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Palazzo Capponi, Florence
The Palazzo Capponi is a Baroque palace located on Via Gino Capponi #26 in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: *Palazzo Capponi-Covoni. * Palazzo Capponi-Vettori. *Palazzo Capponi alle Rovinate. History Construction took place in 1702–1717 using designs by Carlo Fontana, and completed by Alessandro Cecchini. The palace was commissioned by the marchese Alessandro Capponi, on the street then called via San Sebastiano. The architect Ferdinando Ruggieri may have contributed to refurbishment in later years. The Gardens were commissioned in 1740 by the sons of Capponi (Scipione and Francesco Maria). In 1788 the palace was inherited by Pier Roberto Capponi and later his son, Gino Capponi, a 19th-century Italian statesman and historian. Subsequently, the palace came to be owned in 1920 by the art collector Egisto Paolo Fabbri. The interior has a theatrical entry staircase in pietra serena with a ceiling ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Matteo Bonechi
Matteo Bonechi (8 November 1669 in Florence – 27 February 1756 in Florence) was an Italian painter of the late Baroque period, active mainly in Florence. He trained under Giovanni Camillo Sagrestani. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. He also painted for the Palazzo Capponi-Covoni The Palazzo Capponi Covoni is a Baroque architecture palace in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: * Palazzo Capponi. * Palazzo Capponi-Vettori. * Palazzo Capponi all ... near the Nunziata in Florence. Sources *Italian Wikipedia entry * 1669 births 1756 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Florence Italian Baroque painters 18th-century Italian male artists {{Italy-painter-18thC-stub ...
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Baroque Architecture In Florence
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ...
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Houses Completed In The 18th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such a ...
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Buildings And Structures Completed In 1717
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artisti ...
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Giovanni Camillo Sagrestani
Giovanni Camillo Sagrestani (1660–1731) was an Italian painter of the Baroque era. Biography A native of Florence, he was, according to Lanzi, a pupil of Antonio Giusti, but became a follower of the style of Carlo Cignani.The History of Painting in Italy: The Florentine, Sienese, and Roman schools
by , translated by Thomas Roscoe (1847), Page 252. Sagrestani's major pupils were (1672–1726) and

Giovanni Cinqui
Giovanni Cinqui or Giovanni del Cinque (Scarperia, 1667 -1743) was an Italian painter. Biography He trained in Florence under Pietro Dandini, He worked in the court of Cosimo III. He painted in the Villa Medicea dell'Ambrogiana, the Palazzo di Gino Capponi in Florence, the Oratory of the Villa Medicea di Lilliano, and for the church of Santa Rosa at Viterbo Viterbo (; Viterbese: ; lat-med, Viterbium) is a city and ''comune'' in the Lazio region of central Italy, the capital of the province of Viterbo. It conquered and absorbed the neighboring town of Ferento (see Ferentium) in its early history ....Encyclopedia Treccani
entry.


References

1667 births
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Atanasio Bimbacci
Atanasio Bimbacci (circa 1654 -1734) was an Italian painter of the Baroque period, active mainly in his native Florence. He painted a ''St Louis Gonzaga'' for the church of Santa Maria Maddalena de' Pazzi in Florence. He also decorated a number of residences. He was a pupil of Ciro Ferri. Others describe him as a follower of Luca Giordano Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Ear ....SBAP beni culturali
entry on Villa dell'Ugolino.


References

{{DEFAULTSORT:Bimbacci, Atanasio 1654 births
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Pietra Serena
Pietra serena is a blue-gray sandstone used extensively in Renaissance Florence for architectural details. It is also known as Macigno stone. The material obtained at Fiesole is considered the best and is also quarried at Arezzo, Cortona, and Volterra, although it is no longer being actively mined and has been placed under conservation status due to depleting resources. Examples of its use in Florence include the interior pilasters, entablatures, and other decorative elements of Brunelleschi's Pazzi Chapel and Michelangelo's Medici Chapel. The most well-known of its quarries in the Florentine area is the Trassinaia quarry. History Pietra serena was first largely discovered by the Etruscans in the Archaic period who occupied the medieval Italian area of Fiesole. It was used in the construction of much notable Italian architecture during the "Golden Age of Rome", including that of artists such as Michelangelo, Donatello, Brunelleschi, and Vasari. It was also used in building str ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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Gino Capponi
Marquis Gino Capponi (Florence, 13 September 1792 – Florence, 3 February 1876) was an Italian statesman and historian of a Liberal Catholic bent. Biography The Capponi was an illustrious Florentine aristocratic family, and is mentioned as early as 1250; it acquired great wealth as a mercantile and banking firm, and many of its members distinguished themselves in the service of the republic and the Medicis (see Piero Capponi), and later in that of the house of Lorraine. Gino was the son of the Marquis Pier Roberto Capponi, a nobleman greatly attached to the reigning grand duke of Tuscany, Ferdinand III and also son of , foundress of the Passionist Sister. When that prince was deposed by the French in 1799 the Capponi family followed him into exile at Vienna, where they remained until he exchanged his rights to the grand duchy for a German principality (1803). The Capponi then returned to Florence, and in 1811 Gino married the marchesina Giulia Vernaccia. Although the family ...
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