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Ode On A Grecian Urn
"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in ''Annals of the Fine Arts for 1819'' (see 1820 in poetry)''.'' The poem is one of the " Great Odes of 1819", which also include "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche". Keats found existing forms in poetry unsatisfactory for his purpose, and in this collection he presented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Through his awareness of other writings in this field and his first-hand acquaintance with the Elgin Marbles, Keats perceived the idealism and representation of Greek virtues in classical Greek art, and his poem draws upon these insights. In five stanzas of ten lines each, the poet addresses an ancient Greek urn, describing and discoursing upon the images depicted on it. In particular he reflects up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keats Urn
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romanticism, Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the John Keats's 1819 odes, series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southwark
Southwark ( ) is a district of Central London situated on the south bank of the River Thames, forming the north-western part of the wider modern London Borough of Southwark. The district, which is the oldest part of South London, developed due to its position at the southern end of the early versions of London Bridge, the only crossing point for many miles. London's historic core, the City of London, lay north of the Bridge and for centuries the area of Southwark just south of the bridge was partially governed by the city. By the 12th century Southwark had been incorporated as an ancient borough, and this historic status is reflected in the alternative name of the area, as Borough. The ancient borough of Southwark's river frontage extended from the modern borough boundary, just to the west of by the Oxo Tower, to St Saviour's Dock (originally the mouth of the River Neckinger) in the east. In the 16th century, parts of Southwark became a formal City ward, Bridge Without. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Anatomy Of Melancholy
''The Anatomy of Melancholy'' (full title: ''The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Maine Partitions with their several Sections, Members, and Subsections. Philosophically, Medicinally, Historically, Opened and Cut Up'') is a book by Robert Burton, first published in 1621, but republished five more times over the next seventeen years with massive alterations and expansions. Overview On its surface, the book is presented as a medical textbook in which Burton applies his vast and varied learning, in the scholastic manner, to the subject of melancholia (or clinical depression). Although presented as a medical text, ''The Anatomy of Melancholy'' is as much a ''sui generis'' (unique) work of literature as it is a scientific or philosophical text, as Burton covers far more than the nomitive subject. ''Anatomy'' uses melancholy as a lens through which all human emotion and thought may be scrutinize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Burton (scholar)
Robert Burton (8 February 1577 – 25 January 1640) was an English author and fellow of Oxford University, who wrote the encyclopedic tome ''The Anatomy of Melancholy''. Born in 1577 to a comfortably well-off family of the landed gentry, Burton attended two grammar schools and matriculated into Brasenose College, Oxford in 1593, age 15. Burton's education at Oxford was unusually lengthy, possibly drawn out by an affliction of melancholy, and saw an early transfer to Christ Church. Burton received an MA and BD, and by 1607 was qualified as a tutor. As early as 1603, Burton indulged his early literary creations at Oxford, including some Latin poems, a now-lost play performed before and panned by King James I himself, and his only surviving play: an academic satire called '' Philosophaster''. This work, though less well regarded than Burton's masterpiece, has "received more attention than most of the other surviving examples of university drama". Sometime after obtaining his M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borghese Vase
The Borghese Vase is a monumental bell-shaped krater sculpted in Athens from Pentelic marble in the second half of the 1st century BC as a garden ornament for the Roman market; it is now in the Louvre Museum. Original Iconography Standing 1.72 metres tall and with a diameter of 1.35 m., the vase has a deep frieze with bas-reliefs and an everted gadrooned lip over a gadrooned lower section, where paired satyrs' heads mark the former placement of loop handles; it stands on a spreading fluted stem with a cabled motif round its base, on a low octagonal plinth. The frieze depicts the ''thiasus'', an ecstatic Bacchanalian procession accompanying Dionysus, draped with the panther skin and playing the aulos, and Ariadne. However, the accompanying figures, often said to be satyrs, have neither the common characteristics of cloven feet nor equine tails flowing to the floor as typically shown on Greek pottery; some references identify the figures as sileni. The draped figu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Townley Vase
The Townley Vase is a large Roman marble vase of the 2nd century CE, discovered in 1773 by the Scottish antiquarian and dealer in antiquities Gavin Hamilton in excavating a Roman villa at Monte Cagnolo, between Genzano and Civita Lavinia, near the ancient Lanuvium, in Lazio, southeast of Rome. The ovoid vase has volute handles in the manner of a pottery ''krater''. It is carved with a deep frieze in bas-relief, occupying most of the body, illustrating a Bacchanalian procession. Its name comes from the English collector Charles Townley, who purchased it from Hamilton in 1774 for £250. Townley's collection, long on display in his London house in Park Street, was bought for the British Museum after his death in 1805. In the 19th century it was often imagined that Keats' ''Ode on a Grecian Urn'' (1819) was inspired by the Townley Vase, though modern critics suggest instead that the inspiration was more generic, and may have also owed something to scenes portrayed on William Hami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
