|
Palazzo Cattaneo-Adorno
The palazzo Cattaneo-Adorno or palazzo Lazzaro e Giacomo Spinola is a building located on via Garibaldi, in the historical centre of Genoa, marked by house numbers 8 and 10, included on 13 July 2006 in the list of 42 palaces inscribed in the Rolli di Genova, which became World Heritage by UNESCO on that date. It houses a remarkable cycle of Baroque frescoes by Lazzaro Tavarone. History The cousins Lazzaro and Giacomo Spinola (from Luccoli) had the palace built between 1583 and 1588. The attribution of two distinct house numbers is due to the fact that the palace, although it consists of a single building, is made up of two distinct and symmetrical dwellings, a feature that makes it unique among the palaces of Strada Nuova. The absolute symmetry conceived by the unknown architect who oversaw its construction characterises both the facades, the floor plan and the gardens, as can be seen in the surveys made by Rubens for the 1622 edition of the Palazzi di Genova. The uniqueness of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portal (architecture)
A portal is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates, or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation. The elements of a portal can include the voussoir, tympanum, an ornamented mullion or ''trumeau'' between doors, and columns with carvings of saints in the westwork of a church. Examples File:Baroque portal in Brescia.jpg, Baroque portal of a private palace in Brescia File:Dülmen, St.-Viktor-Kirche, Eingangsportal -- 2021 -- 4504-10.jpg, Wooden portal of the Church of St. Victor in Dülmen File:Porto - Sant Martí de Cedofeita - Façana principal.JPG, Romanesque portal of the Church of São Martinho de Cedofeita, with nested arches File:Hronsky Benadik-Hlavny portal klastorneho kostola.jpg, Gothic portal of the church in Hronský Beňadik File:FI-Tampere-20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th Century
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Jerusalem (1099)
The siege of Jerusalem (7 June – 15 July 1099) was waged by European forces of the First Crusade, resulting in the capture of the Holy City of Jerusalem from the Muslim Fatimid Caliphate, and laying the foundation for the Christian Kingdom of Jerusalem, which lasted almost two centuries. The capture of Jerusalem was the final major battle of the first of the Crusades to occupy the Holy Land begun in 1095. A number of eyewitness accounts of the siege were recorded, the most quoted being that from the anonymous '' Gesta Francorum''. Upon the declaration of the secular state, Godfrey of Bouillon, prominent among the leaders of the crusades, was elected ruler, eschewing the title "king." The siege led to the mass slaughter of thousands of Muslims and Jews and to the conversion of Muslim holy sites on the Temple Mount into Christian shrines. Background At the Council of Piacenza in 1095, Pope Urban II received envoys from Byzantine Emperor Alexios I asking Western Christians for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vault (architecture)
In architecture, a vault (French ''voûte'', from Italian ''volta'') is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed. Vault types Corbelled vaults, also called false vaults, with horizontally joined layers of stone have been documented since prehistoric times; in the 14th century BC from Mycenae. They were built regionally until modern times. The real vault construction with radially joined stones was already known to the Egyptians and Assyrians and was introduced into the buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Tavarone
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerism, Mannerist period, active mainly in his native Genoa and in Spain. He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the El Escorial, Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter. He painted a ''Martyrdom of San Lorenzo'' in the Genoa Cathedral. He also painted frescoes in the Palazzos Saluzzi and Adorni. He painted frescoes on the ''Life of Sant’Ambrogio'' for the Oratorio di Sant'Ambrogio. He also painted scenes from the life of Columbus. References * * {{DEFAULTSORT:Tavarone, Lazzaro 1556 births 1641 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Genoa Italian Mannerist painters Fresco painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Rosso (Genoa)
The Palazzo Brignole Sale or Palazzo Rosso is a house museum located in Via Garibaldi (Genoa), Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. The palace is part of the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. The rich art collection inside, along with the galleries of Palazzo Bianco (Genoa), Palazzo Bianco and Palazzo Doria Tursi, is part of the Musei di Strada Nuova (Genova), Musei di Strada Nuova and consists of the works of artists of the caliber of Anthony van Dyck, Antoon van Dyck, Guido Reni, Paolo Veronese, Guercino, Gregorio De Ferrari, Albrecht Dürer, Bernardo Strozzi and Mattia Preti. History Built in 1675, Palazzo Rosso was not one of the 163 Palazzi dei Rolli of Genoa, the selected private residences where the notable guests of the Republic of Genoa were hosted during State visits, as the last of such list was completed in 1664, ten years before the construction of the palace. As a distingui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoon Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Fresco")
