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Palazzo Grimani Di Santa Maria Formosa
The Palazzo Grimani of Santa Maria Formosa is a State museum, located in Venice in the Castello district, near Campo Santa Maria Formosa. History The palace can be reached by land from Ruga Giuff(map) The water entry, very used in ancient times, is located on the San Severo canal. The Palazzo constitutes for the city of Venice a particularly precious novelty for the originality of the architecture, for the decorations and for its history. The original medieval building was built at the confluence of the canals of San Severo and Santa Maria Formosa, and purchased later by Antonio Grimani, who became a doge in 1521, and subsequently passed on as a legacy, in the third decade of the 16th century, to the grandsons Vettore Grimani, ''Procurator de Supra'' for the Venetian Republic, and Giovanni Grimani, Patriarch of Aquileia, who refurbished the old structure inspired by architectural models taken from classicism. The two brothers wanted to give "modern" forms to the building and had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Grimani
Domenico Grimani (19 February 1461 – 27 August 1523) was an Italian nobleman, theologian and cardinal. Like most noble churchman of his era Grimani was an ecclesiastical pluralist, holding numerous posts and benefices. Desiderius Erasmus dedicated to Grimani his ''Musica''. Biography Born in Venice, he was the eldest of five sons of Antonio Grimani, the oldest elected Doge of Venice, and his wife Catarina Loredan. Antonio was elected doge in 1521, when Domenico was already a cardinal. He exhibited an early predilection for humanist studies, which was encouraged by teachers in his native Venice and then in the ambit of the Medicean academy in Florence, where he moved in the circle of Lorenzo de' Medici among scholars like Pico della Mirandola and Poliziano. He obtained a doctorate in canon law at the University of Padua on 23 October 1487 and was elected a Senator of Venice that same year. He became a cardinal in 1493, an appointment paid by his father with a sum of aro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums, where it remains. It is very likely the same statue that was praised in the highest terms by the main Roman writer on art, Pliny the Elder. The figures are near life-size and the group is a little over in height, showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been called "the prototypical icon of human agony" in Western art, and unlike the agony often depicted in Christian art showing the Passion of Jesus and martyrs, this suffering has no redemptive power or reward. The suffering is shown through the contorted expressions of the faces (Dr. Guillaume-Benjamin Duchenne pointed out to Charles Darwin that Laocoön's bulging eyebrows are physiologically impossible) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doge's Palace
The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia. History In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a ''palatium duci'' (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameo (carving)
Cameo () is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background. A variation of a carved cameo is a cameo incrustation (or sulphide). An artist, usually an engraver, carves a small portrait, then makes a cast from the carving, from which a ceramic type cameo is produced. This is then encased in a glass object, often a paperweight. These are very difficult to make but were popular from the late 18th century through the end of the 19th century. Originating in Bohemia, the finest examples were mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portego
Portego ("porch" in Venetian dialect) is a characteristic compositional element of the Venetian civil buildings built during the years of the Republic of Venice. The portego is similar to a reception hall but has peculiar features. History The portego is known from the ancient times; it is present even in the oldest Venetian palaces. In later centuries and especially during the emergence of the Renaissance architecture, the portego original central structure has changed substantially, allowing for T-shaped and L-shaped halls. Function In a typical Venetian palace, the portego is the local passage hall that joins the water portal with the land portal. On the ground floor, it serves as an entrance hall for loading goods, while on the upper floors the portego is used both as a reception hall and as a passing hall to access other rooms, located on both sides. Furthermore, the portego was crucial in providing ventilation and air circulation for the palazzo which, especially during medie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monumental Staircase
Monumental may refer to: * In the manner of a monument Places * Monumental Island, Nunavut, Canada * Monumental Island, New Zealand * Monumental (Barcelona Metro), a station in Barcelona, Catalonia, Spain * La Monumental, the Plaza Monumental de Barcelona, a stadium bullring in the city of Barcelona, Catalonia, Spain * Estadio Monumental Antonio Vespucio Liberti, or El Monumental, an Argentinian stadium in Buenos Aires * Plaza Monumental de Morelia, Michoacan, Mexico * Monumental Square (Alcaraz), Spain * Monumental Church, Richmond, Virginia, USA Other uses * ''Monumental'' (album), a 2011 album by Pete Rock and Smif-N-Wessun, and its title track * ''Monumental'' (Kadebostany album), 2018 * '' Monumental: In Search of America's National Treasure'', a 2012 American documentary film * Monumental Life Insurance Company See also *Monumental dance, a dance style introduced by German musical band ''E Nomine'' *Estadio Monumental (other) There are a number of stadiums and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
Domvs Romana
The Domus Romana (Latin for "Roman House"), stylized as the Domvs Romana (after Latin's lack of distinction between u and v), is a ruined Roman-era house located on the boundary between Mdina and Rabat, Malta. It was built in the 1st century BC as an aristocratic town house (''domus'') within the Roman city of Melite. In the 11th century, a Muslim cemetery was established on the remains of the domus. The site was discovered in 1881, and archaeological excavations revealed several well preserved Roman mosaics, statues and other artifacts, as well as a number of tombstones and other remains from the cemetery. Since 1882, the site has been open to the public as a museum, which is currently run by Heritage Malta. It was erroneously called the ''Roman Villa'' when rediscovered as it was thought to be outside the city of Melite but on further examinations it was clarified to be within city limits. History and description Roman house The ''Domvs Romana'' is believed to have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Grimani, Corte
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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