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Ofrenda (Lila Downs Album)
''Ofrenda'' ( en, Offering) is the debut album by Mexican singer-songwriter Lila Downs. It was released in 1994, the songs are a collection of traditional songs from Oaxaca, Mexico, and also contains songs written by the singer. The songs on this album are sung in Spanish, Mixtec and Zapotec, the latter two being languages native to the State of Oaxaca. Lila Downs recorded this LP independently with the support of Oaxacan Institute of Cultures in 1992 and 1994. With this material Lila Downs became known in some areas of the State of Oaxaca, mostly concentrated in cafes, bars and nightclubs around the City of Oaxaca. And since the album wasn't promoted much, only about 1000 copies were published Castellanos, 2001; 72:"Although in its early success was not currently Lila Downs to be consolidated as one of the leading singers in the music of Mexico." in Mexico alone. This album is now discontinued and is no longer part of the official discography of Lila Downs. This album, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lila Downs
Ana Lila Downs Sánchez (born 9 September 1968 * *) is a Mexican singer-songwriter. She performs her own compositions and the works of others in multiple genres, as well as tapping into Mexican traditional and popular music. She also incorporates indigenous Mexican influences and has recorded songs in many indigenous languages such as Mixtec, Zapotec, Mayan, Nahuatl and Purépecha. Born and raised in Oaxaca, she primarily studied at the Institute of Arts by Oaxaca and briefly attended the University of Minnesota, before withdrawing to focus on her musical career. She soon began performing in the traditional music scene of Oaxaca City. Her first album, ''Ofrenda'', was released in 1994. In 1999, Downs came to prominence with her debut studio album, '' La Sandunga'', which was a critical and commercial success. She achieved international success in 2001 with the album ''Border'' which emerged in the music scene of Mexico and Latin America in the early 2000s (decade). Downs's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabor A Mí
"Sabor a Mí" ("Taste of Me") is a 1959 bolero by Mexican composer and singer Álvaro Carrillo. It was internationally popularized by Los Panchos, who collaborated on their rendition with Eydie Gormé in 1964. Among the over 300 songs that he created, this song was considered Carrillo's biggest hit both in Mexico and internationally. Since its creation, the song has been covered by several artists, including among them Mexican singer Luis Miguel, Cuban jazz pianist Bebo Valdes, k-pop boygroup EXO, and the Mexican American musicians Los Lobos. The autobiographical movie of Álvaro Carrillo, starring José José, uses this song name as its title. Lyrically, the song is a sentimental ballad in which a romantic partner declares their desire to have their lover experience the "taste of" them for centuries upon centuries, promising a deep commitment. It is reminiscent of the Latin ballad of later decades, which intermixed Spanish language traditions with international pop music. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dios Nunca Muere
Dios Nunca Muere ( en, God Never Dies) is a Mexican waltz written by composer and violinist Macedonio Alcalá in 1868. Is the ''de facto'' anthem of the state of Oaxaca. Dios Nunca Muere has been sung by famous singers like Pedro Infante and Javier Solís. There are two versions of the creation of this waltz. The first says that was composed when Macedonio Alcala and his wife went through a precarious economic situation and also the composer was at risk of dying, then his friend Roberto Maqueo, seeing their plight, left him without him noticing 12 pesos in silver. The other version says that some Indigenous people from a nearby village visited him to ask for a waltz for the patron of his people, and paid 12 pesos in silver. It is said that when Alcalá received the money, sat on his bed and drew on a wall the first bars of the waltz, which later transcribed on paper; He called this waltz ''Dios Nunca Muere'' in gratitude that he had received help when he needed. To this composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción Mixteca
"Canción Mixteca" is a Mexican folk song written by Oaxacan composer José López Alavez (1889–1974). Lopez Alavez wrote the melody of the song in 1912, and composed the lyrics in 1915. Lopez Alavez describes his feelings of homesickness for his home region of Oaxaca after moving to Mexico City. In modern times, the song has become an anthem both for the region of Oaxaca and Mexican citizens living abroad who miss their homeland. The song was used in the film ''Paris, Texas'' directed by Wim Wenders. The song was played by Ry Cooder with the lyrics being sung by Harry Dean Stanton Harry Dean Stanton (July 14, 1926 – September 15, 2017) was an American actor, musician, and singer. In a career that spanned more than six decades, Stanton played supporting roles in films including ''Cool Hand Luke'' (1967), ''Kelly's Heroes .... Lyrics External links *Biography of Jose Lopez Alavez*The culture of migration in Southern Mexico*The eagle and the virgin: nation and cultura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ofrenda (song)
An ''ofrenda'' (Spanish: " offering") is the offering placed in a home altar during the annual and traditionally Mexican ''Día de los Muertos'' celebration. An ''ofrenda'', which may be quite large and elaborate, is usually created by the family members of a person who has died and is intended to welcome the deceased to the altar setting. __TOC__ Background This display coincides with the Día de Muertos, which is a tradition some believe originated with the Aztecs, though others dispute this. The Aztec culture considered souls to continuously live and enter different realms when a body would die. This view the Aztecs held was commingled with the Christian beliefs that the soul is eternal (whether it be in heaven, purgatory, or hell) during the Spanish conquest of the Aztec Empire when the two cultures were merged. The ofrenda is presented in one's home in order to commemorate the souls of loved ones in the family. Regional variations Different regions create thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Llorona (song)
"La Llorona" (lit. "The weeping woman") is a Mexican Folklore, folk song derived from La Llorona, the legend of La Llorona. There are many versions of the song. Its origins are obscure, but, around 1941, composer Andres Henestrosa mentioned hearing the song in the Isthmus of Tehuantepec. He popularized the song and may have added to the existing verses. The legend of La Llorona is often conflated with La Malinche, the Nahuas, Nahua Princess and consort of Hernan Cortes, the conquistador of the Aztec Empire in Mexico. The La Llorona of the song drowned her children in a river in a rage at her unfaithful husband. As a spirit, she was condemned to wander the shores of the river forever searching for her dead children. In Latin America the song is associated with the Day of the Dead. Composition Salías del templo un día, Llorona, Cuando al pasar yo te vi, Salías del templo un día, Llorona, Cuando al pasar yo te vi, Hermoso huipil llevabas, Llorona, Que la Virgen te creí. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sandunga
"La Sandunga" (also spelled "La Zandunga") is a traditional Mexican waltz and the unofficial anthem of the Isthmus of Tehuantepec, in the state of Oaxaca. It is inspired by the Spanish jota style of music and also contains Native American and Mestizo elements. Sandunga is a rarely used word in the Spanish language that can be translated in a variety of ways including; ''gracefulness'', ''elegance'', ''charm'', ''wit'', and ''celebration''. The melody of the song is believed to have originated from Andalusia and it was rearranged by Zapotec musician Andres Gutierrez (Whose name is Ndre Sa’a in the Zapotec language). The lyrics were written by Máximo Ramó Ortiz in 1853 after the death of his mother. Ortiz, who served as governor of Tehuantepec also wrote the song in part to promote independence of the isthmus from the Mexican government. The song tells of a Zapotec woman mourning the death of her mother while crying out, "Sandunga". Vela Sandunga The city of Tehuantepec is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of Oaxaca
A city is a human settlement of notable size.Goodall, B. (1987) ''The Penguin Dictionary of Human Geography''. London: Penguin.Kuper, A. and Kuper, J., eds (1996) ''The Social Science Encyclopedia''. 2nd edition. London: Routledge. It can be defined as a permanent and densely settled place with administratively defined boundaries whose members work primarily on non-agricultural tasks. Cities generally have extensive systems for housing, transportation, sanitation, utilities, land use, production of goods, and communication. Their density facilitates interaction between people, government organisations and businesses, sometimes benefiting different parties in the process, such as improving efficiency of goods and service distribution. Historically, city-dwellers have been a small proportion of humanity overall, but following two centuries of unprecedented and rapid urbanization, more than half of the world population now lives in cities, which has had profound consequences for g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
