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Othon Friesz
Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement. Biography Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friend Raoul Dufy. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. He opened his own studio in 1912 and taught until 1914 at which time he joined the army for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimetière Du Montparnasse
Montparnasse Cemetery (french: link=no, Cimetière du Montparnasse) is a cemetery in the Montparnasse quarter of Paris, in the city's 14th arrondissement. The cemetery is roughly 47 acres and is the second largest cemetery in Paris. The cemetery has over 35,000 graves and approximately a thousand people are buried here each year. The cemetery contains 35,000 plots and is the resting place to a variety of individuals including political figures, philosophers, artists, actors, and writers. Additionally, in the cemetery one can find a number of tombs commemorating those who died in the Franco-Prussian war during the siege of Paris (1870–1871) and the Paris Commune (1871). History The cemetery was created at the beginning of the 19th century in the southern part of the city. At the same time there were cemeteries outside the city limits: Passy Cemetery to the west, Montmartre Cemetery to the north, and Père Lachaise Cemetery to the east. In the 16th century the intersecting r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henriette Tirman
Jeanne-Henriette Tirman (1875, in Charleville-Mézieres ( Ardenne) – 30 October 1952, in Sèvres (Hauts-de-Seine)) was a French woman painter and printmaker. Biography Henriette Tirman was a Post-Impressionist painter, printmaker and illustrator with an association with figures of the Bloomsbury Group. She was the daughter of doctor Charles-Louis-Henry Tirman and Berte Hanonet de La Grange and also the niece of Senator Louis Tirman (1837–1899). She lived in the family of her brother, Councillor of State Alexandre-Louis-Albert Tirman (1868-1939) in Paris, 22 rue de l'Yvette. Her art was influenced by Cézanne. She painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. While Matisse represented the reflective and rationalized aspects in the group, Tirman embodied a more spontaneous and instinctive style. The painter exhibited at the Salon de Champs-Élysées starting in 1897. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as '' Joy of Life'' (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. She was a model for many renowned artists. Among them, Valadon appeared in such paintings as ''Dance at Bougival'' (1883) and ''Dance in the City'' by Pierre-Auguste Renoir (1883), and '' Suzanne Valadon'' (1885) by Henri de Toulouse-Lautrec. Early life Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre. She did not know her father. Known to be quite independen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Émile Laboureur
Émile Laboureur, known as Jean Émile (16 August 1877, Nantes16 June 1943, near Pénestin) was a French painter, designer, engraver, watercolorist, lithographer, and illustrator. Biography He was born to a prosperous bourgeois family. In 1895, he went to Paris and, following his father's wishes, enrolled at a law school. He stayed for only a short time before deciding to pursue a career in the fine arts instead,Anne Lombardini, ''J.E. Laboureur, vie et œuvre gravé'', L'Équerre, 1987 studying at the Académie Julian, where he learned engraving from Auguste-Louis Lepère. His debut at the Salon came in 1896.David Karel, ''Dictionnaire des artistes de langue française en Amérique du Nord'', Presses Université Laval, 1992Online/ref> Most of his initial works were wood engravings on Primitivist themes, reminiscent of Paul Gauguin. After a stay in Germany, visiting museums, he went to the United States in 1904. It was there he first began referring to himself as "Jean � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Dunoyer De Segonzac
André Dunoyer de Segonzac (6 July 1884 – 17 September 1974) was a French painter and graphic artist. Biography Segonzac was born in Boussy-Saint-Antoine and spent his childhood there and in Paris. His parents wanted him to attend the military academy of Saint-Cyr but, recognizing his strong interest in drawing, they agreed to his enrollment at the Free Academy of Luc-Olivier Merson. Merson's academic style of instruction did not suit Segonzac, however, and, following a period of military service, he studied at the Académie de La Palette, whose staff included Jacques Émile Blanche (he would later teach at La Palette with Jean Metzinger and Henri Le Fauconnier). Soon giving this up in favor of an independent course, free of any masters, he later cited 1906 as the starting date of his artistic career. His first submission to the Salon d'Automne was in 1908; the next year he exhibited at the Salon des Indépendants, and for the next several years he exhibited regularly at bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Marchand (painter)
Jean Hippolyte Marchand (21 November 1883 – 1940) was a French cubist painter, printmaker and illustrator with an association with figures of the Bloomsbury Group. Biography Marchand was born in Paris and studied at the École des Beaux-Arts under Léon Bonnat from 1902 through 1906. In 1910 his painting ''Still Life with Bananas'' was exhibited in the 1910 ''Manet and Post-Impressionism'' show organized by Roger Fry and then in a second show in 1912 organized by Fry with Clive Bell, both at the Grafton Galleries in London. This led to a kind of adoption of Marchand by the Bloomsbury circle, and his work was bought by the important British collector Samuel Courtauld. The painter exhibited at the Salon d'Automne, the Salon des Indépendants and the Section d'Or. Marchand also produced woodcut illustrations for Paul Claudel's book, ''Le Chemin de la Croix'', and for Paul Valery's ''Le Serpent'' in 1927. He was married to painter and printmaker Sonia Lewitska (1880-1937) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays '' La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), '' Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films '' The Blood of a Poet'' (1930), '' Les Parents Terribles'' (1948), '' Beauty and the Beast'' (1946), ''Orpheus'' (1950) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albi
Albi (; oc, Albi ) is a commune in southern France. It is the prefecture of the Tarn department, on the river Tarn, 85 km northeast of Toulouse. Its inhabitants are called ''Albigensians'' (french: Albigeois, Albigeoise(s), oc, albigés -esa(s)). It is the seat of the Archbishop of Albi. The episcopal city, around the Cathedral Sainte-Cécile, was added to the UNESCO list of World Heritage Sites in 2010 for its unique architecture. The site includes the Musée Toulouse-Lautrec, dedicated to the artist who was born in Albi. Administration Albi is the seat of four cantons, covering 16 communes, with a total population of 72,416 (2019). History The first human settlement in Albi was in the Bronze Age (3000–600 BC). After the Roman conquest of Gaul in 51 BC, the town became ''Civitas Albigensium'', the territory of the Albigeois, ''Albiga''. Archaeological digs have not revealed any traces of Roman buildings, which seems to indicate that Albi was a modest Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Toulouse-Lautrec
The Musée Toulouse-Lautrec is an art museum in Albi, southern France, dedicated mainly to the work of the painter Henri de Toulouse-Lautrec who was born in Albi. The 13th century building was originally the Bishop's Palace of Albi Cathedral, next to it. It is part of the UNESCO World Heritage Site that includes the cathedral. The Bishop's Palace The Bishop's Palace, or Palais épiscopal de la Berbi, was originally the residence of the bishop of Albi Cathedral, located next to the museum. It is included in the same UNESCO historical site as the cathedral. The Bishop's palace was begun before the Cathedral itself, by Bishop Durand de Beaucaire (bishop from 1228–1254). It was built with the features of a fortress during the period when the Catholic Church was at war with the a heretical sect called the Cathars, which originated in Albi. Bishop de Combret, the next resident, further fortified his palace by connecting it to the Cathedral tower, twenty-five meters away. He ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of the largest and most influential museums of modern art in the world. MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, and electronic media. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles, and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art. It attracted 1,160,686 visitors in 2021, an increase of 64% from 2020. It ranked 15th on the list of most visited art museums in the world in 2021.'' The Art Newspaper'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
