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Orbecche
''Orbecche'' is a tragedy written by Giovanni Battista Giraldi in 1541. It was the first modern tragedy written on classical principles, and along with Sperone Speroni's ''Canace'', was responsible for a sixteenth-century theoretical debate on theater, especially with regards to decorum. It was produced in Ferrara in 1541, with incidental music composed by Alfonso della Vivuola and sets by the painter Girolamo da Carpi. Ercole II d'Este was present at the premiere, which took place at the playwright's house. The play was printed in 1543, with several additions for the reader's benefit. Though the play followed Aristotelian principles in terms of structure, thematically it was Senecan, featuring vengeance, rage, hate, and the depiction of violence. Plot The main character, Orbecche, is the daughter of the Persian king Sulmone. She is the mother of two children and the wife of Oronte, whom she married very young, unbeknownst to her father. Sulmone only discovers the existence o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sperone Speroni
Sperone Speroni degli Alvarotti (1500–1588) was an Italian Renaissance humanist, scholar and dramatist. He was one of the central members of Padua's literary academy ''Accademia degli Infiammati'' and wrote on both moral and literary matters. Biography Born April 12, 1500 in Padua, Sperone was the second child of Bernardino Speroni degli Alvarotti and Lucia Contarini. In 1518 he obtained the ''artibus'' degree from the University of Padua and joined the Guild (''Sacro Collegio'') of artists and physicians. He lectured on philosophy at Padua, under the Chair of Logic. He interrupted his teachings to study at Bologna under Pietro Pomponazzi but, after Pietro's death, returned to Padua where he obtained an Extraordinary Chair of Philosophy, a post he held for another three years. His literary career began with the publication of the ''Dialoghi'' ("Dialogues") at Venice (1542). Very famous and influential was his polemic with Giovan Battista Giraldi about the principles of thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Giraldi
Giovanni Battista Giraldi (12 November 1504 – 30 December 1573) was an Italian novelist and poet. He appended the nickname Cinthio to his name and is commonly referred to by that name (which is also rendered as Cynthius, Cintio or, in Italian, Cinzio). Biography Born at Duchy of Ferrara's capital, he was educated at the university there, and in 1525 became its professor of natural philosophy. Twelve years afterwards, he succeeded Celio Calcagnini in the chair of belles-lettres. Between 1542 and 1560 he was a private secretary, first to Ercole II and afterwards to Alfonso II d'Este; but having, in connection with a literary quarrel, lost the favour of his patron, he moved to Mondovì, where he remained as a teacher of literature until 1568. Subsequently, on the invitation of the senate of Milan, he occupied the chair of rhetoric at Pavia until 1573, when, in search of health, he returned to Ferrara, where he later died. Besides an epic entitled ''Ercole'' (1557), in twenty-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canace (play)
''Canace'' is a verse tragedy by Italian playwright Sperone Speroni (1500-1588). It is based on the Greek legend of Canace, the daughter of Aeolus, who was forced by her father to commit suicide for having fallen in love with her brother, Macar. The play was composed for Padua's literary academy, the '' Accademia degli Infiammati'', and was printed at Firenze on 1546. The play was heavily modeled on Senecan tragedy. The work was highly polemical, and was performed only once. The public's reaction led Speroni to write an ''Apologia'' (1550), which he never finished. Still, the play circulated widely, and, with Giovanni Battista Giraldi's ''Orbecche'', led to literary debates on tragedy and theatrical morals and decorum through to the next century. Elio Brancaforte's translation is the first translation of the play to English and it has just been published by the Centre for Renaissance and Reformation Studies, Toronto, 2013. References See also *Giovanni Battista Giraldi G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorum
Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of ''decorum'' is also applied to prescribed limits of appropriate social behavior within set situations. In rhetoric and poetry In classical rhetoric and poetic theory, decorum designates the appropriateness of style to subject. Both Aristotle (in, for example, his '' Poetics'') and Horace (in his '' Ars Poetica'') discussed the importance of appropriate style in epic, tragedy, comedy, etc. Horace says, for example: "A comic subject is not susceptible of treatment in a tragic style, and similarly the banquet of Thyestes cannot be fitly described in the strains of everyday life or in those that approach the tone of comedy. Let each of these styles be kept to the role properly allotted to it." Hellenistic and Latin rhetors divided style into: the grand style, the middle style and the low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erofili
''Erofili'', also spelled as ''Erophile'' ( el, Ερωφίλη), is the most famous and often performed tragedy of the Cretan theater. It was written around 1600 in Rethymno in Crete (then a Venetian colony) by Georgios Chortatzis and first published in 1637 in Venice, probably after Chortatzis' death. Composition Although the exact date is unknown, Chortatzis must have started to work on ''Erofili'' during the last few years of the 16th century. As was customary at the time, ''Erofili'' was written in verse. The composition consists of 3205 verses in Cretan Greek, rhymed in fifteen-syllable except from the choral parts which are in hendecasyllable terza rima form. ''Erofili'' is organized in five acts, between which there are four lyrical interludes (intermezzi). ''Erofili'' is modeled after ''Orbecche'' by Giovanni Battista Giraldi (published in 1547), however it includes several changes in the plot and is dramatically more concise. The interludes are inspired by the Rinaldo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Da Carpi
Girolamo Da Carpi (1501 – 1 August 1556) was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi (il Garofalo); but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School. Career He trained in the studio of a local painter who showed the influence of Lorenzo Costa and Raphael. In the 1520s Girolamo visited Rome and Bologna and was inspired by the Mannerist style of Giulio Romano. Geographically and stylistically he straddles the various influences. He returned to Ferrara and collaborated with Dosso Dossi and Garofalo among others on commissions for the d’Este family. Girolamo became the architect to Pope Julius III in 1550 and supervised the remodeling of the Vatican's belvedere. Returning to Ferrara, he was charged of the enlargements of the Castello Estense. Da Carpi's paintings include a ''Desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole II D'Este, Duke Of Ferrara
Ercole II d'Este (5 April 1508 – 3 October 1559) was Duke of Ferrara, Modena and Reggio from 1534 to 1559. He was the eldest son of Alfonso I d'Este and Lucrezia Borgia. Biography Through his mother, Ercole was a grandson of Pope Alexander VI, nephew of Cesare Borgia, and cousin of Saint Francis Borgia. Through his father, he was nephew of both Isabella d'Este, "the First Lady of the Renaissance", and Cardinal Ippolito d'Este. His siblings included Ippolito II, Archbishop of Milan and later Cardinal, nun Leonora, and Francesco, Marchese di Massalombarda. His half-siblings included Rodrigo Borgia of Aragon, Lucrezia's son by Alfonso of Aragon, Duke of Bisceglie, and perhaps Giovanni Borgia, the “infans Romanus”. Ercole played an indirect role in the 1527 Sack of Rome. Emperor Charles V's army crossed the Alps in 1526 but was unable to bring their heavy artillery with them. They sought to make a deal with Ercole, who subsequently provided the army with the necessary a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senecan Tragedy
Senecan tragedy refers to a set of ten Ancient Rome, ancient Roman tragedies, probably eight of which were written by the Stoicism, Stoic philosopher and politician Lucius Annaeus Seneca. Senecan Tragedies The group comprises: * ''Hercules (Seneca), Hercules Furens'' * ''Medea (Seneca), Medea'' * ''Troades (Seneca), Troades'' * ''Phaedra (Seneca), Phaedra'' * ''Agamemnon (Seneca), Agamemnon'' * ''Oedipus (Seneca), Oedipus'' * ''Phoenissae (Seneca), Phoenissae'' * ''Thyestes (Seneca), Thyestes'' * ''Hercules Oetaeus'' * ''Octavia (play), Octavia'' ''Hercules Oetaeus'' is generally considered not to have been written by Seneca, and ''Octavia'' is certainly not. Many of the Senecan tragedies employ the same Greek myths as tragedies by Sophocles, Aeschylus, and Euripides; but scholars tend not to view Seneca's works as direct adaptations of those Attic works, as Seneca's approach differs, and he employs themes familiar from his philosophical writings. It is possible that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubris
Hubris (; ), or less frequently hybris (), describes a personality quality of extreme or excessive pride or dangerous overconfidence, often in combination with (or synonymous with) arrogance. The term ''arrogance'' comes from the Latin ', meaning "to feel that one has a right to demand certain attitudes and behaviors from other people". To ''arrogate'' means "to claim or seize without justification... To make undue claims to having", or "to claim or seize without right... to ascribe or attribute without reason". The term ''pretension'' is also associated with the term ''hubris'', but is not synonymous with it. According to studies, hubris, arrogance, and pretension are related to the need for victory (even if it does not always mean winning) instead of reconciliation, which "friendly" groups might promote. Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer collateral consequences from wrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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