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Valerio Castello
Valerio Castello (1624October 1659) born in Genoa, was an Italian painter of the Baroque period and one of the pre-eminent Ligurian painters of his time. His art drew inspiration from a wide range of sources. He painted on canvas and fresco.Maria Clelia Galassi and Federica Lamera. "Castello (ii)." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 11 Mar. 2016. Life He was the youngest son of Bernardo Castello, who died when Valerio was six years old. Valerio and his brothers were attached to the noble family of Torquato. While it had been the original intention for him to study a literate profession, he showed an affinity to drawing. This was noted by his patrons, who arranged his apprenticeship with Domenico Fiasella. Later he studied with Giovanni Andrea de’ Ferrari. To seek new inspiration, he travelled to Milan and then to Parma, probably between 1640 and 1645. In Milan he admired the work of Camillo Proccacini. From there, he traveled to Parma. He excel ...
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Valerio Castello - The Virgin And Child With Saint John The Baptist
Valerio or Valério is a male given name in several languages, derived from the Roman naming conventions, Roman surname ''Valerius'', which itself is derived from the Latin verb ''valere'' - "to be strong". ''Valerio'' also appears as a family name or surname. Valerio is a relatively common given name in Italian language, Italy, while its incidence is less common in the Spanish language, Spanish and Croatian language, Croatian Sprachraum. The Portuguese form of the name is Valério. The form of Valerio is Valeriu in the Romanian language. Valerio as a given name * Valerio Adami (born 1935), Italian painter * Valerio Agnoli (born 1985), Italian cyclist * Valerio Anastasi (born 1990), Italian footballer * Valerio Arri (1892-1970), Italian athlete * Valerio Aspromonte (born 1987), Italian fencer * Valerio Bacigalupo (1924-1949), Italian footballer * Valerio Baćak (born 1981), Croatian scholar * Valerio Baldassari (c.1650-1695), Italian painter * Valerio Belli (c.1468-1546), Italian ...
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Domenico Piola
Domenico Piola (1627 – 8 April 1703) was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.Fausta Franchini Guelfi. "Piola." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2016 Biography Piola was an Italian painter, draughtsman, printmaker and designer. He was the leading artist in Genoa in the second half of the 17th century, working for both public and private collectors. His first teacher was his 17-year older brother-in-law Stefano Camogli. Stefano Camogli, ''Still life with monkey, basin and stagnara''] at ART Casa d'Aste Piola was further trained by his older brother Pellegrino Piola, Pellegro and then studied under Pellegro's teacher, Giovanni Domenico Cappellino (1580–1651). ...
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Painters From Genoa
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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1659 Deaths
Events January–March * January 14 – In the Battle of the Lines of Elvas, fought near the small city of Elvas in Portugal during the Portuguese Restoration War, the Spanish Army under the command of Luis Méndez de Haro suffers heavy casualties, with over 11,000 of its nearly 16,000 soldiers killed, wounded or taken prisoner; the smaller Portuguese force of 10,500 troops, commanded by André de Albuquerque Ribafria (who is killed in the battle) suffers less than 900 casualties. * January 24 – Pierre Corneille's ''Oedipe'' premieres in Paris. * January 27 – The third and final session of the Parliament of the Commonwealth of England, Scotland and Ireland is opened by Lord Protector Richard Cromwell, with Chaloner Chute as the Speaker of the House of Commons, with 567 members. "Cromwell's Other House", which replaced the House of Lords during the last years of the Protectorate, opens on the same day, with Richard Cromwell as its speaker. * January ...
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1624 Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", ...
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Alessandro Magnasco
Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Magnasco's distinctive style is characterized by fragmented forms rendered with swift brushstrokes and darting flashes of light. Life Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati (1640–1715) in Milan. Except for 1703–09 (or 1709–11)Wittkower 1993, p. 478 when working in Florence for the Grand Duke Cosimo III, Magnasco labored in Milan until 1735, when he returned to his native Genoa. Magnasco often collaborated with placing figures in the landscapes of Tavella and the ruins of Clemente Spera in Milan. Mature style After 1710, Magnasco excelled in producing small, hypochromatic canvases with eerie and gloomy landscapes and ruins, or crowded interio ...
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Giovanni Paolo Cervetto
Giovanni Paolo Cervetto (died 1657) was an Italian painter of the Baroque period. He was very active in his native Genoa Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of .... He was pupil of Valerio Castelli, and his works were difficult to separate from his master.A Dictionary of Painters from the Revival of the Art to the Present Period
By Matthew Pilkington, page 110. He died young, likely from the Bubonic Plague that afflicted Genoa in 1657.


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Bartolomeo Biscaino
Bartolomeo Biscaino (1632–1657) was an Italian painter of the Baroque period, active in his native Genoa. Life He was the son, and pupil, of Giovanni Andrea Biscaino. He afterwards became a pupil of Valerio Castello. His career was cut short by the plague which visited Genoa, and to which his father and himself fell victims. The Dresden gallery once held three paintings, representing ''Woman taken in adultery'', ''Adoration by Magi'', and ''Circumcision of Christ''. Around 1650 Biscaino entered the workshop of Valerio Castello, and from roughly that year his first known work, which still finds him a clumsy and immature artist, was the canvas representing ''St Ferrando in the act of imploring the Virgin''. Almost at the same time Biscaino worked on the canvases representing the ''Alms of St Louis King of France'' and ''Death of Cleopatra,'' both preserved in the Palazzo Bianco gallery in Genoa. In these canvases, the colors were not very vibrant, but the painter achieved a gre ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ...
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