Oratory Of San Giacomo Della Marina
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Oratory Of San Giacomo Della Marina
The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twelve large canvasses illustrating the saint and patron of the battle against the Moors, Saint James, were completed by major Genoese Baroque artists including: *Giovanni Benedetto Castiglione (il Grechetto) - ''St. James defeats the Moors'' *Giovanni Battista Carlone - ''St. James Opens the Gates of Coimbra to King Ferdinand'' and ''Martyrdom of St. James'' *Valerio Castello - ''Saint Peter Baptizes St. James'' *Giovanni Domenico Cappellino - ''St. James Preaching'' *Domenico Piola ''Martyrdom of the Saint'' *Giovanni Lorenzo Bertolotto - ''The Invention of the Spoglia'' *Aurelio Lomi Aurelio Lomi (29 February 1556 – 1622) was an Italian painter of the late-Renaissance and early- Baroque periods, active mainly in his native town of P ...
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Oratorio Di San Giacomo Della Marina Genova 01
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ...
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Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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James, Son Of Zebedee
James the Great, also known as James, son of Zebedee, Saint James the Great, Saint James the Greater, Saint James the Elder, or Saint Jacob (Aramaic ܝܥܩܘܒ ܒܪ ܙܒܕܝ, Arabic يعقوب, Hebrew בן זבדי , '' Yaʿăqōḇ'', Latin ''Iacobus Maior'', Greek Ἰάκωβος τοῦ Ζεβεδαίου ''Iákōbos tû Zebedaíou''; died AD 44), was one of the Twelve Apostles of Jesus, the first apostle to be martyred according to the New Testament. Saint James is the patron saint of Spain and, according to tradition, his remains are held in Santiago de Compostela in Galicia. In the New Testament The son of Zebedee and Salome, James is styled "the Greater" to distinguish him from the Apostle James "the Less", with "greater" meaning older or taller, rather than more important. James the Great was the brother of John the Apostle. James is described as one of the first disciples to join Jesus. The Synoptic Gospels state that James and John were with their father by the ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as ''Il Grechetto'' in Italy and in France as ''Le Benédette''. Biography Castiglione was born in Genoa. The biographer of Genoese painters, Raffaele Soprani says his parents had him places in the studio of Giovanni Battista Paggi. Wittkower describes him as a "passionate student" of Anthony van Dyck, who arrived in 1621, and Peter Paul Rubens, who stayed in the city in the first decade of the 17th century and whose paintings were readily accessible there. He may have trained under the Genoese Bernardo Strozzi. He lived in Rome from 1634 to about 1645, then returned to Genoa. He also traveled to Florence and Naples. He was back in Rome in 1647, before moving in 1651 to be a court artist in Mantua for Duke Carlo II and h ...
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Giovanni Battista Carlone
Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa. Biography Carlone was born and died in Genoa. He came from a family of artists: his father Taddeo, uncle, and cousins were sculptors, and his older brother Giovanni Bernardo Carlone was a painter, trained in Rome and married to the daughter of Bernardo Castello. Giovanni Bernardo, however, died at age 40. Giovanni Battista may have had some training under Domenico Passignano.see Farquhar He was remarkably prolific both in terms of offspring (24 children) by a single matron (Nicoletta Scorza), and paintings and frescoes; and likely these two facts were not independent, since the sheer output strongly suggests the hands of many in his paintings. His paintings throng local churches; for example, the Basilica della Santissima Annunziata del Vastato alone contains nearly 20 canvases and frescoes. However his artistic profligacy also diluted the force of individuality in the p ...
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Valerio Castello
Valerio Castello (1624October 1659) born in Genoa, was an Italian painter of the Baroque period and one of the pre-eminent Ligurian painters of his time. His art drew inspiration from a wide range of sources. He painted on canvas and fresco.Maria Clelia Galassi and Federica Lamera. "Castello (ii)." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 11 Mar. 2016. Life He was the youngest son of Bernardo Castello, who died when Valerio was six years old. Valerio and his brothers were attached to the noble family of Torquato. While it had been the original intention for him to study a literate profession, he showed an affinity to drawing. This was noted by his patrons, who arranged his apprenticeship with Domenico Fiasella. Later he studied with Giovanni Andrea de’ Ferrari. To seek new inspiration, he travelled to Milan and then to Parma, probably between 1640 and 1645. In Milan he admired the work of Camillo Proccacini. From there, he traveled to Parma. He excel ...
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Giovanni Domenico Cappellino
Giovanni Domenico Cappellino (1580–1651) was an Italian painter of the Renaissance period, active mainly in his natal city of Genoa. He was the pupil of the painter Giovanni Battista Paggi. At age 22, he painted a ''Saint Sebastian'' for the church of Santa Sabina. He contributed a canvas to the Oratory of San Giacomo della Marina The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twe .... In Genoa, he painted a ''Death of St. Francis'' for the church of San Niccolo, and a ''St. Francesca Romana'' for the church of San Stefano. References * * 1580 births 1651 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Italian Baroque painters Painters from Genoa {{Italy-painter-16thC-stub ...
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Domenico Piola
Domenico Piola (1627 – 8 April 1703) was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.Fausta Franchini Guelfi. "Piola." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2016 Biography Piola was an Italian painter, draughtsman, printmaker and designer. He was the leading artist in Genoa in the second half of the 17th century, working for both public and private collectors. His first teacher was his 17-year older brother-in-law Stefano Camogli. Stefano Camogli, ''Still life with monkey, basin and stagnara''] at ART Casa d'Aste Piola was further trained by his older brother Pellegrino Piola, Pellegro and then studied under Pellegro's teacher, Giovanni Domenico Cappellino (1580–1651). ...
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Giovanni Lorenzo Bertolotto
Giovanni Lorenzo Bertolotti (1640–1721) was an Italian painter of the Baroque period, active in Genoa. Bertolotti specialized in paintings having scenes of a mythological, historical or religious nature as subjects. He trained under Giovanni Benedetto Castiglione. Bertolotti contributed paintings to the Oratory of San Giacomo della Marina The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twe ... and the Basilica della Santissima Annunziata. He painted a ''Visitation of the Virgin to Saint Elizabeth'' for the church of La Visitazione. References * * * 1640 births 1721 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Genoa Italian Baroque painters 18th-century Italian male artists {{Italy-painter-18thC-stub ...
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Aurelio Lomi
Aurelio Lomi (29 February 1556 – 1622) was an Italian painter of the late-Renaissance and early- Baroque periods, active mainly in his native town of Pisa, Tuscany. __NOTOC__ Biography He may have initially been trained by his father, Giovanni Battista Lomi, but soon he worked in Florence (1580-1590) under the painters Alessandro Allori, then Lodovico Cardi (known as Cigoli).Fabroni, page 371. He was the nephew of the painter Baccio Lomi. He painted in Pisa, Florence, Rome, and Genoa. He painted a ''St. Jerome'' (1595) for the Duomo of Pisa. In addition he painted frescoes of San Frediano and Santo Stefano. He painted an altarpiece for Santa Apollonia. He painted a ''St Anthony of Padua'' for the church of San Francesco di Casteletto in Genoa, and a ''Resurrection of Christ'' and ''Last Judgement'' for Santa Maria Assunta in Carignano. In Rome, he painted frescoes in the Pinelli chapel of Chiesa Nuova, including ''Scenes from the life of the Virgin'' and ''Birth of Jesus ...
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