Palazzo Brentano, Corbetta
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Palazzo Brentano, Corbetta
The Palazzo Brentano is a late Baroque palace on Vicolo del Ghiaccio in the town of Corbetta located in the Metropolitan City of Milan in the Italian region of Lombardy. The present larger palace at the site was designed by Francesco Croce. It was commissioned by Giuseppe Brentano, who had been made by the Austrian authorities, the Count of Caltignaga in 1715. A smaller but noble house had been owned by the Marquis Ferrante Villani Novati, and the property sold to Count Brentani in 1731. To enhance the prestige of this newly-minted aristocrat, he commissioned this more grandiose villa in the 1730s, and decoration continued until 1750, employing a number of artists who had been employed in the decoration of Palazzo Casati Dugnani and Palazzo Clerici in Milan, including Giovanni Antonio Cucchi (who painted the ''Apotheosis of Hercules'' in the central hall); Giovanni Angelo Borroni and Mattia Bortoloni; Ferdinando Porta (who painted the ''Marriage of Cupid and Psyche'' in the main ...
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Corbetta, Lombardy
Corbetta ( lmo, Corbetta , ) is a ''comune'' (municipality) in the Metropolitan City of Milan in the Italian region Lombardy. Corbetta is also home of the Sanctuary of the Madonna of Miracles where according to history, a miracle occurred in 1555, when Jesus emerged from a painting of the Infant and healed a local deaf child. The church became a destination for pilgrimages. Geography Physical geography The city of Corbetta has a planned layout, which is typical of the towns of the Po Valley, with forested areas and cultivations occupying roughly three-quarters of the municipality's territory. In terms of elevation, the settlement is very flat; the lowest point is above sea level and the highest point is , a difference of only . A noteworthy aspect of the town is that it is filled with many small streams, helping to shape the typical landscape of Corbetta; these rivers are now in the ''Parco Agricolo Sud Milano'' (Natural Preservation South of Milan). Because of its proximity ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Francesco Croce
Francesco Croce (1696–1773) was an Italian baroque architect. He was mainly active in Milan, where he worked for the Veneranda Fabbrica del Duomo di Milano. Among other things, he designed the highest spire of the Duomo, the ''guglia del tiburio'' ("lantern spire"), on top of which the Madonnina statue is currently placed. Notable works Prominent works of Francesco Croce include: * ''Guglia del Tiburio'' ("lantern spire") of the Duomo in Milan * Portico of the Rotonda della Besana in Milan * Palazzo Brentano in Corbetta * Palazzo Clerici in Niguarda, Milan * Palazzo Sormani in Milan * Palazzo Bellisomi Vistarino in Pavia * Church of Saint Peter in Abbiategrasso Abbiategrasso, formerly written Abbiate Grasso. (local lmo, Biegrass ; lmo, label=Milanese, Biaa ), is a ''comune'' and town in the Metropolitan City of Milan, Lombardy, northern Italy, situated in the Po valley approximately from Milan and f ... He is also responsible for a major restoration of the Duom ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Lombardy
Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region of Italy that covers ; it is located in the northern-central part of the country and has a population of about 10 million people, constituting more than one-sixth of Italy's population. Over a fifth of the Italian gross domestic product (GDP) is produced in the region. The Lombardy region is located between the Alps mountain range and tributaries of the Po river, and includes Milan, the largest metropolitan area in the country, and among the largest in the European Union (EU). Of the fifty-eight UNESCO World Heritage Sites in Italy, eleven are in Lombardy. Virgil, Pliny the Elder, Ambrose, Gerolamo Cardano, Caravaggio, Claudio Monteverdi, Antonio Stradivari, Cesare Beccaria, Alessandro Volta and Alessandro Manzoni; and popes Pope John XXIII, John XXIII and Pope Paul VI, Paul VI originated in the area of modern-day Lombardy region. Etymology The name ...
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Giovanni Antonio Cucchi
Giovanni Antonio Cucchi ( Campiglia Cervo, active 1750) was an Italian painter.Dizionario dei pittori dal rinnovamento delle belle arti fino al 1800
Volume 1, by Stefano Ticozzi, page 150.


Biography

He was active in painting for the . He also painted for the Palazzo Brentano in Corbetta, alongside



Giovanni Angelo Borroni
Giovanni Angelo Borroni (1684–1772) was an Italian painter of the late-Baroque and early- Neoclassic periods, active mainly in Milan and Cremona. Biography He was born in Cremona and died in Milan. He was the pupil of the painter Angelo Massarotti, and afterwards of Robert de Longe. On leaving those masters he was patronized by the noble family of Crivelli, and was employed some years in ornamenting their palace. He painted several pictures for the churches at Cremona and Milan. In the Cathedral of Milan he painted St. Benedict in the act of interceding for the city. He painted frescoes on mythologic themes for the Palazzo Mezzabarba, Palazzo Botta Adorno in Pavia and for the Villa Brentano Carones in Corbetta, along with Mattia Bortoloni Mattia Bortoloni (31 March 1696 – 9 June 1750) was an important painter of the early Italian Rococo period. He began his career as a student of Antonio Balestra of Verona and was active throughout northern Italy. Biography For many ...
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Mattia Bortoloni
Mattia Bortoloni (31 March 1696 – 9 June 1750) was an important painter of the early Italian Rococo period. He began his career as a student of Antonio Balestra of Verona and was active throughout northern Italy. Biography For many years the growth of Bortoloni's reputation was constrained by two factors. First, his work was heavily centered on frescos (that is, wall paintings created in wet plaster), which generally must be viewed on-site and are often located in places of restricted accessibility. Second, some of his most important work became, through the years, anonymous or mis-attributed to others, including his better-known rival, Giovanni Battista Tiepolo, who was born in the same year. Since 1950, however, appreciation of Bortoloni's work has been revived by new scholarly discoveries and several exhibitions with informative catalogs. The first major breakthrough came in 1950 with publication of Nicola Ivanoff's provocative discovery that the mysterious and anonym ...
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Ferdinando Porta
Ferdinando Porta (1689–1767) was an Italian painter of the late-Baroque. Born in Milan. The engraver Francesco Londonio was one of his pupils. He painted frescoes in the Palazzo Brentano, Corbetta The Palazzo Brentano is a late Baroque palace on Vicolo del Ghiaccio in the town of Corbetta located in the Metropolitan City of Milan in the Italian region of Lombardy. The present larger palace at the site was designed by Francesco Croce. It .... References * 1689 births 1767 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Milan Italian Baroque painters 18th-century Italian male artists {{Italy-painter-17thC-stub ...
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Giovanni Battista Sassi
Giovanni Battista Sassi (1679 in Milan – 1762 in Milan) was an Italian painter, active mainly in Milan and other areas of Lombardy, who painted in a late-Baroque and Rococo style. Biography Born in Lombardy, he first trained with Federigo Panza,Supplemento alla Serie dei trecento elogi e ritratti degli uomini i più illustri in Pittura , Scultura, e Architettura.
by Pellegrino Antonio Orlandi, published by Stamperia Allegrini, Pisoni, e comp, Florence (1776); column 664. then moved to study painting in the studio of the Neapolitan painter . His first works in Milan date from 1716. In the c ...
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Palaces In Milan
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ...
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