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The ''Passerelle de Bessengue'' is an
artwork A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
in
Douala Douala is the largest city in Cameroon and its economic capital. It is also the capital of Cameroon's Littoral Region (Cameroon), Littoral Region. Home to Central Africa's largest port and its major international airport, Douala International Ai ...
(
Cameroon Cameroon (; french: Cameroun, ff, Kamerun), officially the Republic of Cameroon (french: République du Cameroun, links=no), is a country in west-central Africa. It is bordered by Nigeria to the west and north; Chad to the northeast; the C ...
). It is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands. It was inaugurated during the Salon Urbain de Douala en 2007.


The artwork

The Passerelle de Bessengue is a wooden bridge with an iron handrail, painted in different colors, each one representing people of different ethnic groups holding hands. La Passerelle was designed by the Cameroonian artist
Alioum Moussa Alioum Moussa, born in 1977 in Maroua (Cameroon), is a graphic designer and illustrator by training. He lives and works in Yaoundé (Cameroon). Biography A self-taught visual artist, Alioum Moussa expresses himself through several media: primaril ...
. It was initially conceived as a cooperation development project funded by the Institut Régional de Coopération-Développement d’Alsace (Ircod-Alsace), the Municipality of Douala I, and doual’art. As project coordinator,
doual’art doual'art is a non profit cultural organisation and art centre founded in 1991 in Douala, Cameroon and focussed on new urban practices of African cities. History doual'art was registered as a non profit organization in 1992 and it was establish ...
ran a community-based approach involving the local Development Community of Bessengue-Akwa (CDBA) from the conceptualization phase to the project production. During the process, an artistic contest was organized in order to provide La Passerelle with aesthetical features. On five projects submitted, the selection fell on Alioum Moussa. His proposal aroused among the community a critical discussion and self-reflection about historical conflicts among autochthonous and non-native populations. The success of the project by Moussa was to create a link between art and community experiences, documenting shared intentions to promote and pursue a peaceful collaboration for future generations. La Passerelle was officially inaugurated during the SUD 2007 and restored two times. In 2009, Malika Ouedraogo and Cecile Demessine repainted the handrail. In the occasion of the SUD 2013, the Municipality of Douala funded the replacement of a handrail side and some broken wood planches. La Passerelle has disclosed the block 1 of Bessengue to one of the busiest roads of Douala, facilitating the circulation of people, vehicles, and the provision of public services. Its position at the entrance of the neighborhood has contributed to create a square between La Passerelle and the first houses. This area, commonly known as Vallée Bessengue, has become an important landmark for children, young people and women who meet there to play, to date and to shop, surrounded by other art installations.


See also


Bibliography

* Pensa, Iolanda (Ed.) 2017. Public Art in Africa. Art et transformations urbaines à Douala /// Art and Urban Transformations in Douala. Genève: Metis Presses. * Babina, L., and Douala Bell, M. (eds.). (2007): Douala in Translation. A View of the City and Its Creative Transformative Potentials, Rotterdam, Episode Publishers. * Pucciarelli, M. (2015). «Culture and Safety in Douala: The Cases of New Bell and Bessengue », in Bonini Lessing, E. (ed.), Urban Safety and Security, Franco Angeli, pp- 69-79. * Verschuren, K., X. Nibbeling and L. Grandin. (2012): Making Douala 2007-2103, Rotterdam, ICU art project. * Van Der Lan, B. and Jenkins R.S. (eds) (2011). Douala: Intertwined Architectures, The Netherland: ArchiAfrica Pensa, I. (2012): * «Public Art and Urban Change in Douala». In Domus, (7 April 2012). http://www.domusweb.it/en/art/2012/04/09/public-art-and-urban-change-in-douala.html * Van der Lans, B. (2013): «Best practices in culture-based urban development». In David Adjaye and Simon Njami (Eds) Visionary Africa: Art & architecture at work (III Ed.). Brussels, European Commission and Centre for Fine Arts (bozar). * Greenberg, K. (2012): «La ville en tant que site: création d’un public pour l’art contemporain en Afrique». In Carson Chan, Nadim Samman (Eds.) Higher Atlas / Au-delà de l’Atlas – The Marrakech Biennale in Context. Sternberg Press * Lettera 27, (2013): «Trasformazioni urbane: l’edizione 2013 di SUD, a Douala» In Lettera 27. * Marta Pucciarelli (2014) Final Report. University of Applied Sciences and Arts of Southern Switzerland, Laboratory of visual culture


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