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Ospedali Grandi
The four great Venetian Ospedali (Ospedali Grandi, also referred to as the Ospedali Maggiori) - the Ospedale della Pietà, the Ospedale degl'Incurabili, the Ospedale di Santa Maria dei Derelitti, and the Ospedale di San Lazzaro dei Mendicanti - were charitable hospices, which provided a wide range of services for the needy of Venice. They are most famously recognized for educating select female pupils (called ''figlie del coro'') to professional levels of musicianship and attracting many European tourists to hear their all-female ensembles perform religious services and special concerts throughout the seventeenth and eighteenth centuries. The musical training in the Ospedali Grandi is often thought of as a precursor to the training in European conservatories of the 19th century. Historical background Venice had a long history of caring for its sick, homeless, poor, and orphaned before the four Ospedali became recognized as a group musical institutions. The Ospedale degl’Incurabil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ospedale Della Pietà
The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ''ospedali'', the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. Musical activity Infants could be left at the Pietà via the ''scaffetta'', a window only large enough to admit infants. Not all infants were female, nor were they necessarily orphans. Through the seventeenth century all four of the surviving ''ospedali'' gained increasing attention through the performances of sacred music by their female musicians, known as ''figlie di coro''. Formal rules for the training of ''fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Anfossi
Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome. He wrote more than 80 operas, both '' opera seria'' and ''opera buffa'', although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797. Career Aiming at first to become a performer, he studied violin at the Neapolitan Loreto Conservatorium from 1744 to 1752, and played in an opera orchestra for ten years. He then turned to composing, studying with Sacchini and Piccinni. The first performance of his own work, the ''opera buffa'' ''La Serva Spiritosa'' was at the Rome Carnival in 1763, though his authorship of the work was not clearly established at the time. It appears he preferred to work under his teacher Sacchini, supplementing his tutor's works. Nevertheless, he made a breakthrough with his '' dramma giocoso'' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Traetta
Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers. Biography Traetta was born in Bitonto, a town near Bari in the Apulia region, in Italy. He eventually became a pupil of the composer, singer and teacher Nicola Porpora in Naples, and scored a first success with his opera ''Il Farnace'' in Naples in 1751. Around this time, he came into contact with Niccolò Jommelli. From here on in, Traetta seems to have had regular commissions from all around the country, running the gamut of the usual classical subjects. Then in 1759, something untoward happened that was to trigger Traetta's first operatic re-think. He accepted a post as court composer at Parma. Parma, it has to be said, was hardly an important place in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Bertoni
Ferdinando Bertoni (15 August 1725 – 1 December 1813) was an Italian composer and organist. Early years He was born in Salò, and began his music studies in Brescia, not far from his birthplace. Around 1740 he went to Bologna, where he studied until 1745 with the famous music theorist Giovanni Battista Martini. Career Then he moved to Venice, where in 1752 he was appointed as first organist at San Marco. From 1755 to 1777 he was choirmaster at the Ospedale dei Mendicanti, also in Venice. In the period 1778–1783 he was in London, where he composed operas for the King's Theatre. Back to Venice in 1784, he succeeded Baldassare Galuppi in 1785 as Kapellmeister of San Marco and preserved this position until his retirement in 1808. Works A prolific writer of church music, Bertoni also composed 70 operas which fell into oblivion, except ''Orfeo'' (Venice, Teatro San Benedetto, 1776), based on the same libretto by Ranieri de' Calzabigi for the work of Christoph Willibald Gluck, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Latilla
__NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Piccinni (his nephew). Latilla was born in Bari, and studied at the Loreto Conservatory in Naples. He began writing comic operas for the Teatro dei Fiorentini in Naples in 1732, and is best known for his settings of ''Gismondo'' (Rome, 1737) and ''Madama Ciana'' (Rome, 1738). These two works, along with two by Rinaldo da Capua, formed the core of the traveling Italian comic opera repertory of the 1740s and early 1750s. He also wrote some opere serie, the first of which was a setting of ''Demofoonte'' (Venice, 1738). He died in Naples. See also * List of operas by Gaetano Latilla This is a list of the complete operas of the Italian composer Gaetano Latilla __NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Picci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Galuppi
Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments. In his early career Galuppi made a modest success in ''opera seria'', but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new ''dramma giocoso'' style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature ''opere serie'', for which his librettists included the poet and dramatist Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Bernasconi
Andrea Bernasconi (c. 1706 – 24 January 1784) was an Italian composer. He began his career in his native country as a composer of operas. In 1755 he was appointed to the post of '' Kapellmeister'' at the Bavarian court in Munich where he produced several more operas successfully and a few symphonies. After 1772 his compositional output consisted of entirely sacred music. He was the stepfather of soprano Antonia Bernasconi Antonia Bernasconi (1741–1803) was a German operatic soprano, appearing in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince o .... References External links * 1706 births 1784 deaths Italian Classical-period composers Italian Baroque composers Italian male classical composers Italian opera composers Male opera composers 18th-century Italian composers 18th-century Italian male musicians {{Italy-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lazzaro Dei Mendicanti
San Lazzaro dei Mendicanti is an ancient church in the sestiere of Castello, Venice, northern Italy, with a facade facing a Rio of the same name. It now serves as the chapel of the Civic Hospital of Venice. History By 1224, a hospital for lepers, dedicated to St Lazarus, patron saint of those afflicted with the disease, was found adjacent to the church of San Trovaso in the sestiere of Dorsoduro. In 1262, a Leper Colony was quarantined to an island in the Lagoon, then called Isola di San Lazzaro. In 1500, funds left over after the construction of the Basilica of Santi Giovanni e Paolo, were allocated to build an adjacent leper Hospital of San Lazaro, ''Ospedale di San Lazaro e dei Mendicanti''. It was one of the four main hospitals (Ospedali Grandi) in Venice. The term ''Mendicanti'' could be derived from two sources: first in 1601, the Mendicant Friars commissioned building of this church from the architect Vincenzo Scamozzi. Second, the hospital appears to have served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
