bell-Roberts, Cape Town, South Africa, from 2002 to current.
* ''
Africa e Mediterraneo: Cultura e società''. Director Sandra Federici, Cooperativa Lai-Momo, Sasso Marconi (Bologna), from 1992. Please refer in particular to ''Dossier: Arte africana contemporanea'', edited by Giovanni Parodi di Passano, no. 2-3/99, December 1999; "Dossier: Sulla storia dell'arte africana contemporanea", edited by Iolanda Pensa, no. 55, August 2006.
* ''Africana bulletin''. Varsavia, Polonia.
* ''African Arts''. Center of African Studies, UCLA, Los Angeles, USA, 1967.
''Afriche e Orienti'' Director Mario Zamponi, AIEP Editore, Bologna, dal 1999.
''Africultures''* ''Afrik'Art''. Dakar, from 2005 and associated with the
Dakar Biennale
The Dakar Biennale, or Dak'Art - Biennale de l'Art Africain Contemporain, is a major contemporary art exhibition that takes place once every two years in Dakar, Senegal. Dak'Art's focus has been on Contemporary African Art since 1996.
History
T ...
.
* ''Art nègre''. Namur, Belgium. Special issue ''Vivante afrique'', no. 246, 1–53, 9 October 1966.
* ''Arts d'Afrique Noire'', then "Arts Premiers". Arnouville, France.
* ''Art South Africa''
A comprehensive overview of art from South Africa'' Quarterly print publication founded by Suzette and Brendon Bell-Roberts, Cape Town, South Africa, from 2002 to current.
* ''Artthrob''
Rivista online founded by Sue Williamson.* ''
Atlantica Revista de Arte y Pensamiento
Atlantica ( gr, Ατλαντικα; ''Atlantika'') is an ancient continent that formed during the Proterozoic about (two billion years ago, Ga) from various 2 Ga cratons located in what are now West Africa and eastern South America.
The name, ...
''. Publication of the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, from 1990.
* ''Black Art''. Claremont, USA, from 1976.
* ''
Black Orpheus: Journal of African and Afro-American Literature'', founded by
Ulli Beier
Chief Horst Ulrich Beier, commonly known as Ulli Beier (30 July 1922 – 3 April 2011), was a German editor, writer and scholar who had a pioneering role in developing literature, drama and poetry in Nigeria, as well as literature, drama and p ...
, Ibadan, Nigeria (1957–75).
* ''
Chimurenga
''Chimurenga'' is a word in the Shona language. The Ndebele equivalent, though not as widely used since the majority of Zimbabweans are Shona speaking, is ''Umvukela'', meaning "revolutionary struggle" or uprising. In specific historical terms ...
''
''Who no know go know'' Founded by Ntone Edjabe, Kalakuta Trust, Cape Town, South Africa, from 2002.
* ''Coartnews''.
* ''Convergences: Revue trimestrielle d'art et de culture''. Director Souleymane Bachir Diagne, Dakar, Senegal, from 1996.
* ''Contemporary Art from the Islamic World'
then ''Nafas Art Magazine''.* ''Critical Interventions''
''Journal of African art history and visual culture'' Founded by Sylvester Okwunodu Ogbechie.
* ''
DiARTgonale: Bimestriel panafricain d'opinions, de formation et de réflexion sur l'art contemporain africain''. Founded by Achillekà Komguem,
Yaoundé
Yaoundé (; , ) is the capital of Cameroon and, with a population of more than 2.8 million, the second-largest city in the country after the port city Douala. It lies in the Centre Region of the nation at an elevation of about 750 metres (2,50 ...
,
Camerun, from 2007.
* ''
Drum Magazine
A drum magazine is a type of high-capacity magazine for firearms. Cylindrical in shape (similar to a drum), drum magazines store rounds in a spiral around the center of the magazine, facing the direction of the barrel. Drum magazines are contrast ...
''
* ''Gallery''. Delta Gallery Publications, Harare, Zimbabwe, from 1994.
* ''
Glendora'', Lagos, Nigeria.
* ''Journal de la Société des Africanistes'', Paris.
* ''Kunstforum International''. Director Dieter Bechtloff. In particular ''Weltkunst-Globalkultur'' (no. 118, 1992), ''Afrika – Iwalewa'' (n. 122, 1993), ''Out of Africa'' (no. 174, 2005).
* ''
Metronome
A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats pe ...
''. Founded by
Clémentine Deliss
Clémentine Deliss (born 1960) is a London-born curator, researcher and publisher.
Biography
Clémen Mary Deliz born in 1960 in London to French-Austrian parents. She studied art in Vienna, Austria, and holds a B.A. in Social Anthropology and a ...
, from 1996. From 2005 the magazine has been produced b
Metronome Press.''NKA: Journal of Contemporary African Art'' Founded by Okwui Enwezor, USA, from 1994.
* ''New Culture: A Review of Contemporary African Arts''. Founded by Demas Nwoko, New Culture Studios Ibadan, Nigeria, from 1978.
* ''Objets et Mondes''. Musée de l'Homme, Paris.
* ''
Position: Journal on Contemporary African Arts''
Director Dapo Adeniyi from 2001.
* ''
Présence Africaine
''Présence Africaine'' is a pan-African quarterly cultural, political, and literary magazine, published in Paris, France, and founded by Alioune Diop in 1947. In 1949, ''Présence Africaine'' expanded to include a publishing house and a bookstore ...
: Revue Culturelle du Monde Noir''. Founded by Alioune Diop, Paris, from 1947.
* ''
Revue Noire
Revue Noire is a specialist publisher of books and web material relating to African contemporary art and culture, based in France. From 1991 to 2001, Editions Revue Noire published the printed quarterly magazine ''Revue Noire (magazine), Revue Noi ...
''. Founded by Jean Loup Pivin, Simon Njami, Pascal Martin Saint Léon, Paris, from 1991 to 1999.
* ''
Staffrider''.
* ''
Third Text
''Third Text'' is a leading peer-reviewed academic journal covering art in a global context. After founder and editor Rasheed Araeen's earlier art magazine ''Black Phoenix'', which started in 1978 and published only three issues, ''Third Text'' ...
: Third World Perspectives on Contemporary Art & Culture''. Founded by
Rasheed Araeen
Rasheed Araeen ( ur, رشید آرائیں; born 1935) is a Karachi born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, an ...
, Kala Press, London, from 1987. In particular ''Africa Special Issue'', no. 23, Summer 1993.
* ''
Transition Magazine
''Transition Magazine'' was established in 1961 by Rajat Neogy as ''Transition Magazine: An International Review''. It was published from 1961 to 1976 in various countries on the African continent, and since 1991 in the United States. In recent y ...
A Journal of the Arts, Culture & Society'.
Databases
*''AAVAA
The African and Asian Visual Artists' Archive renamed ''Diversity Art Forum'', London, from 1989.''
* ''Africa Book Centr
– Books from and about Africa', London.
''Africaserver'' Amsterdam.
''Africinfo'' Dakar, Senegal.
''African Colours''.''African Loxo''.* ''Africa South Art Initiative
ASAI', Cape Town.
''Archive of African Artists'' Washington, DC, USA. Warren M. Robbins Library, National Museum of African Art, Smithsonian Institution.
''Artafrica Project''.* ''
Contemporary African Art Collection''
The Jean Pigozzi collection.''Contemporary African Music and Arts Archive''''Devearts'' an international platform for contemporary art from developing countries
''Foundation of Contemporary Art-Ghana''*
Global Africa Art Market Report : annual analysis on the modern & contemporary African & its diaspora's art market.
''Modern African Art: A Basic Reading List'' Washington DC, USA. Curated by Janet L. Stanley, Warren M. Robbins Library, National Museum of African Art, Smithsonian Institution Libraries. Begun in 1995, this annotated reading list is continually updated.
''OCPA Observatory of Cultural Policies in Africa'' Maputo, Mozambico.
* ''Power of Culture'', Amsterdam.
''Universes in Universe'' Berlin.
''Virtual Museum of Modern Nigerian Art'' hosted at th
Pan-Atlantic Universitys web site. Created by Jess Castellote.
''Virtual Museum of Contemporary African Art'' Amsterdam. Founded by Fons Geerlings and Maarten Rens, from 2001.
See also
*
El Anatsui
El Anatsui ( h-nah-ch-wee born 1944) is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his " bottle-top installations". These installations consist of thousands of aluminum piec ...
*
Fathi Hassan
Fathi Hassan ( ar, فتحي حسن, born 10 May 1957) is an Egyptian-born, Italian-based artist known for his installations involving the written word.
Life
Fathi Hassan was born in Cairo in 1957 as the second son to a Nubian family. His ...
*
Ben Enwonwu
Odinigwe Benedict Chukwukadibia Enwonwu MBE (14 July 1917 – 5 February 1994), better known as Ben Enwonwu, was a Nigerian painter and sculptor. Arguably the most influential African artist of the 20th century, his pioneering career opened th ...
*
African art
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, su ...
*
Philosopher's Legacy (Heirloom) ''Monumental African art heirloom''
*
Contemporary art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
References
External links
{{African topic, , art
African art
Contemporary art