|
Ospedale Della Pietà
The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ''ospedali'', the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. Musical activity Infants could be left at the Pietà via the ''scaffetta'', a window only large enough to admit infants. Not all infants were female, nor were they necessarily orphans. Through the seventeenth century all four of the surviving ''ospedali'' gained increasing attention through the performances of sacred music by their female musicians, known as ''figlie di coro''. Formal rules for the training of ''fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ospedale Della Pietà
The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ''ospedali'', the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. Musical activity Infants could be left at the Pietà via the ''scaffetta'', a window only large enough to admit infants. Not all infants were female, nor were they necessarily orphans. Through the seventeenth century all four of the surviving ''ospedali'' gained increasing attention through the performances of sacred music by their female musicians, known as ''figlie di coro''. Formal rules for the training of ''fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guardi
Francesco Lazzaro Guardi (; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on ''vedute''. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Biography Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Latilla
__NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Piccinni (his nephew). Latilla was born in Bari, and studied at the Loreto Conservatory in Naples. He began writing comic operas for the Teatro dei Fiorentini in Naples in 1732, and is best known for his settings of ''Gismondo'' (Rome, 1737) and ''Madama Ciana'' (Rome, 1738). These two works, along with two by Rinaldo da Capua, formed the core of the traveling Italian comic opera repertory of the 1740s and early 1750s. He also wrote some opere serie, the first of which was a setting of ''Demofoonte'' (Venice, 1738). He died in Naples. See also * List of operas by Gaetano Latilla This is a list of the complete operas of the Italian composer Gaetano Latilla __NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Picci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gualtieri
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvise Grani
Louis is the French form of the Old Frankish given name Chlodowig and one of two English forms, the other being Lewis (). Etymology The name Louis (through the intermediate form Clovis) derives from the Frankish name ᚺᛚᛟᛞᛟᚹᛁᚷ (in runic alphabet) or *''Hlōdowik'' or *''Hlōdowig'' (in Latin alphabet). Traditionally, this name is considered to be composed of two elements, deriving from both Proto-Germanic ''*hlūdaz'' ("loud, famous") and ''*wiganą'' ("to battle, to fight") respectively, resulting in the traditional practice of translating Clovis' name as meaning "famous warrior" or "famous in battle". However, scholars have pointed out that Gregory of Tours consequently transcribes the names of various Merovingian royal names containing the first element as ''chlodo-''. The use of a close-mid back protruded vowel (o), rather than the expected close back rounded vowel (u) which Gregory does use in various other Germanic names (i.e. Fredegundis, Arnulfus, Gundo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Gasparini
Francesco Gasparini (19 March 1661 – 22 March 1727) was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England. Biography Born in Camaiore, near Lucca, he studied in Rome with Corelli and Pasquini. His first important opera, ''Roderico'' (1694), was produced there. In 1702 he went to Venice and became one of the leading composers in the city. In 1720 he returned to Rome for his last important work, ''Tigrane'' (1724). He wrote the first opera using the story of Hamlet ('' Ambleto'', 1705) though this was not based on Shakespeare's play. Gasparini was also a teacher, the instructor of Marcello, Quantz and Domenico Scarlatti. He was musical director of the Ospedale della Pietà, where he employed Antonio Vivaldi as a violin master. He wrote a treatise on the harpsichord (1708). At one time, Metastasio was betrothed to his daughter. He died in Rome in 1727. Works Operas See List of operas by France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonaventura Furlanetto
Bonaventura Furlanetto (27 May 1738 - 6 April 1817) was an Italian composer and music teacher, also known in his lifetime by the nickname Musin. His pupils included Anselmo Marsand and Giovanni Pacini. Life Born in Venice, he spent his childhood in the parish of San Nicolò dei Mendicoli, where he learned music almost completely self-taught except for some lessons from his amateur organist uncle Nicolò Formenti and the priest Giacopo Bolla. At the same time he was also taught philosophy and literature by Jesuits. He then embarked on an ecclesiastical career, but declined to be ordained. In 1762 he produced a 'Laudate Dominum', probably his earliest (or at least earliest surviving) work. The following year he produced the religious composition ''La sposa de' sacri cantici'', produced at the oratory of San Filippo Neri in Venice in 1767, 1773 and 1784. His oratorio ''Giubilo celeste al giungervi della sant'anima'' was equally successful, being produced at the Basilica dei Santi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Bernasconi
Andrea Bernasconi (c. 1706 – 24 January 1784) was an Italian composer. He began his career in his native country as a composer of operas. In 1755 he was appointed to the post of '' Kapellmeister'' at the Bavarian court in Munich where he produced several more operas successfully and a few symphonies. After 1772 his compositional output consisted of entirely sacred music. He was the stepfather of soprano Antonia Bernasconi Antonia Bernasconi (1741–1803) was a German operatic soprano, appearing in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince o .... References External links * 1706 births 1784 deaths Italian Classical-period composers Italian Baroque composers Italian male classical composers Italian opera composers Male opera composers 18th-century Italian composers 18th-century Italian male musicians {{Italy-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candida Della Pietà
Candida, or Cándida (Spanish), may refer to: Biology and medicine * ''Candida'' (fungus), a genus of yeasts ** Candidiasis, an infection by ''Candida'' organisms * Malvasia Candida, a variety of grape Places * Candida, Campania, a ''comune'' in Avellino, Italy * Candida Casa, a church in Whithorn, Dumfries and Galloway, Scotland * Aguas Cándidas, a municipality in Burgos, Castile and León, Spain People * Candida (given name) * Aldoino Filangieri di Candida (died 1283), nobleman in the Kingdom of Naples * Candida Maria de Jesus (1845–1912), Spanish nun and saint * Candida, pen name of Eibhlín Ní Bhriain (1925–1986) Theatre, film and performing arts * ''Candida'' (play), by George Bernard Shaw ** ''Candida'' (1962 film), an Australian television adaptation * ''Cándida'' (1939 film), a 1939 Argentine musical film drama directed by Luis Bayon Herrera **This film was followed by several others featuring the same character played by Nini Marshall including: ** '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regina Strinasacchi
Regina Schlick née Strinasacchi (c. 1761 – June 11, 1839) was a violin virtuoso and guitarist in a time when women rarely performed on the violin in public. She knew Wolfgang Amadeus Mozart well enough that he composed the Sonata in B flat for Violin and Keyboard, "Strinasacchi," ( K. 454) at her request. Strinasacchi was born in either 1761, 1762 or 1764, at Ostiglia, near Mantua. In addition to her skill with the violin, she played guitar and composed, having studied at Vivaldi's school, the ''Ospedale della Pietà'' in Venice. She toured Italy, France and Germany between 1780–1783, arriving in Vienna in 1784, where she met Mozart. In a letter to his father, Mozart wrote: "We now have here the famous Strinasacchi from Mantua, a very good violinist. She has a great deal of taste and feeling in her playing. I am this moment composing a sonata which we are going to play together on Thursday at her concert in the theater." On April 29, 1784, she performed a concert with Mozart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maddalena Laura Sirmen
Maddalena Sirmen (9 December 1745 – 18 May 1818) was an Italian composer, violinist, and singer. Biography Maddalena Laura Lombardini was born in Venice to poverty-stricken parents, noble by birth. She began her studies at the San Lazzaro dei Mendicanti (one of the four great hospices or Ospedali Grandi which trained orphaned girls in music) in Venice at the age of seven. Hoping to play the violin professionally in a European classical scene almost entirely dominated by men, Lombardini was occasionally given permission to leave and study with the virtuoso violinist and composer Giuseppe Tartini (1692–1770). Tartini paid her tuition himself for musical lessons at the orphanage. At age twenty-one, Lombardini received her maestro license at the orphanage, and was given permission to pursue a musical career outside of Venice. In 1767 she married the renowned violinist Ludovico Sirmen. The two began touring together that same year. Although little is documented about their rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agata Della Pietà
Agata della Pietà (24 March 1712 - 17 October 1769) was an Italian composer, singer, and teacher of music at the Venetian charitable institution known as the Ospedale della Pietà. A foundling admitted in infancy to the Ospedale della Pietà in Venice, she received thorough musical training starting in her childhood through the instruction of an older woman named Apollonia, who was also top soprano vocalist for the Ospedale. After years of training, Agata became a performing member in the institution's musical ensembles, called the ''coro''; she later became a soprano soloist, singing teacher, and administrator. She is known to have been the soloist in motets commissioned from Giovanni Porta and Andrea Bernasconi, in whose manuscripts she is mentioned by name; she is also mentioned in an anonymous verse tribute to musicians of the Pietà ''cori'' which dates to around 1740. Agata della Pietà is known to have written several musical compositions, including a setting of Psalm 134 ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
