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Oratorio Di Santa Cecilia, Bologna
The Oratory of Saints Cecilia and Valeriano is a religious site in central Bologna, found on Via Zamboni, contiguous to the portico of the church of San Giacomo Maggiore. The oratory was built at the site of a Romanesque church commissioned by the then ruler of Bologna Giovanni II Bentivoglio. It was frescoed starting in 1505 by series of Renaissance painters associated with the Bentivoglio court, including Francesco Francia, Lorenzo Costa and Amico Aspertini. The frescoes cover the walls flanking the oratory entrance. In ten panels, divided by pilaster strips in decorated grotteschi, scenes from the life of Saint Cecilia and her husband Valerian are described. The individual attribution of all the panels is not entirely clear; they depict: #Marriage of Cecilia and Valerian #Valerian converted by Pope Saint Urban #Valerian baptized by the Pope Urban #Saints Cecilia and Valerian crowned by an angel #Martyrdom of Saints Valerian and Tiburtius (attributed to Aspertini) #Burial of t ...
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Amico Aspertini, Oratorio Di Santa Cecilia
Amico may refer to: People Italians * Amico Agnifili (died 1476), Italian Roman Catholic bishop and cardinal * Saint Amico (died ), the patron saint of the Italian ''comune'' San Pietro Avellana * Amico, O.S.B. Roman Catholic monk, abbot, and cardinal (1117–1130) * Antonio Amico (died 1641), Roman Catholic Canon of Palermo * Francesco Amico (born 1578), prominent Catholic theologian * Bartholomeus Amicus (1562–1649; also Bartolomeo Amico), Jesuit priest, teacher and writer * Amico Aspertini, Italian Renaissance painter and sculptor * Amico Bignami (1862–1929), Italian physician, pathologist, malariologist and sceptic * Amico Ricci (1794–1862), Italian art historian and marquess Other people * Joe Amico (born 1995), American professional soccer player * Vinnie Amico, drummer and member of the American jamband moe * Leah O'Brien (born 1974; née Amico), American athlete, Olympian, and sports commentator Other * ''Amico'' (film), a 1949 West German comedy film * ...
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Bartolomeo Passarotti
Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto. Life and work From approximately 1550 to 1555, he lived in Rome, where he worked under Giacomo Barozzi da Vignola and Taddeo Zuccari. Upon returning to Bologna, he established a large studio and, from 1564 tp 1565, was engaged in painting a large altarpiece for the Basilica of San Giacomo Maggiore. In his later work, he turned to Tuscan models, such as Giorgio Vasari and Prospero Fontana. His last known work was ''The Presentation of Mary in the Temple'', from 1583, now at the Pinacoteca Nazionale di Bologna. He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as '' The Beaneater'' and '' The Butcher's Shop ...
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Pinacoteca Nazionale Di Bologna
The National Art Gallery of Bologna (''Pinacoteca Nazionale di Bologna'') is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city. History Accademia Clementina According to 18th-century Italian art historian Luigi Crespi, it was cardinal Prospero Lambertini, who would later become Pope Benedict XIV, the one who planned a Gallery for altarpieces in the churches of the city. The gallery's first nucleus of works came from the acquisition in 1762 by monsignor Francesco Zambeccari of eight early 15th-century altarpieces, salvaged from the demolition of Saint Mary Magdalene's church. Bought for the Istituto delle Scienze, the art pieces were to be preserved by the Accademia C ...
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Giacomo Francia
Giacomo Raibolini (1484 – 3 January 1557), also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period. Francia was born in Bologna as elder son of Francesco Raibolini (Francesco Francia), and like his father was also called ''il Francia''. His father and brother Giulio Raibolini were also artists. Francia was trained by his father in painting and goldsmithing, and acted as his assistant. In 1517, the year of his father's death, he and his brother, Giulio, assumed responsibility for the family business and together executed many church altarpieces, identifiable by the initials (I I) of their Latinized names (Iacobus and Iulius). Late in life Giacomo came under the influence of Dosso Dossi. He died in Bologna in 1567. Giacomo's earliest known work is the ''Virgin in Glory with Saints Peter, Mary Magdalene, Francis, Martha and Six Nuns'' (after 1515; Picacoteca Nazionale, Bologna, ). In this painting, as in the ''Saints Jerome, ...
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Biagio Pupini
Biagio Pupini was an Italian painter of the Renaissance period, active mainly in his native city of Bologna. He was known to be active mainly during 1530–1540. He was a disciple of Francesco Francia __NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zop .... He completed paintings for the church of San Giuliano, Basilica of San Giacomo Maggiore, and the church of Santa Maria della Baroncella. Works *''Madonna and Saint Ursula'', Giacomo Maggiore church, Bologna *''Marriage of the Virgin'', auctioned by Christie's in 2003 in Paris *''Virgin and Child'', Dorotheum, Vienna *''Mystic Marriage of Saint Catherine'', auctioned at Christie's in 2005 in New York *''Mystic Marriage of Saint Catherine'', Musée Jeanne d'Aboville of La Fère *''Virgin and Child with Saints'', auctioned at Christie ...
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Bartolommeo Ramenghi
Bartolomeo Ramenghi (1484–1542), also called ''Bagnacavallo'', ''il Bagnacavallo'' or ''il Baruffaldi'', was an Italian painter of the Renaissance, active in Emilia-Romagna. He received the nickname, Bagnacavallo, from the village Bagnacavallo where he was born. He studied first under Francesco Francia and Lorenzo Costa. He then proceeded to Rome, where he became a pupil of Raphael. While studying under him he worked along with many others at the decoration of the gallery in the Vatican, though it is not known which portions are his work. He became a prominent local artist on his return to Bologna. His works were later highly esteemed by Guido Reni and the Carracci. Among his works made in Bologna were a ''Dispute of St Augustine'' and a ''Madonna and Child''. He died in Bologna. One of his pupils was Cesare Aretusi Cesare Aretusi (1 September 1549 – 4 October 1612) was an Italian painter of the late-Renaissance period. He was born in Modena and trained with Bartol ...
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Giovanni Maria Chiodarolo
Giovanni Maria Chiodarolo was an Italian painter from Bologna who lived in the 15th century. Little further is known of him than that the fresco of ''Angel crowning St. Valerian and St. Cecilia'', executed about 1504–1509, in the oratory of St. Cecilia, attached to San Giacomo Maggiore, in Bologna, is by tradition assigned to him. He painted there alongside Cesare Tamarozzo.''The painters of the school of Ferrara''
(1911), by Edmund Garratt Gardner, Page 193-194. Other frescoes in the oratory were done by , , and

Cesare Tamaroccio
Cesare Tamarocci or Tamarozzo or Tamaroccio was an Italian painter of the School of Bologna, active during the early 16th century, the pupil of Francesco Francia. In 1504–1506, the Chapel of Santa Cecilia in Bologna was frescoed with ten panels by the painters Aspertini, Francesco Francia, Chiodarolo, Lorenzo Costa, and Tamarocci. The ''Baptism of Valerian'' and the ''Martyrdom of Cecilia'' by Pope Urban have been generally attributed to Tamarocci, also Corrado Ricci attributed the figures at the background to Chiodarolo, and other improbably assigned it to Giacomo Francia (died 1575). The supervision of the entire series of frescoes may have been led by Costa. A ''Madonna and Child, with young St John'' is in Museo Poldi Pezzoli The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his m ...
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Cesare Baglioni
Cesare Baglioni (c. 1525–1590, born in Bologna) was an Italian painter of the Renaissance period. He trained under his father, then became renowned as a painter of quadratura. He painted in Parma and Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption .... He befriended both Agostino and Annibale Carracci. References * 1520s births 1590 deaths 16th-century Italian painters Italian male painters Renaissance painters Quadratura painters {{Italy-painter-16thC-stub ...
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Tiburzio Passarotti
Tiburzio Passarotti or Passerotti (1553, Bologna - 22 November 1612, Bologna) was an Italian painter; primarily of religious subjects. Biography He was the eldest son of the painter, Bartolomeo Passarotti. At the age of eighteen, he joined the "Compagnia dei pittori" and, with the help of his father, participated in creating the altarpiece at the Basilica of San Giacomo Maggiore. At that time he was already moving away from a naturalistic style into mannerism. Shortly after, he left home to marry Taddea Gaggi, with whom he had two children, Gasparo and Arcangelo, who also became painters In 1580, he moved to Venice. There, in 1587, he was commissioned to paint a large canvas depicting the election of Lorenzo Giustiniani as the first Patriarch; now preserved at the Doge's Palace. He also engaged in other decorative work there, to repair damage that had been caused by two major fires in the 1570s. He also painted a "Last Supper", which is now at the Musei Civici di Padova, and ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Francesco Cavazzoni
Francesco Cavazzone (1559–1612) was an Italian painter of the early- Baroque period. He trained with Ludovico Carracci and Bartolomeo Passarotti Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto. Life and work From approximately 1550 to 1555, h .... He completed a ''Christ preaching to the Magdalen'' for the Maddalena in Bologna.Guida del forestiere per la città di Bologna e suoi sobborghi
By Girolamo Bianconi, page 24. He also wrote art history.


References

* 1559 births
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