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Borghese Vase
The Borghese Vase is a monumental bell-shaped krater sculpted in Athens from Pentelic marble in the second half of the 1st century BC as a garden ornament for the Roman market; it is now in the Louvre Museum. Original Iconography Standing 1.72 metres tall and with a diameter of 1.35 m., the vase has a deep frieze with bas-reliefs and an everted gadrooned lip over a gadrooned lower section, where paired satyrs' heads mark the former placement of loop handles; it stands on a spreading fluted stem with a cabled motif round its base, on a low octagonal plinth. The frieze depicts the ''thiasus'', an ecstatic Bacchanalian procession accompanying Dionysus, draped with the panther skin and playing the aulos, and Ariadne. However, the accompanying figures, often said to be satyrs, have neither the common characteristics of cloven feet nor equine tails flowing to the floor as typically shown on Greek pottery; some references identify the figures as sileni. The draped figu ...
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Vase Borghese - Musée Du Louvre Antiquités Grecques Étrusques Et Romaines Ma 86
A vase ( or ) is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower it is holding or keeping in place. Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles. Various styles and types of vases have been developed around the world in different time periods, such as Chinese ceramics and Native America ...
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Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ...
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Aventine Hill
The Aventine Hill (; la, Collis Aventinus; it, Aventino ) is one of the Seven Hills on which ancient Rome was built. It belongs to Ripa, the modern twelfth ''rione'', or ward, of Rome. Location and boundaries The Aventine Hill is the southernmost of Rome's seven hills. It has two distinct heights, one greater to the northwest (''Aventinus Major'') and one lesser to the southeast (''Aventinus Minor''), divided by a steep cleft that provides the base for an ancient roadway between the heights. During the Republican era, the two hills may have been recognized as a single entity. The Augustan reforms of Rome's urban neighbourhoods ('' vici'') recognised the ancient road between the two heights (the modern Viale Aventino) as a common boundary between the new Regio XIII, which absorbed Aventinus Maior, and the part of Regio XII known as Aventinus Minor. Etymology and mythology Most Roman sources trace the name of the hill to a legendary king Aventinus. Servius identifies two ...
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Hubert Robert
Hubert Robert (22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy and of France.Jean de Cayeux. "Robert, Hubert." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 Jan. 2017 Biography Early years Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting. In 1754 he left for Rome in the train of Étienne-François de Choiseul, son of his father's employer, who had been named French ambassador and would become a Secretary of State for Foreign Affairs to Louis XV in 1758. In Ro ...
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Capriccio (art)
In painting, a capriccio (, plural: ''capricci'' ; in older English works often anglicized as "caprice") means an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations. These paintings may also include staffage (figures). Capriccio falls under the more general term of landscape painting. This style of painting was introduced in the Renaissance and continued into the Baroque. By the late 18th century the term, had expanded to mean any image with an equivalent degree of fantasy, for example as used in the titles of print series by Giovanni Battista Tiepolo and Goya, both of which focus on figures rather than architecture. The term is also used for other types of art with an element of fantasy (as capriccio in music). Capriccio Style There are several etymologies that have been put forward for "capriccio", one of which being derived from the Italian word "capretto" which roughly ...
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Camillo Filippo Ludovico Borghese
''Don'' Camillo Filippo Ludovico Borghese, Prince of Sulmona and of Rossano, Duke and Prince of Guastalla (19 July 1775 – 9 May 1832) was a member of the Borghese family, best known for being a brother-in-law of Napoleon. Borghese married Napoleon's younger sister, Pauline Bonaparte in 1803, which led to Napoleon gifting him multiple titles. After Napoleon's defeat, Borghese fled France and left his wife behind. Consequently, he was stripped of the titles granted to him by Napoleon, though he retained his family's ancestral titles. While in Florence he died at the age of 56, the cause of death is unknown. Biography Camillo Borghese was born in Rome, the son of the pro-Napoleon Marcantonio Borghese, 5th Prince of Sulmona, and brother of Francesco (1776–1839), Prince Aldobrandini. He entered France's service in 1796. He became the second husband of Napoleon's sister Pauline Bonaparte Paula Maria Bonaparte Leclerc Borghese ( French: ''Pauline Marie Bonaparte''; 20 October 17 ...
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Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ...
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Borghese
The House of Borghese is a princely family of Italian noble and papal background, originating as the Borghese or Borghesi in Siena, where they came to prominence in the 13th century and held offices under the ''commune''. During the 16th century, the head of the family, Marcantonio, moved to Rome, where they rose in power and wealth following the election of his son Camillo as Pope Paul V in 1605. They were one of the leading families of the Black Nobility and maintain close ties to the Vatican. Borghese (Borghesi) of Siena The family originated with Tiezzo da Monticiano, a 13th-century wool merchant in Siena, whose nephew Borghese gave his name to the family. Among the important Sienese Borghese are: * Agostino (1390–1462), noted soldier in the wars between Siena and Florence, named count palatine by Pope Pius II and count of the Holy Roman Empire by Sigismund * Niccolò (1432–1500), man of letters, philosopher, and important political figure in the Sienese republic, belong ...
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Gardens Of Sallust
The Gardens of Sallust ( la, Horti Sallustiani) was an ancient Roman estate including a landscaped pleasure garden developed by the historian Sallust in the 1st century BC. It occupied a large area in the northeastern sector of Rome, in what would become Region VI, between the Pincian and Quirinal hills, near the Via Salaria and later Porta Salaria. The modern rione is now known as Sallustiano. History The horti in ancient Rome Lucullus started the fashion of building luxurious garden-palaces in the 1st century BC with the construction of his gardens (''horti'') on the Pincian Hill. The ''horti'' were a place of pleasure, almost a small palace, and offered the rich owner and his court the possibility of living in isolation, away from the hectic life of the city but close to it. The most important part of the ''horti'' was undoubtedly the planting, very often as topiary in geometric or animal shapes. Among the greenery there were often pavilions, arcades for walking away from ...
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Vase In The Sky Of Versailles
A vase ( or ) is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower it is holding or keeping in place. Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles. Various styles and types of vases have been developed around the world in different time periods, such as Chinese ceramics and Native America ...
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Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ...
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Maenads
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ...
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