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Cesare Tamaroccio
Cesare Tamarocci or Tamarozzo or Tamaroccio was an Italian painter of the School of Bologna, active during the early 16th century, the pupil of Francesco Francia. In 1504–1506, the Chapel of Santa Cecilia in Bologna was frescoed with ten panels by the painters Aspertini, Francesco Francia, Chiodarolo, Lorenzo Costa, and Tamarocci. The ''Baptism of Valerian'' and the ''Martyrdom of Cecilia'' by Pope Urban have been generally attributed to Tamarocci, also Corrado Ricci attributed the figures at the background to Chiodarolo, and other improbably assigned it to Giacomo Francia (died 1575). The supervision of the entire series of frescoes may have been led by Costa. A ''Madonna and Child, with young St John'' is in Museo Poldi Pezzoli The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Tamaroccio, Madonna Col Bambino E San Giovannino, 1500-25 Ca
Cesare, the Italian version of the given name Caesar, may refer to: Given name * Cesare, Marquis of Beccaria (1738–1794), an Italian philosopher and politician * Cesare Airaghi (1840–1896), Italian colonel * Cesare Arzelà (1847–1912), Italian mathematician * Cesare Battisti (other) * Cesare Bocci (born 1957), Italian actor known for the ''Inspector Montalbano'' TV series * Cesare Bonizzi, Franciscan friar and heavy metal singer * Cesare Borgia (1475–1507), Italian general and statesman * Cesare "Cece" Carlucci (1917–2008), American baseball umpire * Cesare Emiliani Cesare Emiliani (8 December 1922 – 20 July 1995) was an Italian-American scientist, geologist, micropaleontologist, and founder of paleoceanography, developing the timescale of marine isotope stages, which despite modifications remains in u ... (1922–1995), Italian-American scientist * Cesare Fiorio (born 1939), Italian sportsperson * Cesare Gianturco (1905–1995), Italian-Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amico Aspertini
Amico Aspertini, also called Amerigo Aspertini, was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting. Biography He was born in Bologna to a family of painters (including Giovanni Antonio Aspertini, his father, and Guido Aspertini, his brother), and studied under masters such as Lorenzo Costa and Francesco Francia. He traveled to Rome with his father in 1496, and is briefly documented there again between 1500–1503, returning to Bologna thereafter and painting in a style influenced by Pinturicchio and Filippino Lippi (whose work the critic Roberto Longhi suggested n ''Officina ferrarese'', 1934he may have seen in Florence before 1500). To his Roman years belong at least two collections of drawings, the "Parma Notebook" (''Taccuino di Parma'') and the Wolfegg Codex. In Bologna in 1504, he joined Francia and Costa in painting frescoes f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Maria Chiodarolo
Giovanni Maria Chiodarolo was an Italian painter from Bologna who lived in the 15th century. Little further is known of him than that the fresco of ''Angel crowning St. Valerian and St. Cecilia'', executed about 1504–1509, in the oratory of St. Cecilia, attached to San Giacomo Maggiore, in Bologna, is by tradition assigned to him. He painted there alongside Cesare Tamarozzo. (1911), by Edmund Garratt Gardner, Page 193-194. Other frescoes in the oratory were done by , , and |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrado Ricci
Corrado may refer to: Places *Anticoli Corrado, comune in the City of Rome *Monte Vidon Corrado, comune in the Province of Fermo People Given name *See Corrado (given name) Surname *Andrea Corrado (1873-1963), Italian ship owner *Andrea Di Corrado (born 1988), Italian cyclist *A. J. Corrado (born 1992), American former soccer player *Carol Corrado, American economist * Frank Corrado (born 1993), Canadian ice hockey player *Giambono di Corrado (1400s), Italian painter *Gino Corrado (1893-1982), Italian actor *Kristin Corrado (born 1965), American politician *Niccolò Corrado (born 2000), Italian football player *Regina Corrado, American television writer * Sebastian Corrado (died 1556), Italian grammarian Other * Volkswagen Corrado The Volkswagen Corrado is a compact four passenger (2+2), three door, front-engine, front-wheel-drive liftback coupe marketed by Volkswagen from 1988 until 1995, and manufactured by Karmann in Osnabrück, Germany. Designed by Herbert Schäfer, ..., a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Francia
Giacomo Raibolini (1484 – 3 January 1557), also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period. Francia was born in Bologna as elder son of Francesco Raibolini (Francesco Francia), and like his father was also called ''il Francia''. His father and brother Giulio Raibolini were also artists. Francia was trained by his father in painting and goldsmithing, and acted as his assistant. In 1517, the year of his father's death, he and his brother, Giulio, assumed responsibility for the family business and together executed many church altarpieces, identifiable by the initials (I I) of their Latinized names (Iacobus and Iulius). Late in life Giacomo came under the influence of Dosso Dossi. He died in Bologna in 1567. Giacomo's earliest known work is the ''Virgin in Glory with Saints Peter, Mary Magdalene, Francis, Martha and Six Nuns'' (after 1515; Picacoteca Nazionale, Bologna, ). In this painting, as in the ''Saints Jerome, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Poldi Pezzoli
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment. Pezzoli in his testament left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Deaths
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
