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Ferdinando Bertoni
Ferdinando Bertoni (15 August 1725 – 1 December 1813) was an Italian composer and organist. Early years He was born in Salò, and began his music studies in Brescia, not far from his birthplace. Around 1740 he went to Bologna, where he studied until 1745 with the famous music theorist Giovanni Battista Martini. Career Then he moved to Venice, where in 1752 he was appointed as first organist at San Marco. From 1755 to 1777 he was choirmaster at the Ospedale dei Mendicanti, also in Venice. In the period 1778–1783 he was in London, where he composed operas for the King's Theatre. Back to Venice in 1784, he succeeded Baldassare Galuppi in 1785 as Kapellmeister of San Marco and preserved this position until his retirement in 1808. Works A prolific writer of church music, Bertoni also composed 70 operas which fell into oblivion, except ''Orfeo'' (Venice, Teatro San Benedetto, 1776), based on the same libretto by Ranieri de' Calzabigi for the work of Christoph Willibald Gluck, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desenzano Del Garda
Desenzano del Garda ( lmo, label=Brescian, Dezensà) is a town and ''comune'' in the province of Brescia, in Lombardy, Italy, on the southwestern shore of Lake Garda. It borders the communes of Castiglione delle Stiviere, Lonato, Padenghe sul Garda and Sirmione. History Sometime in the first century, the area around lake Garda, including what is now Desenzano del Garda, became a favourite vacation spot for the Veronese élite, Verona being one of the largest Roman cities in northeastern Italy. On 24 June 1859, four divisions of Sardinian infantry fought a gruesome battle with elements of the Austrian Eighth corps, under Feldzeugmeister Ludwig von Benedek, in an engagement encompassing Madonna della Scoperta, Pozzolengo, and San Martino (as Desenzano del Garda was known). This action was part of the greater battle centered on Solferino, during the Second Italian War of Independence, and was a vital step in achieving Italian unification – unification that was gained only eleven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Benedetto
The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the theatre of choice for the presentation of ''opera seria'' until La Fenice was built in 1792. History The small, elegant theatre was first constructed by Michele Grimani on land owned by the Venier family. It was inaugurated on 26 December 1755 with a performance of Gioacchino Cocchi's opera ''Zoe''. In 1766 the ownership of the San Benedetto passed from Grimani to a consortium of patrician families in Venice who had been box holders at the theatre. The original design of the theatre was circular. However it was rebuilt in the traditional horseshoe shape following a fire in 1773. In 1765 Vincenzo Galeotti, who danced here from 1761, became the ballet master of the theatre and staged his first ballet here (at that time besides Galeotty and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bampton Classical Opera
Bampton Classical Opera is an opera company based in Bampton, Oxfordshire and founded in 1993. It specialises in the production of lesser known opera from the Classical period. Performances are always sung in English. ''Opera today'' called the company 'ambitious, innovative and imaginative'. It works with a variety of conductors and ensembles and does not have a permanent music director. It performs with both modern and period instrument orchestras and has often appeared with the London Mozart Players and Chroma Ensemble. It particularly aims to provide performances for young singers. History Bampton Classical Opera was founded in 1993 by its current artistic directors, Gilly French and Jeremy Gray. Following a staging of Mozart’s rare unfinished opera '' L’oca del Cairo (The Cairo Goose)'' in 1994, the company specialised increasingly in rare works of the classical period, usually from the second half of the eighteenth-century. Venues The company's staged opera productions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo %26 Blessed Spirits
Orfeo Classic Schallplatten und Musikfilm GmbH of Munich was a German independent classical record label founded in 1979 by Axel Mehrle and launched in 1980. It has been owned by Naxos since 2015. History The Orfeo music label was registered by F. Axel Mehrle on 12 December 1979 as the Orfeo Classic Records and Music Film GmbH. Orfeo introduced a new financial model for the music industry that made all investment to the label tax-deductible. All of Orfeo's masters were digital, pressed using Direct Metal Mastering, distributed as CD starting in 1983, and with a striking navy blue border on all covers. In 1981, some of Orfeo's records were released and distributed by EMI and RCA through a 5-year partnership deal. From 1981 to 1984, the label's yearly revenue went from $100,000 to $2 million. In 1985, as the company was reaching dramatic financial failure, the name of the label was changed to Oro, and the company filed for bankruptcy. In May 1985, Frank Mehrle licensed all of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Guadagni
Gaetano Guadagni (16 February 1728 – 11 November 1792) was an Italian mezzo-soprano castrato singer, most famous for singing the role of Orpheus at the premiere of Gluck's opera '' Orfeo ed Euridice'' in 1762. Career Born at Lodi, Guadagni joined the ''cappella'' of Sant'Antonio in Padua in 1746, but also made his public operatic debut at Venice that year, which was not met with ecclesiastical approval: he was dismissed from his position in Padua by 1748, and soon after appeared in London as a member of Giovanni Francesco Crosa ("Dr Croza")'s ''buffo'' (comic) company. He does not appear to have had the typical rigorous training that most castrati undertook (see castrato), which may account for his being described by the music historian Charles Burney as a "wild and careless singer" on his arrival in England. He was rapidly taken up in theatrical and musical circles in the capital, and also acquired a reputation for his sexual activities, as did many castrati. This was repor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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