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Oothukkadu Venkata Kavi
Oothukkaadu Venkata Kavi (-1765) or Oottukkaadu Venkata Subbaiar was one of the pioneering composers in Indian classical Carnatic music. He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkaadu Venkatasubramaniya Iyer, he composed hundreds of compositions in Sanskrit and Tamil of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family. Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm, and lyrics. He was fluent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal, he was proficient in a variety of musical forms such as the ''kriti'', ''tillana'' and ''kaavadicchindu''. He used ''Taalas'' and themes that many other Carnatic composers have not handled. His compositions are a blend of a high degree of scholarship on a variety of subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Carnatic Music
Carnatic music terms are briefly described in this page. Major terms have their own separate article pages, while minor terms are defined / described here. The order of terms is from basic to related terms, rather than alphabetic. Main terms Nāda '' Nāda'' refers to music or musical sound. It also refers to the tone of a musical instrument. Anahata Nāda ''Anāhata Nāda'' refers to the naturally occurring sounds (literally not struck). Ahata Nāda ''Ahata Nāda'' refers to generated sounds or sounds made by efforts of man (literally that which is heard). It is of 6 types. 1.shareeraja - it emanates from the human throat. Example: vocal singing 2.Dhanuja - is born from string instruments. Example: Violin,veena etc... 3.Vayuja - us born when air is passed through narrow pipe like instruments. Example: Flute, nadaswaram etc... 4.Charmaja 5. Lohaja 6.Nakhaja Śruti ''Śruti'' is musical pitch. It is considered to be equivalent to tonic of western music. This is the pit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yashoda
Yashoda ( sa, यशोदा, translit=Yaśodā) is the foster-mother of Krishna and the wife of Nanda Baba, Nanda. She is described in the Puranic texts of Hinduism as the wife of Nanda Baba, Nanda, the chieftain of Gokul, Gokulam, and the sister of Rohini Devi, Rohini. According to the Bhagavata Purana, Krishna was born to Devaki, but Krishna's father, Vasudeva Anakadundubhi, Vasudeva, brought the newborn Krishna to his cousin Nanda (Hinduism), Nanda, and his wife, Yashoda, in Gokul, Gokulam. This was for his upbringing, as well as to protect Krishna from Devaki's brother, Kamsa, the tyrannical king of Mathura, Uttar Pradesh, Mathura. Etymology The name Yashoda means 'one who is giver (da, ) of fame or glory (Yash, )'. Legends Origin According to the ''Bhagavata Purana'', Yashoda was the incarnation of Dhara, the wife of the Vasu, Drona. Little is known about Yashoda's early life, other than her marriage with Nanda Baba, Nanda. Yashoda's Father Sri Sumukha was the tre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopikas
Gopi ( sa, गोपी, ) or Gopika in Hinduism are worshipped as the consorts and devotees of Krishna within the Vaishnavism and Krishnaism traditions for their unconditional love and devotion (''Bhakti'') to god Krishna as described in the Sanskrit scriptures like Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of goddess Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures. According to Indian philosopher, Jiva Goswami, gopis are considered as the eternal beloved and manifestation of the internal spiritual potency of Krishna. Among the gopis, Radha is the chief gopi and is the personification of bliss potency (''hladini shakti'') of Krishna. She alone manifest the stage of "''Mahabhav"'' or supreme love for Krishna and holds a place of particularly high reverence and importance in a number of religious traditions. Etymology Gopi (गोप ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhanyasi
Dhanyasi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 8th '' melakarta'' scale ''Hanumatodi''. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the ascending scale. It is a combination of the pentatonic scale ''Shuddha Dhanyasi'' and the ''sampurna raga'' scale ''Hanumatodi''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications This is the common and popular scale and is used for portraying the '' bhakthi rasa''. According to the Muthuswami Dikshitar school, there exists a scale with same name, ''Dhanyasi'', which is derived from '' Natabhairavi melakarta'' scale, instead of ''Hanumatodi'' scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras This scale is less popular and has far less compositions set to it. Structure and Lakshana ''Dhanyasi'' is an asymmetric rāgam that does not contain ''rishabham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavi
A pallavi has multiple connotations in carnatic music. It is the first part of any formal composition (Krithi) which has three segments - Pallavi, Anupallavi and Charanam (which can be one or more). Pallavi is usually also an abbreviation of Ragam Thanam Pallavi. Other uses Pallavi in Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ... is used as an adjective or a verb with appropriate suffix to denote a small and tender red-coloured leaf of a plant or a tendril. Spokensanskrit.de. Retrieved on 2017-02-23. ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navarasakannada
Navarasa kannada or Navarasakannada is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 28th ''melakarta'' scale '' Harikambhoji''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras This scale is well suited for instrumental music, especially with ''veena'' and ''flute''. It is suited for orchestral music as well. Structure and Lakshana ''Navarasa kannada'' is an asymmetric rāgam that does not contain ''rishabham, dhaivatam'' or ''nishādham'' in the ascending scale, while it does not have ''panchamam'' in descending scale. It is an ''svarantara-shadava'' rāgam (4 notes in ascending scale and 6 in descending scale). Its ' structure (ascending and descending scale) is as follows: * : * : The notes used in this scale are ''shadjam, antara gandhara, shuddha madhyamam'' and ''panchamam'' in ascen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuddha Saveri
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a '' janya'' rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In Hindustani music it is called ''Durga''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras According to the school of Muthuswami Dikshitar, this rāgam is called ''Devakriya''. '' Karnataka Shuddha Saveri'', a janya rāgam of 1st ''melakarta'' '' Kanakangi'', is called ''Shuddha Saveri'' by the Dikshitar school. Structure and Lakshana ''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). It is a ''janya'' rāga (derived scale). The equivalent of ''Madhyamavati'' in Hindustani music is ''Madhumad Sarang''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar. It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths ''S, P and R2'' and fourths ''S, M1 and N2''. Structure and Lakshana ''Madh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahana Ragam
Sahana (pronounced sahānā) is a popular ragam (musical scale) in Carnatic music. It is a janya rāgam (derived scale) associated with the 28th Melakarta rāgam Harikambhoji. The Hindustani music ragam ''Sahana'' is an upper-tetrachord-dominant Kanada-anga raga, from the Kafi thaat, also allied with Bageshree and Bhimpalasi. The shuddha Dhaivat is an important rest note (nyaas swara). Structure and Lakshana It is a ''Ubhaya Vakra sampoorna ragam''. ''Vakra'' means crooked. ''Ubhaya Vakra'' means that the notes in both ascent and descent follow a zig zag pattern. The notes in ascending and descending scale do not follow a strict progression. Hence the note phrases contain such ''vakra'' phrases, lending a unique beauty to this rāgam. Though it is a ''sampoorna rāgam'' (contains all 7 notes), the ''vakra'' scale means it is not considered a ''melakarta'', as melakarta rāgams must have strictly ascending and descending scales. It is also classified as a ''rakti raga'' (raga w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the Katapayadi formula. ''Kharaharapriya'' has a distinct melody and brings out the ''Karuna'' rasam, invoking pathos in the listeners. The ''Kafi thaat'' of Hindustani music is the equivalent of ''Kharaharapriya''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its Western equivalent is the Dorian mode. Etymology There are many theories behind the etymology of the name ''Kharaharapriya''. One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill trying to lift it, it is believed that, to appease the lord, Ravana sang many hymns in praise of the lord, but his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
