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Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in '' The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff Plays The King
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays ''Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in ''The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus on his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff Rebuked (Smirke, C
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays ''Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in ''The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus on his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chimes At Midnight
''Falstaff (Chimes at Midnight)'' (Spanish: ''Campanadas a medianoche'') is a 1966 period comedy-drama film directed by and starring Orson Welles. The Spanish-Swiss co-production was released in the United States as ''Chimes at Midnight'' and in most of Europe as ''Falstaff''. The film's plot centres on William Shakespeare's recurring character Sir John Falstaff and the father-son relationship he has with Prince Hal, who must choose between loyalty to his father, King Henry IV, or Falstaff. Welles said that the core of the film's story was "the betrayal of friendship." It stars Welles as Falstaff, Keith Baxter as Prince Hal, John Gielgud as Henry IV, Jeanne Moreau as Doll Tearsheet and Margaret Rutherford as Mistress Quickly. The script contains text from five of Shakespeare's plays; primarily ''Henry IV, Part 1'' and '' Henry IV, Part 2'', but also ''Richard II'', ''Henry V'', and ''The Merry Wives of Windsor''. Ralph Richardson's narration is taken from the works of chronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Wives Of Windsor
''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in ''Henry IV, Part 1'' and '' Part 2''. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that ''The Merry Wives of Windsor'' was written at the request of Queen Elizabeth I. After watching ''Henry IV Part I'', she asked Shakespeare to write a play depicting Falstaff in love. Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV, Part 1
''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V), and his eventual return to court and favour. ''Henry IV, Part 1'' is the first of Shakespeare's two plays which deal with the reign of Henry IV (the other being '' Henry IV, Part 2''), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II, Henry IV, and Henry V. From its first performance on, it has been an extremely popular work both with the public and critics. Characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doll Tearsheet
Dorothy "Doll" Tearsheet is a fictional character who appears in Shakespeare's play '' Henry IV, Part 2''. She is a prostitute who frequents the Boar's Head Inn in Eastcheap. Doll is close friends with Mistress Quickly, the proprietress of the tavern, who procures her services for Falstaff. Doll is noted for her wide repertoire of colourful insults and her sudden switches from wild tirades to sentimental intimacy and back again. In the play Doll is introduced by name when Mistress Quickly asks Falstaff whether he would like her company that evening. The Page later mentions to Prince Hal and Poins that Falstaff will be seeing her, primly referring to her as "a proper gentlewoman, sir, and a kinswoman of my master's", though Hal quickly concludes that she is probably "some road" (meaning a whore: accessible to anyone, as in the phrase "as common as the cart-way"). Doll is first seen about to be sick after drinking too much " canaries" (fortified wine from the Canary Islands). W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Pistol
Ancient Pistol is a swaggering soldier who appears in three plays by William Shakespeare. Though full of grandiose boasts about his prowess, he is essentially a coward. The character is introduced in '' Henry IV, Part 2'' and reappears in ''The Merry Wives of Windsor'' and ''Henry V''. The character's first name is never given. He is referred to as Falstaff's "ancient", meaning "ensign", or standard bearer. ''Henry IV, Part 2'' Pistol is introduced as a "swaggerer" who suddenly turns up at the Boar's Head Tavern, contrary to the wishes of the hostess, Mistress Quickly. Falstaff tells her that Pistol is his "ancient" (ensign). He gets into a fight with Falstaff after an exchange of insults with the prostitute Doll Tearsheet, who calls him "the foul-mouth'dst rogue in England". Later, when Falstaff stops off at Justice Shallow's house after the defeat of Scrope, Pistol appears bringing news of the death of Henry IV, asserting that Falstaff is "now one of the greatest men in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistress Quickly
Mistress Nell Quickly is a fictional character who appears in several plays by William Shakespeare. She is an inn-keeper, who runs the Boar's Head Tavern, at which Sir John Falstaff and his disreputable cronies congregate. The character appears in four plays: ''Henry IV, Part 1'', '' Henry IV, Part 2'', ''Henry V'' and ''The Merry Wives of Windsor''. Character and role In all the plays Quickly is characterised as a woman with strong links to the criminal underworld, but who is nevertheless preoccupied with her own respectable reputation. Her speech is filled with malapropisms, double entendres and "bawdy innuendo". Her name may be a pun on "quick lay", though "quick" also had the meaning of "alive", so it may imply "lively", which also commonly had a sexual connotation.J. Madison Davis, ''The Shakespeare Name and Place Dictionary'', Routledge, 2012, p.406. Quickly's character is most fully developed in ''Henry IV, Part 2'' in which her contradictory aspirations to gentility a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry V (1989 Film)
''Henry V'' is a 1989 British historical drama film adapted for the screen and directed by Kenneth Branagh, based on William Shakespeare's play of the same name about King Henry V of England. The film stars Branagh in the title role with Paul Scofield, Derek Jacobi, Ian Holm, Emma Thompson, Alec McCowen, Judi Dench, Robbie Coltrane, Brian Blessed, and Christian Bale in supporting roles. The film received worldwide critical acclaim and is considered to be one of the best Shakespeare film adaptations ever made. For her work on the film, Phyllis Dalton won an Academy Award for Best Costume Design and Kenneth Branagh, in his directorial debut, received Oscar nominations for Best Actor and Best Director. Plot The film begins with Chorus, in this case a person in modern dress, introducing the subject of the play. He is walking through an empty film studio and ends his monologue by opening the doors to begin the main action. Chorus reappears several times during the film, his speec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henriad
In Shakespearean scholarship, Henriad refers to a group of William Shakespeare's history plays. It is sometimes used to refer to a group of four plays (a tetralogy), but some sources and scholars use the term to refer to eight plays. In the 19th century, Algernon Charles Swinburne used the term to refer to three plays, but that use is not current. In one sense, Henriad refers to: '' Richard II; Henry IV, Part 1; Henry IV, Part 2;'' and ''Henry V'' — with the implication that these four plays are Shakespeare's epic, and that Prince Harry, who later becomes Henry V, is the epic hero. (This group may also be referred to as the "second tetralogy" or "second Henriad".) In a more inclusive meaning, Henriad refers to eight plays: the tetralogy mentioned above (''Richard II, Henry IV, Part 1, Henry IV, Part 2,'' and ''Henry V''), plus four plays that were written earlier, and are based on the civil wars known as The Wars of the Roses — ''Henry VI, Part 1, Henry VI, Part 2, He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Hal
Prince Hal is the standard term used in literary criticism to refer to Shakespeare's portrayal of the young Henry V of England as a prince before his accession to the throne, taken from the diminutive form of his name used in the plays almost exclusively by Falstaff. Henry is called "Prince Hal" in critical commentary on his character in ''Henry IV, Part 1'' and '' Henry IV, Part 2'', though also sometimes in ''Henry V'' when discussed in the context of the wider Henriad. Hal is portrayed as a wayward youth who enjoys the society of petty criminals and wastrels, a depiction which draws on exaggerations of the historical Prince Henry's supposed youthful behaviour. The question of whether Hal's character is cynical or sincere has been widely discussed by critics. Name In the two plays, the diminutive "Hal" is only ever used of the prince, not of any of the other characters named "Henry". It is only one of the several versions of "Henry" used. In fact the prince is variously refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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