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Panchalingeshwara Temple, Govindanahalli
Panchalingeshwara Temple (also spelt Panchalingeshvara) in Govindanahalli, Mandya district, Karnataka state, India, was constructed around 1238 A.D. during the reign of the Hoysala empire King Vira Someshwara. The name "Panchalingeshwara" literally means "five linga" (''pancha'' - five and ''linga'' - the universal symbol of the god Shiva). The temple is protected as a monument of national importance by the Archaeological Survey of India. The famous sculptor of Hoysala times, Ruvari Mallitamma, is known to have made contributions to the temple. Temple plan According to art historian Gerard Foekema, the Panchalingeshwara temple is a rare example of a ''panchakuta'' (''lit'', five shrines with five towers) construction in Hoysala architecture.Foekema (1996), p.25 The five shrines are built on a north-south axial plan with the sanctums face east. In each shrine, the sanctum (''garbhagriha'') is connected to a hall (''mantapa'' or ''navaranga'') by a '' vestibule'' with ''sukanasi' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
States And Territories Of India
India is a federal union comprising 28 states and 8 union territories, with a total of 36 entities. The states and union territories are further subdivided into districts and smaller administrative divisions. History Pre-independence The Indian subcontinent has been ruled by many different ethnic groups throughout its history, each instituting their own policies of administrative division in the region. The British Raj mostly retained the administrative structure of the preceding Mughal Empire. India was divided into provinces (also called Presidencies), directly governed by the British, and princely states, which were nominally controlled by a local prince or raja loyal to the British Empire, which held ''de facto'' sovereignty ( suzerainty) over the princely states. 1947–1950 Between 1947 and 1950 the territories of the princely states were politically integrated into the Indian union. Most were merged into existing provinces; others were organised into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestibule (architecture)
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kikkeri
Kikkeri is a small town in Krishnarajapete, Mandya district of Karnataka state, India. Schools in Kikkeri * Karnataka Public School, Kikkeri * Cambridge Public School, Kikkeri People from Kikkeri * K. S. Narasimhaswamy, an Indian poet in the Kannada language. * K. S. L. Swamy Kikkeri Shamanna Lakshminarasimha Swamy (21 February 1939 – 20 October 2015), popularly known as K. S. L. Swamy / Lalitha Ravee / Ravee, was an Indian film director, producer, actor and playback singer. He entered cinema at an early age as an ..., a renowned film maker in the Kannada Film Industry.https://amp/s/www.thehindu.com/entertainment/kannada-filmmaker-ksl-swamy-passes-away/article7783519.ece/amp/ See also * Brahmeshvara Temple, Kikkeri * Dabbeghatta * Govindanahalli * Holenarasipura * Mandagere * Panchalingeshwara Temple, Govindanahalli * Sasalu, Mandya References Villages in Mandya district {{Mandya-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrikas
Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkās, lit. "divine mothers") also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the '' Brihat Samhita'', Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their spouses or their energies (''Shaktis''). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Skanda, Varahi from Varaha and Chamunda from Devi. and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha. Originally believed to be a personification of the seven stars of the star cluster the Pleiades, they became quite popular by the seventh century and a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalasha
A kalasha, also spelled kalash or kalasa, also called ghat or ghot ( sa, कलश , Telugu: కలశము Kannada: ಕಳಶ literally "pitcher, pot"), is a metal (brass, copper, silver or gold) pot with a large base and small mouth, large enough to hold a coconut. Sometimes "kalasha" also refers to such a pot filled with water and topped with a coronet of mango leaves and a coconut. This combination is often used in Hindu rites and depicted in Hindu iconography. The entire arrangement is called Purna-Kalasha (), Purna-Kumbha (), or Purna-ghata (). Each of these names literally means "full or complete vessel" when the pot is referred to as the Kalasha (to avoid confusion, this article will refer to the pot as Kalasha and the entire arrangement as Purna-Kalasha). Sometimes the Kalasha is filled with coins, grain, gems, gold, or a combination of these items instead of water. The coronet of 5, 7, or 11 mango leaves is placed such that the tips of the leaves touch water in the Kal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumambulation or ''pradakhshina'' has been an important ritual and devotional practice since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eave
The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong bracket systems. Etymology and usage According to the ''Oxford English Dictionary'', ''eaves'' is derived from the Old English (singular), meaning "edge", and consequently forms both the singular and plural of the word. This Old English word is itself of Germanic origin, related to the German dialect ''Obsen'', and also probably to ''over''. The Merriam-Webster dictionary lists the word as ''eave'' but notes that it is "usually used in plural". Function The primary function of the eaves is to keep rain water off the walls and to prevent the ingress of water at the junction where the roof meets the wall. The eaves may also protect a pathway around the building from the rain, prevent erosion of the footin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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