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Palazzo Felicini, Bologna
The Palazzo Felicini is a Renaissance style palace in Via Riva di Reno 79 in central Bologna, Italy. left, Detail of a capital of the palace. Photo by  Paolo Monti, 1969. Like many of the palaces in the crowded center of Bologna, the piano nobile and facade extends up to the street over an arcaded front. It stands across from the Palazzo Bonasoni. While Aristotele Fioravanti may have performed some work on the palace before departing in the 1470s, the palace, as we see it today, was built in 1497, for a Bartolomeo Felicini, senator, and member of a prominent banking family. With the defeat of the Giulio II Bentivoglio by the papal forces, a member of the Felicini family was present to the city senate till 1584. The exterior has terracotta decorations. The interiors are frescoed by Angelo Michele Colonna and Giacomo Alboresi (''Assumption of the Virgin'', Family Chapel); Domenico Santi and Domenico Maria Canuti Domenico Maria Canuti (5 April 1625– 6 April 1684) was an Ital ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Paolo Monti - Servizio Fotografico (Bologna, 1969) - BEIC 6339034
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (1617– ...
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Palazzo Bonasoni, Bologna
The Palazzo Bonasoni is a Renaissance-style palace in Via Galliera 21 in central Bologna, Italy. It stands across the street from the Palazzo Felicini. The site with prior homes belonged originally to the Caccianemici dall’Orso family. By the mid-16th century, it was acquired by the rising nobleman Galeazzo Bonasoni. His family had originally been from San Giovanni in Persiceto and Castello d’Argile, but moved to Bologna by 1472. Galeazzo's father had been a docent in canon law at the University of Bologna. In 1544, Galeazzo had been named knight and Count Palatine by the Holy Roman Emperor Charles V. Documents suggest that in 1556, Galeazzo employed the architect Antonio Morandi, known like his father as ''il Terribilia'', to help design the palace. The palace passed through various hands. Previously parts of the palace had been frescoed by Mitelli and Bigari, but the works are now lost. It still retains a 16th-century fresco, somewhat damaged, which has been variously at ...
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Aristotele Fioravanti
Ridolfo "Aristotele" Fioravanti (c. 1415 or 1420 in Bologna – c. 1486 in Tsardom of Russia) was an Italian Renaissance architect and engineer, active in Muscovy from 1475, where he designed the Dormition Cathedral, Moscow during 1475–1479. His surname is sometimes given as Fieraventi. Russian versions of his name are Фиораванти, Фьораванти, Фиеравенти, Фиораванте. Biography Little is known about Fioravanti's early years. He was born in Bologna around 1415/1420 to a family of architects and hydraulic engineers. He became renowned for the very innovative devices he used for the rebuilding of the towers belonging to the noble families of the city. Between 1458 and 1467 he worked in Florence for Cosimo de' Medici the Elder and in Milan, before returning to his native city. There he created the plans for the Palazzo Bentivoglio, but the edifice was not finished (by Giovanni II Bentivoglio) until 1484–1494. In 1467 he worked for king Matt ...
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House Of Bentivoglio
The Bentivoglio family (Latin: ''Bentivoius'') was an Italian noble family that became the ''de facto'' rulers of Bologna and responsible for giving the city its political autonomy during the Renaissance, although their rule did not survive a century. History The presence in Bologna of the Bentivoglio family is first recorded in 1323. Originally from the castle of that name in the neighborhood of Bologna, the family claimed descent from Enzio, King of Sardinia, an illegitimate son of Frederick II, Holy Roman Emperor. During the fourteenth century, the family, belonging to one of the worker's guilds at Bologna, had gained power as pro-papist Guelph leaders in the fourteenth century. Amid the faction-conflicts of the commune, on 14 March 1401, Giovanni I Bentivoglio, with the help of Gian Galeazzo Visconti, declared himself '' signore'' and ''Gonfaloniere di Giustizia''. The Visconti however soured on Giovanni, and he was defeated and killed on 26 June 1402 at the Battle of Cas ...
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Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ...
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Angelo Michele Colonna
Angelo Michele Colonna (21 September 1604 - 1687) was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna. Biography He was born in Rovenna. As a boy in Como, he worked with a painter by the name of Caprera. By 1617, he travelled to Bologna to apprentice with Gabriello Ferrantino or ''il Occhiale'', and then the early ''quadratura'' master, Girolamo Curti, called ''il Dentone''. He painted frescoes for the Palazzo Albergati in Bologna. He would have been known by the biographer of Bolognese artists, Cesare Malvasia, for whom Colonna frescoed the Villa Malvasia in Trebbo in 1624, along with Curti and Domenico Ambrogi. The following year, Curti and Colonna frescoed parts of the Villa Paleotti (now Villa Monari-Sardè). Also in 1625, along with Ambrogi, he carried out frescoes in the Villa Malvezzi-Campeggi in Bagnarola and after being recommended by Alessandro Tiarini, he helped ...
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Giacomo Alboresi
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period. Biography Born in Bologna, he was a pupil of Domenico Santi, under whom he worked seventeen years, devoting himself above all to the painting of birds and small figures in illuminated manuscripts. Then he moved to the studio of the quadratura painter Agostino Mitelli who instructed him in decorative fresco painting, and procured him commissions. In 1659 he married the stepdaughter of Mitelli and, after the death of the master (1660), he was considered the heir of the decorative style that Mitelli had created. He limited himself to repeating diligently designs of his master. Later he worked under Angelo Michele Colonna in Spain, Florence, and Parma. Colonna and Alboresi used painters Fulgenzio Mondini, and later Giulio Cesare Milani, and Canuti, to place figures in their backgrounds. Examples of the collaboration of Colonna, Alboresi and Canuti can be found at the Palazzo Felicini. He worked with Mondin ...
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Domenico Santi
Domenico Santi, also known as il Mengazzino, (1621-1694) was an Italian painter, active in Modena, Mirandola, and Novellara, painting quadratura. Biography He was a pupil of Agostino Mitelli in Bologna. He moved to Mirandola Mirandola ( Mirandolese: ) is a city and ''comune'' of Emilia-Romagna, Italy, in the Province of Modena, northeast of the provincial capital by railway. History Mirandola originated as a Renaissance city-fortress. For four centuries it was ... in 1654. Among the pupils of Santi was Giacomo Alboresi, References 17th-century Italian painters Italian male painters Italian Baroque painters Quadratura painters Painters from Bologna 1621 births 1694 deaths {{France-painter-17thC-stub ...
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Domenico Maria Canuti
Domenico Maria Canuti (5 April 1625– 6 April 1684) was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.Domenico Maria Canuti
at The J. Paul Getty Museum


Life

Born in Bologna, Canuti first trained in that city under Guido Reni, then with . He painted many ceiling and wall frescoes. From 1650 to 1660 and later in the 1670s, he was employed in Rome w ...
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