|
Orson Welles Filmography
Orson Welles (1915–1985) was an American director, actor, writer, and producer who is best remembered for his innovative work in radio, theatre and film. He is widely considered one of the greatest and most influential filmmakers of all time. While in his twenties, Welles directed a number of stage productions before creating the infamous 1938 radio adaptation of H. G. Wells's novel ''The War of the Worlds''. Welles's directorial film debut '' Citizen Kane'' (1941), in which he also starred as Charles Foster Kane, garnered him the Academy Award for Best Original Screenplay and nominations for Best Actor and Best Director. The film is consistently ranked as the greatest film ever made. Welles's second film was ''The Magnificent Ambersons'' (1942). He then directed and starred in the film-noir ''The Lady from Shanghai'' (1947), appearing opposite his estranged wife Rita Hayworth. His 1951 film '' Othello'' won the Palme d'Or at the Cannes Film festival. In 1958, Universal-Int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touch Of Evil
''Touch of Evil'' is a 1958 American film noir written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel ''Badge of Evil'' (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff and Marlene Dietrich. Universal-International commissioned the film adaptation of the novel in April 1956. Albert Zugsmith was selected as producer, who then hired television writer Paul Monash to write the script. Charlton Heston was brought onboard to star in January 1957 and suggested that Orson Welles direct the project. Welles was hired to direct and star, as well as re-write the script. Filming started the next month and Wrap (filmmaking), wrapped in April. During the film's post-production, creative differences between Welles and Universal executives arose and Welles was forced off the film. Subsequently, Universal-International revised the film's editing style to be more convention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Hemingway
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he was awarded the 1954 Nobel Prize in Literature. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature. Hemingway was raised in Oak Park, Illinois. After high school, he was a reporter for a few months for '' The Kansas City Star'' before leaving for the Italian Front to enlist as an ambulance driver in World War I. In 1918, he was seriously wounded and retu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature Feature may refer to: Computing * Feature (CAD), could be a hole, pocket, or notch * Feature (computer vision), could be an edge, corner or blob * Feature (software design) is an intentional distinguishing characteristic of a software item ... or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * List of lost films#Statistics on lost films, 75% ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Other Side Of The Wind
''The Other Side of the Wind'' is a 2018 satirical drama film, directed, co-written, co-produced and co-edited by Orson Welles, and posthumously released in 2018 after forty-eight years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar. Intended by Welles to be his Hollywood comeback, the film began shooting in 1970 and resumed on and off until 1976. Welles continued to intermittently work on the project into the 1980s, but it became embroiled in legal, financial and political complications which prevented it from being completed. Despite Welles' death in 1985, filming was completed and several attempts were made at reconstructing the unfinished film. In 2014, the rights were acquired by Royal Road and the project was overseen by Bogdanovich and producer Frank Marshall. The story utilizes a film-within-a-film narrative which follows the last day in the life of an aging Hollywood film director (Huston) as he hosts a scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (unfinished Film)
''Don Quixote'' is an unfinished film project written, co-produced and directed by Orson Welles. Principal photography took place between 1957 and 1969. Test footage was filmed as early as 1955, second-unit photography was done as late as 1972, and Welles was working on the film intermittently until his death in 1985. The film was eventually edited by Jesús Franco and was released in 1992, to mixed reviews. Origin ''Don Quixote'' was initially conceived in 1955 as a 30-minute film for CBS entitled ''Don Quixote Passes By''. Rather than offer a literal adaptation of the Miguel de Cervantes novel, Welles opted to bring the characters of Don Quixote and Sancho Panza into the modern age as living anachronisms. Welles explained his idea in an interview, stating: "My Don Quixote and Sancho Panza are exactly and traditionally drawn from Cervantes, but are nonetheless contemporary."Brady, Frank (1989). ''Citizen Welles''. Charles Scribner's Sons. Welles later elaborated to Peter Bogdanov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filming Othello
''Filming Othello'' is a 1978 documentary film directed by and starring Orson Welles about the making of his award-winning 1951 production '' Othello''. The film, which was produced for West German television, was the last completed feature film directed by Welles. Synopsis ''Filming Othello'' begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is '' Othello'', Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of ''Othello'' and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film's co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of ''Othello''. We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F For Fake
''F for Fake'' (french: link=no, Vérités et mensonges, es, link=no, Fraude, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving, and Orson Welles as himself. ''F for Fake'' is sometimes considered an example of a film essay. In addition to the 88-minute film, in 1976 Welles also shot and edited a self-contained 9-minute short film as a " trailer", almost entirely composed of original material not found in the main film itself. Plot T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in '' The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chimes At Midnight
''Falstaff (Chimes at Midnight)'' ( Spanish: ''Campanadas a medianoche'') is a 1966 period comedy-drama film directed by and starring Orson Welles. The Spanish-Swiss co-production was released in the United States as ''Chimes at Midnight'' and in most of Europe as ''Falstaff''. The film's plot centres on William Shakespeare's recurring character Sir John Falstaff and the father-son relationship he has with Prince Hal, who must choose between loyalty to his father, King Henry IV, or Falstaff. Welles said that the core of the film's story was "the betrayal of friendship." It stars Welles as Falstaff, Keith Baxter as Prince Hal, John Gielgud as Henry IV, Jeanne Moreau as Doll Tearsheet and Margaret Rutherford as Mistress Quickly. The script contains text from five of Shakespeare's plays; primarily '' Henry IV, Part 1'' and '' Henry IV, Part 2'', but also '' Richard II'', ''Henry V'', and '' The Merry Wives of Windsor''. Ralph Richardson's narration is taken from the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Film Festival
The Venice Film Festival or Venice International Film Festival ( it, Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia, "International Exhibition of Cinematographic Art of the Venice Biennale") is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the "Big Six" International film festivals worldwide, which include the Big Three European Film Festivals, alongside the Toronto Film Festival in Canada the Sundance Film Festival in the United States and the Melbourne International Film Festival in Australia. The Festivals are internationally acclaimed for giving creators the artistic freedom to express themselves through film. In 1951, FIAPF formally accredited the festival. Founded by the National Fascist Party in Venice in August 1932, the festival is part of the Venice Biennale, one of the world's oldest exhibitions of art, created by the Venice City Council on 19 April 1893. The range of work at the Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Lion
The Golden Lion ( it, Leone d'oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most prestigious and distinguished prizes. In 1970, a second Golden Lion was introduced; this is an honorary award for people who have made an important contribution to cinema. The prize was introduced in 1949 as the Golden Lion of Saint Mark (which was one of the best known symbols of the ancient Republic of Venice). In 1954, the prize was permanently named Golden Lion. Previously, the equivalent prize was the ''Gran Premio Internazionale di Venezia'' (Grand International Prize of Venice), awarded in 1947 and 1948. Before that, from 1934 until 1942, the highest awards were the '' Coppa Mussolini'' (Mussolini Cup) for Best Italian Film and Best Foreign Film. History The prize was first awarded in 1949. Previously, the equivalent prize was the Gran Premio Internazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
