''Touch of Evil'' is a 1958 American
film noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American '' ...
written and directed by
Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
, who also stars in the film. The screenplay was loosely based on the contemporary
Whit Masterson novel ''
Badge of Evil
''Badge of Evil'' is a novel written by Whit Masterson (a pseudonym used by the authors Robert Allison “Bob” Wade and H. Bill Miller) and published in 1956. '' (1956). The cast included
Charlton Heston
Charlton Heston (born John Charles Carter; October 4, 1923April 5, 2008) was an American actor and political activist.
As a Hollywood star, he appeared in almost 100 films over the course of 60 years. He played Moses in the epic film ''The Ten ...
,
Janet Leigh
Jeanette Helen Morrison (July 6, 1927 – October 3, 2004), known professionally as Janet Leigh, was an American actress, singer, dancer, and author. Her career spanned over five decades. Raised in Stockton, California, by working-class parents, ...
,
Joseph Calleia,
Akim Tamiroff
Akim Mikhailovich Tamiroff, russian: Аким Михайлович Тамиров (born Hovakim Tamiryants; October 29, 1899 – September 17, 1972) was an Armenian-American actor of film, stage, and television. One of the premier character ac ...
and
Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; ...
.
Universal-International commissioned the film adaptation of the novel in April 1956.
Albert Zugsmith was selected as producer, who then hired television writer
Paul Monash
Paul Monash (June 14, 1917 – January 14, 2003) was an American television and film producer and screenwriter.
Life and career
Paul Monash was born in Harlem, New York, in 1917, and grew up in The Bronx. His mother, Rhoda Melrose, acted in si ...
to write the script.
Charlton Heston
Charlton Heston (born John Charles Carter; October 4, 1923April 5, 2008) was an American actor and political activist.
As a Hollywood star, he appeared in almost 100 films over the course of 60 years. He played Moses in the epic film ''The Ten ...
was brought onboard to star in January 1957 and suggested that
Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
direct the project. Welles was hired to direct and star, as well as re-write the script. Filming started the next month and
wrapped in April. During the film's post-production, creative differences between Welles and Universal executives arose and Welles was forced off the film. Subsequently, Universal-International revised the film's editing style to be more conventional and ordered re-shoots to be made in November 1957. In response to the new version, Welles wrote a 58-page memo in which he elaborately outlined his creative vision for the film and asked that his version be restored.
Initially dismissed by film critics, ''Touch of Evil'' found popularity among European audiences and won top awards at the 1958 Brussels World Film Festival. During the 1970s, its reputation was renewed and it is now widely regarded as one of Welles's best motion pictures and one of the best classic-era noir films. ''Touch of Evil'' was re-edited according to Welles's original vision, as outlined in his memo, in 1998.
In 1993, the film was selected for preservation in the United States
National Film Registry
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception i ...
by the
Library of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is ...
as being "culturally, historically, or aesthetically significant".
Plot
Along the
U.S.–Mexico border, a
time bomb
A time bomb (or a timebomb, time-bomb) is a bomb whose detonation is triggered by a timer. The use (or attempted use) of time bombs has been for various purposes including insurance fraud, terrorism, assassination, sabotage and warfare. They ar ...
placed inside a vehicle explodes, killing Rudy Linnekar and his stripper girlfriend Zita. On his honeymoon with his American wife Susie, Mexican special prosecutor Miguel Vargas takes an interest in the investigation. Local authorities arrive on the scene, followed by 30-year police captain Hank Quinlan and his longtime assistant, Pete Menzies. Quinlan and Menzies implicate Sanchez, a young Mexican secretly married to the victim's daughter, Marcia, as the prime suspect. During the interrogation at Sanchez's apartment, Menzies locates two sticks of
dynamite
Dynamite is an explosive made of nitroglycerin, sorbents (such as powdered shells or clay), and Stabilizer (chemistry), stabilizers. It was invented by the Swedish people, Swedish chemist and engineer Alfred Nobel in Geesthacht, Northern Germa ...
in the same shoebox that Vargas had found empty only a few minutes earlier. Vargas accuses Quinlan of planting evidence, and begins to suspect that he may have been doing so for years to help win convictions. Quinlan dismisses Vargas's claim, saying he is just biased in favor of fellow Mexicans.
The stress of these accusations, along with pressure from "Uncle" Joe Grandi, the brother of a man Vargas has been investigating, to strike a deal to discredit Vargas, causes Quinlan—who has been sober for 12 years—to relapse. With assistance from the District Attorney's Assistant Al Schwartz, Vargas studies the public records on Quinlan's cases, revealing his findings to Gould and Adair. Quinlan arrives in time to overhear the discussion and angrily threatens to resign.
Meanwhile, Vargas sends his wife to a remote motel to remove her from the Grandis' unwanted attention. Unknown to him, the hotel is owned by Grandi. Grandi's family members terrorize Susie. Vargas becomes concerned when his attempts to telephone his wife at the motel are blocked. Per their agreement, Grandi arranges for Susie to appear unconscious from a drug overdose in a downtown motel, set up for Quinlan to "discover" her. Instead, Quinlan strangles Grandi there and leaves his corpse with Susie. When she wakes up, she screams for help but instead is arrested on suspicion of murder.
Vargas confronts Menzies about Quinlan's history of "discovering" incriminating evidence in his cases. He goes to Susie's motel but cannot find her, discovering both that the motel is owned by Grandi and that his handgun has been stolen. He rushes back to town and enters a bar, where he confronts the gang members who attacked his wife. When they refuse to answer his questions, Vargas attacks them but is overwhelmed.
Schwartz informs Vargas that Susie has been arrested for murder. At the lockup, Menzies reveals to Vargas that he discovered Quinlan's cane at the murder scene, implicating him. Menzies agrees to wear a
wire
Overhead power cabling. The conductor consists of seven strands of steel (centre, high tensile strength), surrounded by four outer layers of aluminium (high conductivity). Sample diameter 40 mm
A wire is a flexible strand of metal.
Wire is c ...
for Vargas. Quinlan is at ex-lover Tana's brothel across the border. A loud
player piano
A player piano (also known as a pianola) is a self-playing piano containing a pneumatic or electro-mechanical mechanism, that operates the piano action via programmed music recorded on perforated paper or metallic rolls, with more modern i ...
prevents recording, so Menzies lures Quinlan out. While they walk Vargas trails them, recording their conversation.
Quinlan confesses to Menzies that he planted evidence on suspects, but just the "guilty" ones. Quinlan hears an echo from Vargas' tracking device and suspects Menzies of betrayal. Quinlan demands that Vargas show himself and then shoots Menzies. Just as Quinlan is prepared to shoot the unarmed Vargas, claiming he'll plead self-defense, Menzies shoots Quinlan, then expires. Schwartz arrives at the scene and tells Vargas that Sanchez had confessed to the crime, vindicating Quinlan. Vargas is reunited with Susie. Tana arrives and rues Quinlan's death.
Cast
Production
Development
In March 1956, the mystery novel ''
Badge of Evil
''Badge of Evil'' is a novel written by Whit Masterson (a pseudonym used by the authors Robert Allison “Bob” Wade and H. Bill Miller) and published in 1956. '' was released to generally favorable reviews and its sales were brisk, with two printings in hardcover.
Edward Muhl, the head of production of
Universal-International, believed the novel had cinematic possibilities and arranged to purchase the film rights through the literary agency
Curtis Brown. By April 1956, the ''
Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...
'' reported that the film rights had been acquired and that
Albert Zugsmith (known as the "King of the
Bs") had been tapped as producer. Zugsmith then assigned television writer
Paul Monash
Paul Monash (June 14, 1917 – January 14, 2003) was an American television and film producer and screenwriter.
Life and career
Paul Monash was born in Harlem, New York, in 1917, and grew up in The Bronx. His mother, Rhoda Melrose, acted in si ...
to write the script adaptation within four weeks. Zugsmith then read Monash's script, but did not care for it and temporarily halted any further development on the project. By December 1956, Zugsmith had received a memo from Universal executive Mel Tucker inquiring about the development of ''Badge of Evil'' and suggested the possibility of casting
Charlton Heston
Charlton Heston (born John Charles Carter; October 4, 1923April 5, 2008) was an American actor and political activist.
As a Hollywood star, he appeared in almost 100 films over the course of 60 years. He played Moses in the epic film ''The Ten ...
as the lead.
By January 1957, having just finished promoting ''
The Ten Commandments
The Ten Commandments ( Biblical Hebrew עשרת הדברים \ עֲשֶׂרֶת הַדְּבָרִים, ''aséret ha-dvarím'', lit. The Decalogue, The Ten Words, cf. Mishnaic Hebrew עשרת הדיברות \ עֲשֶׂרֶת הַדִּבְ ...
'' (1956), Heston had received the script and considered it good enough. The actor contacted Universal to ask who they had considered to direct. They told him that they did not know, but
Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
was lined up as Hank Quinlan. Heston then replied, "Why not him direct, too. He's pretty good" to which the studio responded "We'll get back to you." Universal studio head executives Ernest Nims and Jim Pratt—both of whom had worked with Welles on ''
The Stranger'' (1946)—lobbied for Welles to direct again. Based on Pratt's suggestion, Universal-International offered Welles $125,000 for the job to act, direct, and based on his choosing, to rewrite the script. On January 11, it was officially announced that Welles had signed with Muhl to star in and direct ''Badge of Evil''.
Welles had previously starred in ''
Man in the Shadow'' (1957). According to Zugsmith, on the last day of shooting, Welles, who was impressed with Zugsmith's writing abilities, expressed that he was interested in directing a picture for him. Zugsmith offered Welles a pile of scripts, of which he requested the worst one. Welles was then handed Monash's script for ''Badge of Evil'' to which he asked, "Can I have two weeks to write it?" Zugsmith replied, "You can have it."
Writing
For his screenplay draft, Welles made numerous changes along with smaller changes to better tighten the script. His two main contributions dealt with his thematic element of American racism and his decision to shift narrative point of views. He shifted the location setting from
San Diego
San Diego ( , ; ) is a city on the Pacific Ocean coast of Southern California located immediately adjacent to the Mexico–United States border. With a 2020 population of 1,386,932, it is the List of United States cities by population, eigh ...
to the
Mexico–United States border
The Mexico–United States border ( es, frontera Estados Unidos–México) is an international border separating Mexico and the United States, extending from the Pacific Ocean in the west to the Gulf of Mexico in the east. The border traver ...
. Welles renamed the protagonist from Mitch Holt to Miguel Vargas, stating he made the character a Mexican "for political reasons. I wanted to show how Tijuana and the border towns are corrupted by all sorts of mish-mash, publicity more or less about American relations". Welles's
shooting script was finished by February 5, 1958. Heston stated that Welles re-wrote the script in ten days.
Casting
Welles selected
Janet Leigh
Jeanette Helen Morrison (July 6, 1927 – October 3, 2004), known professionally as Janet Leigh, was an American actress, singer, dancer, and author. Her career spanned over five decades. Raised in Stockton, California, by working-class parents, ...
for the role of Susan Vargas. Before her agent had notified her of the casting, Welles contacted Leigh via telegram stating how delighted he was to work with her on ''Badge of Evil''. She contacted her agent, and accepted the part.
Dennis Weaver
William Dennis Weaver (June 4, 1924 – February 24, 2006) was an American actor and former president of the Screen Actors Guild, best known for his work in television and films from the early 1950s until just before his death in 2006. Weave ...
was asked to audition as the night manager after Welles had watched him as Chester Goode on ''
Gunsmoke
''Gunsmoke'' is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. It centers on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character ...
''. He was instructed to improvise. Meanwhile, Zugsmith had met
Joanna Cook Moore
Joanna Moore (born Dorothy Joanne Cook, November 10, 1934 – November 22, 1997) was an American film and television actress, who, between 1956 and 1976, appeared in 17 feature films and guest-starred in nearly a hundred television series episod ...
at a party, and was determined that she was right for the role as Marcia Linnekar. Welles rounded out the supporting cast with
Akim Tamiroff
Akim Mikhailovich Tamiroff, russian: Аким Михайлович Тамиров (born Hovakim Tamiryants; October 29, 1899 – September 17, 1972) was an Armenian-American actor of film, stage, and television. One of the premier character ac ...
, whom he previously cast in ''
Mr. Arkadin
''Mr. Arkadin'' (first released in Spain, 1955), known in Britain as ''Confidential Report'', is a French-Spanish-Swiss coproduction film, written and directed by Orson Welles and shot in several Spanish locations, including Costa Brava, Segov ...
'' (1955), while
Joseph Cotten
Joseph Cheshire Cotten Jr. (May 15, 1905 – February 6, 1994) was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of '' The Philadelphia Story'' and ''Sabr ...
,
Ray Collins,
Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; ...
, and
Keenan Wynn agreed to appear in the film for union pay scale and without screen credit. Zugsmith also insisted that his friend
Zsa Zsa Gabor
Zsa Zsa Gabor (, ; born Sári Gábor ; February 6, 1917 – December 18, 2016) was a Hungarian Americans, Hungarian-American socialite and actress. Her sisters were actresses Eva Gabor, Eva and Magda Gabor.
Gabor competed in the 1933 Mis ...
be given a cameo in the film. Ultimately, all actors were paid over union scale and given screen credit.
Having known
Mercedes McCambridge
Carlotta Mercedes Agnes McCambridge (March 16, 1916 – March 2, 2004) was an American actress of radio, stage, film, and television. Orson Welles called her "the world's greatest living radio actress." She won an Academy Award for Best Support ...
since her time at Mercury Theatre, Welles called her and requested she arrive at the set. Leigh and the actors dressed as "greasy-looking hoodlums" stood around waiting for Welles to start filming. Welles had McCambridge's hair cut and applied black shoe polish over her newly trim hair and eyebrows. According to her memoir: "They brought a black leather jacket from somewhere, and I was 'ready.' Orson said he wanted a heavy, coarse Mexican accent. I said, 'You've got it!'"
Filming
The film was shot in
Venice, California
Venice is a neighborhood of the city of Los Angeles within the Westside region of Los Angeles County, California.
Venice was founded by Abbot Kinney in 1905 as a seaside resort town. It was an independent city until 1926, when it was annexed by ...
from February 18, 1957 to April 2, 1957. The location had been suggested by
Aldous Huxley
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer and philosopher. He wrote nearly 50 books, both novels and non-fiction works, as well as wide-ranging essays, narratives, and poems.
Born into the prominent Huxley ...
to Welles, who informed him the town had decayed significantly. Welles, cinematographer
Russell Metty
Russell Metty, A.S.C. (September 20, 1906 – April 28, 1978) was an American cinematographerGoble, Alan. ''The Complete Index to World Film, since 1885.'' 2008Index home page who won the Academy Award for Best Cinematography, Color, for the 19 ...
, and the art directors drove there, and upon viewing the city's Bridge of Sighs, Welles decided to revise the ending to incorporate it.
As when he worked with cinematographer
Gregg Toland
Gregg Wesley Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' ''Citizen Kane'' (19 ...
, Welles and Metty devised a distinctive visual style for ''Touch of Evil''incorporating
deep focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and ...
, off-kilter and
low-angle shot
In cinematography, a low-angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up.crane shot
Crane or cranes may refer to:
Common meanings
* Crane (bird), a large, long-necked bird
* Crane (machine), industrial machinery for lifting
** Crane (rail), a crane suited for use on railroads
People and fictional characters
* Crane (surname), ...
that runs almost three-and-a-half minutes, which has frequently been commented on by film scholars.
Post-production
As was typical, Welles himself worked on the film's editing, paired initially with
Edward Curtiss
Edward Curtiss (1898-1970) was an American film editor who worked in Hollywood from the 1920s through the 1960s.
Biography
Curtiss was born in Los Angeles, California, to Frank Curtiss and Mabel West. He got his start in the film industry as a ...
. According to Zugsmith, the two had creative differences,
and Curtiss was replaced with
Virgil Vogel
Virgil William Vogel (November 29, 1919 – January 1, 1996) was an American television and film director. His career spanned nearly sixty years, directing episodes of ''Wagon Train'', ''Bonanza'', ''The Big Valley'', and '' Mission: Impossible ...
. During June 1957, Welles flew out to New York to appear on ''
The Steve Allen Show
''The Steve Allen Show'' was an American variety show hosted by Steve Allen from June 1956 to June 1960 on NBC, from September 1961 to December 1961 on ABC, ''. In his absence, studio executives had scheduled a screening of the rough cut. Informed of this by Vogel, Welles was angered, resulting in Universal post-production head Ernest Nims cancelling the screening. At this point, Vogel agreed to step down, and Nims appointed
Aaron Stell
Aaron Stell (March 26, 1911 – January 7, 1996, in Los Angeles) was an American film editor with one hundred feature film credits and many additional credits for his television work. Stell worked for more than a decade at the start of his career ...
, another Universal staff editor, to finish the film. When Welles returned to Hollywood, Nims instructed him to stay out of the editing room and let Stell work alone. Having been locked out, Welles went to
Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley o ...
in late June 1957 to begin shooting his next film, ''
Don Quixote
is a Spanish epic novel by Miguel de Cervantes. Originally published in two parts, in 1605 and 1615, its full title is ''The Ingenious Gentleman Don Quixote of La Mancha'' or, in Spanish, (changing in Part 2 to ). A founding work of Wester ...
''.
On his own, Stell constantly changed the editing sequence, providing different interpretations of multiple scenes in which he altered the continuity. Throughout the editing process, Stell was never satisfied, and at the end of his tenure, he stated he had grown "ill, depressed and unhappy with the studio's impatience." In July 1957, Stell's cut was screened to the executives, most of whom were left unimpressed. According to Nims, Welles "had really messed up those first five reels...He was making those quick cuts—in the middle of a scene you cut to another scene, and then come back and finish the scene, and then cut to the last half of the other scene."
Hoping to make the continuity editing more conventional, Muhl appointed Nims to re-edit the film. A month later, Nims's cut was shown to Welles, who remained diplomatic but was astonished at the newly altered cut. Welles wrote a memorandum as a critique to Nim's revisions, and shortly after, he left for
Louisiana
Louisiana , group=pronunciation (French: ''La Louisiane'') is a state in the Deep South and South Central regions of the United States. It is the 20th-smallest by area and the 25th most populous of the 50 U.S. states. Louisiana is borde ...
to appear in
Martin Ritt
Martin Ritt (March 2, 1914 – December 8, 1990) was an American director and actor who worked in both film and theater, noted for his socially conscious films.
Some of the films he directed include '' The Long, Hot Summer'' (1958), '' The Black ...
's ''
The Long, Hot Summer
''The Long, Hot Summer'' is a 1958 American drama film directed by Martin Ritt. The screenplay was written by Irving Ravetch and Harriet Frank Jr., based in part on three works by William Faulkner: the 1931 novella " Spotted Horses", the 1939 s ...
'' (1958). By November 1957, Universal removed about fifteen minutes from the film, and hired
Harry Keller
Harry Keller (22 February 1913 – 19 January 1987) was an American film editor, producer and director, who made a number of westerns and worked for many years at Universal Pictures.
In 1958, Keller was tasked by Universal Pictures with directing ...
to film some expository scenes intended to make the plot easier to follow.
Out of loyalty to Welles, Heston and Leigh initially refused to film the re-shoots. A week later, Heston's agents informed him that he was contractually obligated to film re-shoots if necessary. For the re-shoots,
Clifford Stine
Clifford Stine, ASC (March 24, 1906 – December 12, 1986), was a cinematographer known for working on western and horror movies. He often received the unusual screen credit of 'special photography' for his special visual effects work such as ...
had replaced Metty as the film's cinematographer while new dialogue had been written by Franklin Coen, a staff scriptwriter for Universal. Several new scenes were filmed including four scenes between Vargas and his wife, a love scene in the car, and a scene where Menzies explains about Quinlan's leg. Another scene was shot in which Quinlan's car meets Vargas's en route to the motel, in which an uncredited actor doubles for Welles. On November 19, re-shoots under Keller were completed. Heston further reflected in his journal: "I have done worse work in the movies than this day's retakes, but I don't remember feeling worse...I was able to talk them out of one change I felt was a mistake."
On December 5, 1957, having been screened a new cut, Welles presented a 58-page memorandum addressed to Muhl, detailing what he thought needed to be done to make the film work. In response, Muhl stated his changes would be implemented, but also requested that Welles attend a dubbing session. Welles refused.
Initial release and reception
On January 31, 1958, ''Touch of Evil'' was given a
sneak preview
A film screening is the displaying of a motion picture or film, generally referring to a special showing as part of a film's production and release cycle. To show the film to best advantage, special screenings may take place in plush, low seat-cou ...
at a theater in
Pacific Palisades, Los Angeles
Pacific Palisades is a neighborhood in the Westside region of Los Angeles, California, situated about west of Downtown Los Angeles.
Pacific Palisades was formally founded in 1921 by a Methodist organization, and in the years that followed bec ...
. This version of the film ran 108 minutes, and was not well-received. Heston wrote in his journal that "I'm afraid it's simply not a good picture. It has the brilliance that made each day's rushes look so exciting, of course. Indeed, there's hardly a dull shot in the film. But it doesn't hold together as a story." In February 1958, ''Touch of Evil'' was attached in a
double bill
The double feature is a motion picture industry phenomenon in which theatres would exhibit two films for the price of one, supplanting an earlier format in which one feature film and various short subject reels would be shown.
Opera use
Opera ho ...
with ''
The Female Animal'', starring
Hedy Lamarr
Hedy Lamarr (; born Hedwig Eva Maria Kiesler; November 9, 1914 January 19, 2000) was an Austrian-born American film actress and inventor. A film star during Hollywood's golden age, Lamarr has been described as one of the greatest movie actress ...
, which was also produced by Albert Zugsmith and directed by Harry Keller. The two films even had the same cameraman, Russell Metty. This general version ran only 94 minutes.
Contemporary reviews
Howard Thompson of ''
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' wrote "...while good versus evil remains the text, the lasting impression of this film is effect rather than substance, hence its real worth." He complimented the film's direction noting that "Mr. Welles' is an obvious but brilliant bag of tricks. Using a superlative camera (manned by Russell Metty) like a black-snake whip, he lashes the action right into the spectator's eye." Philip K. Scheuer of the ''
Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...
'' wrote "As usual, Welles has placed mood above content. But what mood! ''Touch of Evil'' is underkeyed, underlighted and undermonitored (for sound), but with the assistance of Russell Metty's marvelous mobile camera it charges ahead like the pure cinema it so often succeeds in being, complete with built-in stocks." ''
Harrison's Reports
''Harrison's Reports'' was a New York City-based motion picture trade journal published weekly from 1919 to 1962. The typical issue was four letter-size pages sent to subscribers under a second-class mail permit. Its founder, editor and publisher ...
'' felt that Welles "has peopled the story with odd characterizations and, in an apparent effort to get away from routine picture-making, has made dramatic use of unusual photographic angles, shadows and lighting. This makes for an arty approach but it seems to lessen the dramatic impact of the story. The acting is very good, and a number of the individual scenes are tense and exciting."
''
Variety
Variety may refer to:
Arts and entertainment Entertainment formats
* Variety (radio)
* Variety show, in theater and television
Films
* ''Variety'' (1925 film), a German silent film directed by Ewald Andre Dupont
* ''Variety'' (1935 film), ...
'' felt that "Welles establishes his creative talent with pomp, but unfortunately the circumstances of the story suffer. There is insufficient orientation and far too little exposition, with the result that much of the action is confusing and difficult to relate to the plot...Welles' script contains some hard-hitting dialogue; his use of low-key lighting with Russell is effective, and Russell Metty's photography is fluid and impressive; and Henry Mancini's music is poignant. But ''Touch of Evil'' proves it takes more than good scenes to make a good picture." Dorothy Masters, reviewing for the ''
New York Daily News
The New York ''Daily News'', officially titled the ''Daily News'', is an American newspaper based in Jersey City, NJ. It was founded in 1919 by Joseph Medill Patterson as the ''Illustrated Daily News''. It was the first U.S. daily printed in ta ...
'', gave the film three stars out of four noting that the "Welles touch is manifest in a taunt screen play, suspenseful presentation, stark backgrounds, off-beat camera angles and a weird assortment of characters. The production is advantage and are ably supported by the rest of the cast."
Accolades
Although Universal Pictures did its best to prevent ''Touch of Evil'' from being selected for the 1958 Brussels World Film Festival—part of the
Expo 58
Expo 58, also known as the 1958 Brussels World's Fair (french: Exposition Universelle et Internationale de Bruxelles de 1958, nl, Brusselse Wereldtentoonstelling van 1958), was a world's fair held on the Heysel/Heizel Plateau in Brussels, Bel ...
world's fair
A world's fair, also known as a universal exhibition or an expo, is a large international exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specif ...
—the film received its European premiere and Welles was invited to attend. To his astonishment, Welles collected the two top awards. ''Touch of Evil'' would also receive the
International Critics Prize, and Welles was recognized for his body of work.
Critical re-evaluation
In 1998,
Roger Ebert
Roger Joseph Ebert (; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the ''Chicago Sun-Times'' from 1967 until his death in 2013. In 1975, Ebert beca ...
added ''Touch of Evil'' to his Great Movies list. He praised the lead and supporting actors and argued that the cinematography was "not simply showing off" but rather was used to add depth to the complex plot by showing interpersonal connections and "trapping
he charactersin the same shots". Ebert also speculated Welles's role was semi-autobiographical, describing his Quinlan character as nursing old feuds and demonstrating an obsessive desire for control that arguably parallels Welles's life and career. Todd McCarthy of ''Variety'' stated that although the restored film was virtually the same, he noted the film's plot is more coherent and that "due to the pristine new print, Welles' technical virtuosity and ingenious use of locations have never been more evident, and the entire picture plays more smoothly."
Peter Stack of the ''
San Francisco Gate
The ''San Francisco Chronicle'' is a newspaper serving primarily the San Francisco Bay Area of Northern California. It was founded in 1865 as ''The Daily Dramatic Chronicle'' by teenage brothers Charles de Young and Michael H. de Young. The p ...
'' wrote "''Touch of Evil'' is a savvy starter because Welles' astonishing cinematic invention and his persuasive presence as star are prime noir attractions. The look, a deftly arranged climate of odd shadows and angles, neon lighting and flawlessly choreographed action scenes, keeps interest piqued through a contrived plot and mannered acting."
Michael Wilmington of the ''
Chicago Tribune
The ''Chicago Tribune'' is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper" (a slogan for which WGN radio and television ar ...
'' positively wrote the film was "close to the pinnacle of film noir" thanks to "
zardly moving camera shots, nightmarish angles and incredibly florid, amusing performances".
Kenneth Turan
Kenneth Turan (; born October 27, 1946) is an American retired film critic, author, and lecturer in the Master of Professional Writing Program at the University of Southern California. He was a film critic for the ''Los Angeles Times'' from 1991 ...
, reviewing for the ''
Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...
'', summarized the 1998 re-cut: "Photographed by Russell Metty, ''Touch of Evil'' is one of the standard-bearers for the kind of eye-catching, bravura camera work Welles favored. Expressionistic in the extreme, filled with shadows, angles and cinematic flourishes, the film raises the usual brooding nightmare ambience of film noir to a level few other pictures have attempted." In 2012, critic
Manohla Dargis
Manohla June Dargis () is an American film critic. She is one of the chief film critics for ''The New York Times''. She is a five-time finalist for the Pulitzer Prize for Criticism.
Career
Before being a film critic for ''The New York Times'', ...
listed ''Touch of Evil'' as one of her ten favourite films of all time on
2012 ''Sight & Sound'' critics' poll list.
On the
review aggregator
A review aggregator is a system that collects reviews of products and services (such as films, books, video games, software, hardware, and cars). This system stores the reviews and uses them for purposes such as supporting a website where users ...
website
Rotten Tomatoes
Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang ...
, the film received an approval rating of 95% based on 79 reviews, with an average rating of 8.80/10. The critical consensus reads, "Artistically innovative and emotionally gripping, Orson Welles' classic noir is a visual treat, as well as a dark, sinister thriller." On
Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). M ...
, the film has a weighted average score of 99 out of 100, based on 22 critics, indicating "universal acclaim".
In 1998 ''
Time Out'' conducted a poll and the film was voted 57th greatest film of all time. In 2000, the film was ranked at No. 55 in ''
The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the crea ...
''s 100 Greatest Films list. ''Touch of Evil'' was placed No. 64 on
American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees.
Leade ...
's "
100 Years, 100 Thrills" list in 2001.
In
the ''Sight & Sound'' Greatest Films of All Time 2012 poll, the film was placed No. 26 and No. 57 by the directors and the critics respectively. In 2015, the film ranked 51st on
BBC #REDIRECT BBC #REDIRECT BBC
Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ...
...
's "100 Greatest American Films" list, voted on by film critics from around the world.
film studies professor, had requested a film print for a screening in his class. Inside the Universal archives, he discovered a 108-minute print of ''Touch of Evil''. On December 15, 1973, it was publicly screened at the
as part of "The 50 Great American Films". In June 1975, the
, recognizing the historical value of the discovery, had submitted a duplicated
for preservation. A 16 mm re-release provided through United World Films, Universal Pictures' non-theatrical distribution arm, was also discussed. Subsequently, it was screened at the
, which was followed with a wide theatrical re-release by Universal Pictures that recognized an increased interest among film fans in Welles's works.
In 1975,
'', claiming that, except for a few minor details, the version was "apparently identical to Welles' final cut," and described it as the "definitive version".
, in a letter to ''Sight & Sound'', issued a correction, identifying the cut as the "preview" version.
, working from all available material, re-edited the film based on the Welles memo, with
who produced the re-edit and with the help of Bob O'Neil, Universal's director of film restoration and
, Universal's Vice President of Sound Operations, participating in the restoration.
As Welles's rough cut no longer exists, no true "director's cut" is possible but Murch was able to assemble a version incorporating most of the existing material, omitting some of the Keller scenes (though some were retained, either because they had replaced Welles's lost scenes and were necessary to the plot or because Welles had approved of their inclusion). Some of Welles's complaints concerned subtle sound and editing choices and Murch re-edited the material accordingly. Notable changes include the removal of the credits and
's music from the opening sequence, cross-cutting between the main story and Janet Leigh's subplot and the removal of Harry Keller's hotel lobby scene.
produced the 1998 edit, which had a limited but successful theatrical release (again by Universal) and was subsequently made available on
. The DVD includes an on-screen reproduction of the 58-page memo.
Originally scheduled to be premiered at the 1998
with Janet Leigh, Walter Murch and Rick Schmidlin attending, the screening was canceled at the eleventh hour after threats of
. Her suit against Universal, for not consulting her or obtaining her consent prior to the reworking of ''Touch of Evil'', was settled out of court. Welles later said she had only asked Universal to inform her on what was being done and when she was ignored she told the Cannes Festival that the restoration was not sanctioned by the Welles Estate,
.
The film was released on Blu-ray in 2011 in the UK by Eureka Entertainment (under licence from Universal) as part of their
series. This release collected all three available versions; the theatrical and reconstruction versions include an alternative 1.37:1 ratio opposed to the original 1.85:1 aspect ratio (which is also included for both versions). In the US, all three versions (in only their 1.85:1 aspect ratio) were released on Blu-ray by Universal in 2014, with a remastered transfer and with a limited edition version including a booklet of the original 58-page memo. A more commercially available version was released a year later in 2015. In 2022, Kino Lorber released a 4K UHD version of the film.
Charlton Heston's account of the production of ''Touch of Evil''.