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Decorum
Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of ''decorum'' is also applied to prescribed limits of appropriate social behavior within set situations. In rhetoric and poetry In classical rhetoric and poetic theory, decorum designates the appropriateness of style to subject. Both Aristotle (in, for example, his '' Poetics'') and Horace (in his '' Ars Poetica'') discussed the importance of appropriate style in epic, tragedy, comedy, etc. Horace says, for example: "A comic subject is not susceptible of treatment in a tragic style, and similarly the banquet of Thyestes cannot be fitly described in the strains of everyday life or in those that approach the tone of comedy. Let each of these styles be kept to the role properly allotted to it." Hellenistic and Latin rhetors divided style into: the grand style, the middle style and the low ...
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Social Decorum
Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of ''decorum'' is also applied to prescribed limits of appropriate social behavior within set situations. In rhetoric and poetry In classical rhetoric and poetic theory, decorum designates the appropriateness of style to subject. Both Aristotle (in, for example, his '' Poetics'') and Horace (in his '' Ars Poetica'') discussed the importance of appropriate style in epic, tragedy, comedy, etc. Horace says, for example: "A comic subject is not susceptible of treatment in a tragic style, and similarly the banquet of Thyestes cannot be fitly described in the strains of everyday life or in those that approach the tone of comedy. Let each of these styles be kept to the role properly allotted to it." Hellenistic and Latin rhetors divided style into: the grand style, the middle style and the low ...
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Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ...
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Ars Poetica (Horace)
"Ars Poetica", or "The Art of Poetry", is a poem written by Horace c. 19 BC, in which he advises poets on the art of writing poetry and drama. The ''Ars Poetica'' has "exercised a great influence in later ages on European literature, notably on French drama" and has inspired poets and authors since it was written. Although it has been well-known since the Middle Ages, it has been used in literary criticism since the Renaissance. Background The poem was written in hexameter verse as an Epistle (or Letter) to Lucius Calpurnius Piso (the Roman senator and consul) and his two sons, and is sometimes referred to as the ''Epistula ad Pisones'', or "Epistle to the Pisos". The first mention of its name as the ''"Ars Poetica"'' was c. 95 by the classical literary critic Quintilian in his '' Institutio Oratoria'', and since then it has been known by that name. The translations of the original epistle are typically in the form of prose. "Written, like Horace's other epistles of this perio ...
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Poetic Diction
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry. In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition of ''Lyrical Ballads'' (1798). Wordsworth proposed that a "language near to the language of men" was as appropriate for poetry as it was for prose. This idea was very influential, though more in theory than practice: a special "poetic" vocabulary and mode of metaphor persisted in 19th century poetry. It was deplored by the Modernist poets of the 20th century, who again proposed that there is no such thing as a "prosaic" word unsuitable for poetry. Greece and Rome In some languages, "poetic diction" is quite a literal dialect use. In Classical Greek literature, for example, certain linguistic d ...
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Fedor Bronnikov 014
Fyodor, Fedor (russian: Фёдор) or Feodor is the Russian form of the name "Theodore" meaning “God’s Gift”. Fedora () is the feminine form. Fyodor and Fedor are two English transliterations of the same Russian name. It may refer to: Given names ;Fedor *Fedor Andreev (born 1982), Russian / Canadian figure skater *Fedor von Bock (1880–1945), German field marshal of World War II *Fedor Bondarchuk (born 1967), Russian film director, actor, producer, clipmaker, TV host *Fedor Emelianenko (born 1976), Russian mixed martial arts fighter *Fedor Flinzer (1832–1911), German illustrator *Fedor den Hertog (1946–2011), Dutch cyclist *Fedor Klimov (born 1990), Russian skater *Fedor Tyutin, Russian ice hockey player ;Feodor *Feodor Chaliapin (1873–1938), Russian opera singer *Feodor Machnow (1878–1912), "The Russian Giant" *Feodor Vassilyev (1707–1782), whose first wife holds the record for most babies born to one woman ;Fjodor *Fjodor Xhafa (born 1977), Albanian football ...
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Sacred-profane Dichotomy
''Profanum'' is the Latin word for "profane". The state of being profane, or "profanity," refers to a lack of respect for things that are held to be sacred, which implies anything inspiring or deserving of reverence, as well as behaviour showing similar disrespect or causing religious offense. The distinction between the sacred and the profane was considered by Émile Durkheim to be central to the social reality of human religion. Etymology The term ''profane'' originates from classical Latin ''profanus'', literally "before (outside) the temple", "pro" being outside and "fanum" being temple or sanctuary. It carried the meaning of either "desecrating what is holy" or "with a secular purpose" as early as the 1450s. Profanity represented secular indifference to religion or religious figures, while blasphemy was a more offensive attack on religion and religious figures, considered sinful, and a direct violation of The Ten Commandments. Moreover, many Bible verses speak against ...
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Didactic
Didacticism is a philosophy that emphasizes instructional and informative qualities in literature, art, and design. In art, design, architecture, and landscape, didacticism is an emerging conceptual approach that is driven by the urgent need to explain. When applied to ecological questions, didacticism in art, design, architecture and landscape attempts to persuade the viewer of environmental priorities; thus, constituting an entirely new form of explanatory discourse that presents, what can be called "eco-lessons". This concept can be defined as "ecological didacticism". Overview The term has its origin in the Ancient Greek word διδακτικός (''didaktikos''), "pertaining to instruction", and signified learning in a fascinating and intriguing manner. Didactic art was meant both to entertain and to instruct. Didactic plays, for instance, were intended to convey a moral theme or other rich truth to the audience. During the Middle Age, the Roman Catholic chants like the ' ...
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Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ...
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Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ...
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Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ...
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Medieval Drama
Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as ''Everyman''. One of the first surviving secular plays in English is ''The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by ...
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