|
Palazzo Baciocchi, Bologna
The Palazzo Ranuzzi, also called Palazzo Baciocchi or Palazzo Ruini, is a Baroque style palace in central Bologna. It is now houses the Court of Appeals of Bologna. The palace was built in the late-1500s, commissioned by the academic and lawyer Carlo Ruini. The palace was extensively rebuilt by the Ranuzzi family, owners from 1679 to 1822, and later by Prince Felice Baciocchi, husband of Elisa Bonaparte, sister of Napoleon, and briefly grand-duchess of Tuscany. The city of Bologna bought the palace in 1873, and converted it to use by the courts. Some attribute the original designs to an inspiration, if not plan, by Andrea Palladio, with the scenic Rococo entrance stairs by Giuseppe Antonio Torri and Giovanni Battista Piacentini. The palace contains statuary by Filippo Balugani. The interior decoration includes works by Ferdinando Galli-Bibiena and Giuseppe Maria Mazza. Frescoes were completed in various rooms by painters including Marco Antonio Franceschini, Giuseppe and Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Antonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelagio Palagi
Pelagio Palagi (25 May 1775 – 6 March 1860) was an Italian painter, sculptor and interior decorator. Biography Early life Pelagi was born in Bologna. Starting at a very young age the study of perspective, architecture, figurative and portrait painting, and collecting by Carlo Filippo Aldrovandi, he continued his studies at the school of nudes of the Accademia Clementina of Bologna. His formation and first works overlapped with the arrival of the Napoleonic troops in the city; thanks to the request of his mentor, who was a member of the Senate and representative of the Bolognese provisional government, Palagi designed uniforms, medals, and emblems with the symbols of ''Liberté, égalité, fraternité'' to be used in letters and cards for the Directory. Later, the new emerging bourgeoisie entrusted him with the creation of the monumental sepulchres of Edoardo Pepoli (1801), Girolamo Bolognini Amorini (1803), and Luigi Sampieri (1804) at the Certosa di Bologna. He also de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Sangiorgi
Giovanni Battista Sangiorgi (1784 in Castel Bolognese – 1877) was an Italian painter of the Neoclassical period He trained as a figure painter, and in 1809 collaborated with Antonio Basoli in the decoration of the Teatro Comunale, Bologna. he also participated in the decorations of the Palazzo Hercolani (1818) and the Baciocchi (1822). He was named a docent for the comune of Pesaro Pesaro () is a city and ''comune'' in the Italian region of Marche, capital of the Province of Pesaro e Urbino, on the Adriatic Sea. According to the 2011 census, its population was 95,011, making it the second most populous city in the Marche, ..., and was an associate member of the Bolognese Academy of Fine Arts. , entry by Roberto Martorelli. References ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Giani
Felice Giani (17 December 1758 – 10 January 1823) was an Italian painter of the Neoclassic style. His grand manner subjects often included Greco-Roman allusions or themes. Biography Born in San Sebastiano Curone near Alessandria, he moved to Pavia. In Pavia, he studied with Carlo Bianchi and Antonio Galli Bibiena. He moved to Bologna, in 1778, where he entered the studio of Domenico Pedrini and Ubaldo Gandolfi. He soon moved to Rome and found work in the decoration of the Palazzo Altieri. Between 1780 and 1786, he worked in various studios in Rome, under, for example, Pompeo Batoni and Christoph Unterberger. He then returned north to work in Faenza, where he worked with the quadratura painter Serafino Barozzi, and with Giovanni Battista Ballanti. In Faenza he was involved in a prolific series of projects including the fresco decoration of the Laderchi, Naldi and Milzetti Palaces. The latter is considered his masterpiece. In Bologna, he decorated the Palazzi Aldini, Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Basoli
Antonio Basoli (1774–1848) was an Italian painter, interior designer, scenic designer, and engraver, active mostly in Bologna. Biography He was born in Castel Guelfo. His first teacher was his father, Lelio Andrea Basoli. His education was motivated by an insatiable and constant interest in classic art, classic and contemporary literature, and the works, decorations and inscriptions of Piranesi. He often worked alongside his brothers, Francesco and Luigi Basoli. In 1803 till his death he became docent of ornamentation and the next year, professor at the Accademia delle Arti di Bologna until 1826. During his time at the ''Accademia'' he developed a close friendship with fellow pupils Domenico Corsini and Pelagio Palagi. He worked for a time in the studio of Petronio Fancelli. Works In 1801–1803, he painted frescoes at a few sites in the Friuli, including casa Muratori in Trieste and a palace in Spilimbergo. Basoli worked as a set and curtain (sipario) designer, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Bigari
Vittorio Bigari (1692 – 1776) was an Italian painter of the late-Baroque period. Biography He was born in Bologna in 1692. His main biographer was Zanotti. He was initially trained in the art of stucco and sculpture, a pupil of Antonio Dardani; then became an assistant to the scenographer C. A. Buffagnotti, with whom he combined the activity of quadraturist scenographer with the study of the figure. In 1720 Bigari worked with A. Buttazzoni on the decoration (now disappeared) of the choir of the in Carpi; two years later he painted in Rimini the ceiling of the choir of the church of San Agostino (two angels detached are in the Municipal Museum of Rimini). Also in 1722 began his work for the counts Aldrovandi of Bologna: in the palace (now Montanari) of via Galliera, in collaboration with the quadraturista Stefano Orlandi, he helped decorate the ceiling of the staircase and a room with the mythological tale of ''Aurora Abandons the Old Titone''. Following the success of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rolli
Antonio Rolli or Roli (1643–1695) is an Italian painter active painting quadrature during the Baroque period, mainly in his native Bologna. Biography He trained with Angelo Michele Colonna and worked alongside his brother ''Giuseppe'' or ''Gioseffo Maria Rolli'' (1645-1727), who painted the figures. He painted the ceiling (1695) for the church of San Paolo Maggiore, Bologna. He died from a fall from a scaffold while completing this work. Paolo Guidi and his brother Gioseffo (or Giuseppe) helped complete the work. He helped decorate the oratory of Santa Maria della Neve, Bologna. Giuseppe Antonio Caccioli Giuseppe Antonio Caccioli (October 18, 1672 – July 20, 1740) was an Italian painter of the Baroque period. Biography Giuseppe Antonio Caccioli was born in Bologna. When he was three, his father the painter Giovanni Battista Caccioli died, ... trained with the Rolli brothers. He is said to have died by jumping off a bridge near the church of San Paolo de' Barnab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Rolli
Giuseppe Maria Rolli or Roli (1645 – 17 November 1727) is an Italian painter and engraver active during the Baroque period, mainly in his native Bologna. Biography He was sent by his father to work along with Giuseppe Antonio Caccioli and later under Domenico Maria Canuti. He worked alongside his brother ''Antonio'' (1643-1695), who painted the quadratura. Together the brothers painted for the Casa Ranuzzi in Bologna, Casa Miti in Imola Imola (; rgn, Jômla or ) is a city and ''comune'' in the Metropolitan City of Bologna, located on the river Santerno, in the Emilia-Romagna region of northern Italy. The city is traditionally considered the western entrance to the historical re ..., at the Camaldolese church of Monte d'Alvernia, at the church of the Scalzi and the Refectory of the Canons Lateranensi in Bologna, and at the cupoletta of San Lionardo in Bologna. By himself, Giuseppe painted the ceiling of the church of the Barnabites, the Oratory of San Giovanni Battista de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Mazza
Giuseppe Maria Mazza (13 May 1653 – 6 June 1741) was one of the leading sculptors of Bologna, Italy, in the late 17th and early 18th centuries. He was trained as a painter, but is best known for his fine sculptural work in terracotta and stucco. Life Mazza was born in Bologna on 13 May 1653, son of Camillo Mazza (1602–72). His father was a sculptor who had studied under Alessandro Algardi in Rome, and who worked in Bologna, Padua and Venice. He trained as a sculptor under his father for a while, then studied painting in Bologna under the fresco painter Domenico Maria Canuti. He painted in Carlo Cignani's life classes. He also studied with Lorenzo Pasinelli. He seems to have returned to sculpture after having left Canuti with the painter Giovanni Gioseffo dal Sole and studied at a private school in the Palazzo Fava in Bologna. Mazza became a successful and prolific sculptor, producing many statuettes and reliefs in terracotta. Mazza's fully finished terracotta statuettes would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Galli-Bibiena
Ferdinando Galli-Bibiena (18 August 1657 – 3 January 1743),"Galli-Bibiena, Ferdinando" (dates, Farnese dynasty, to Barcelona for Karl VI),''Encyclopedia of Austria'', 2006, aeiou.iicm.tugraz.at webpag."Ferdinando Galli Bibiena Online" (overview), John Malyon, ''Artcyclopedia'', 2005, Artcyclopedia.com webpag surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter."Bibiena, Galli da, Family" (history),''Encyclopædia Britannica Online'', 18-November-2006, Britannica.com webpagEB-Bibienas Biography Bibiena was born on 18 August 1657 at Bologna. He was the son of painter Giovanni Maria Galli (1625–1665), and he studied painting under Carlo Cignani and architecture under Giulio Trogli, called ''il Paradosso''. On the recommendation of Cignani, Bibiena entered into the service of the duke of Parma and also worked for the Farnese dynasty at Piacenza over a period of 30 years. His main work during this time was the garden an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_BEIC_6333204.jpg "Click for more on -> Pelagio Palagi")
