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Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Palace
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeologica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini
The House of Barberini are a family of the Italian nobility that rose to prominence in 17th century Rome. Their influence peaked with the election of Cardinal Maffeo Barberini to the papal throne in 1623, as Pope Urban VIII. Their urban palace, the Palazzo Barberini, completed in 1633 by Bernini, today houses Italy's Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art). Early history The Barberini family were originally a family of minor nobility from the Tuscan town of Barberino Val d'Elsa, who settled in Florence during the early part of the 11th century. This cites: * A. von Reumont, ''Geschichte der Stadt Rom'' (Berlin, 1868), iii. b. 611–612, 615, 617, &c. * ''Almanach de Gotha'' (Gotha, 1902). * J. H. Douglas, ''The Principal Noble Families of Rome'' (Rome, 1905). Carlo Barberini (1488–1566) and his brother Antonio Barberini (1494–1559) were successful Florentine grain, wool and textile merchants. In 1530 Antonio participated in the defense of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Cesari
Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome. Biography Cesari's father, Muzio Cesari, had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Luigi Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline.) Cesari's first major work, done in his twenties, was the painting of the right counterfacade of San Lorenzo in Damaso, completed from 1588 to 1589. On 28 June 1589, he received the commission for the murals of the choir vault in the Certosa di San M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance List of palaces in Italy#Rome, palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the House of Farnese, Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods (Carracci), ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Del Quirinale
The Quirinal Palace ( it, Palazzo del Quirinale ) is a historic building in Rome, Italy, one of the three current official residences of the president of the Italian Republic, together with Villa Rosebery in Naples and the Tenuta di Castelporziano, an estate on the outskirts of Rome, some 25 km from the centre of the city. It is located on the Quirinal Hill, the highest of the seven hills of Rome in an area colloquially called Monte Cavallo. It has served as the residence for thirty popes, four kings of Italy and twelve presidents of the Italian Republic. The Quirinal Palace was selected by Napoleon to be his residence ''par excellence'' as emperor. However, he never stayed there because of the French defeat in 1814 and the subsequent European Restoration. The palace extends for an area of 110,500 square meters and is the twelfth-largest palace in the world in terms of area, some twenty times the area of the White House. History Origins The current site of the palace has b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scipione Borghese
Scipione Borghese (; 1 September 1577 – 2 October 1633) was an Italian Cardinal, art collector and patron of the arts. A member of the Borghese family, he was the patron of the painter Caravaggio and the artist Bernini. His legacy is the establishment of the art collection at the Villa Borghese in Rome. Biography Early life and cardinalship He was born in Artena with name Scipione Caffarelli, the son of Francesco Caffarelli and Ortensia Borghese. Because his father ran into financial difficulties, Scipione's education was paid for by his maternal uncle Camillo Borghese. Upon Camillo's election to the papacy as Pope Paul V in 1605, he quickly conferred a cardinalship on Scipione and gave him the right to use the Borghese name and coat of arms. In the classic pattern of papal nepotism, Cardinal Borghese wielded enormous power as the Pope's secretary and effective head of the Vatican government. On his own and the Pope's behalf he amassed an enormous fortune through papal fees ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Pallavicini-Rospigliosi
The Palazzo Pallavicini-Rospigliosi is a palace in Rome, Italy. It was built by the Borghese family on the Quirinal Hill; its footprint occupies the site where the ruins of the baths of Constantine stood, whose remains still are part of the basement of the main building, the Casino dell'Aurora. Its first inhabitant was the famed art collector Cardinal Scipione Borghese, the nephew of Pope Paul V, who wanted to be housed near the large papal Palazzo Quirinale. The palace and garden of the Pallavicini-Rospigliosi were the product of the accumulated sites and were designed by Giovanni Vasanzio and Carlo Maderno in 1611–16. Scipione owned this site for less than a decade, 1610–16, and commissioned the construction and decoration of the casino and ''pergolata'', facing the garden of Montecavallo. The Roman palace of this name should not be mistaken for the panoramic Villa Pallavicino on the shores of Lake Como in Lombardy. The Casino dell'Aurora and L'Aurora fresco by Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus And Ariadne By Guido Reni
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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