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Odin Teatret
Odin Teatret is an avant-garde theatre group based in Holstebro, Denmark. It was founded by Italian theatre director and investigator Eugenio Barba in 1964. Odin Teatret is a part of NTL, Nordisk Teaterlaboratorium, which also includes the International School of Theatre Anthropology (ISTA), founded in 1979, and the Centre for Theatre Laboratory Studies (CTLS), founded in 2002 Background and History In 1961, Italian theatre student Eugenio Barba left his studies at the State Theatre School in Warsaw to join Jerzy Grotowski at Teatr 13 Rzędów in Opole. After three years with Grotowski, Barba travelled to India where he learned Kathakali, then returned to Oslo with the intention of becoming a theatre director. As a foreigner in Norway he found this was not easy, so he formed his own company, Odin Teatret, in October 1964. The company members were young people who had failed to gain admission to the Oslo State Theatre School and they rehearsed their first production in an air ra ...
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Experimental Theatre
Experimental theatre (also known as avant-garde theatre), inspired largely by Richard Wagner, Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu Roi, Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical. Like other forms of the avant-garde, it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the Human body, body to change the mode of perception and to create a new, more active relation with the audience. Relationships to audience Famed experimental theatre director and playwright Peter Brook describes his task as building "… a necessary theatre, one in which ...
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Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ...
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Theatre Companies In Denmark
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ...
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Theatres In Denmark
Theatre or theater is a collaborative form of performing art that uses live performers, usually actor, actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Theatre ...
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Magdalena Project
The Magdalena Project is an international network of women in contemporary theatre and performance. It aims to increase awareness of women's contributions to theatre and to create the artistic and economic structures and support networks to enable women to work. Background The idea for a network of women theatre practitioners was born in a café in Trevignano, Italy in September 1983, during a festival of alternative theatre: a discussion on the predominance of male directors and writers at the festival led Jill Greenhalgh to ask what such a festival might be like if the primary creative voices were those of women. Inspired by this, Greenhalgh organised MAGDALENA '86 - The First International Festival of Women in Contemporary Theatre, in Cardiff, Wales in August 1986 and at this event the Magdalena Project was founded. From then until 1999, The Magdalena Project operated from an administrative base in Cardiff, with a board of advisors and Greenhalgh as its artistic director. During ...
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Parvathy Baul
Parvathy Baul is a Baul folk singer, musician and storyteller from Bengal and one of the leading Baul musicians in India. Trained under Baul gurus, Sanatan Das Baul, Shashanko Goshai Baul in Bengal, she has been performing both in India and other countries since 1995. She is married to Ravi Gopalan Nair, a noted ''Pava Kathakali'' glove puppet artist, and is based in Thiruvananthapuram in Kerala, since 1997, where she also runs, "Ektara Baul Sangeetha Kalari" a school for Baul music. Early life and background Parvathy Baul was born in 1975 or 1976 as Mousumi Parial, in a traditional Bengali Brahmin family in West Bengal. Her family was originally from East Bengal, and migrated to West Bengal after the partition of India. Her father, an engineer with the Indian Railways, was keen on Indian classical music and often took his daughter to concerts. Her mother, a housewife, was a devotee of mystic saint Ramakrishna. Due to her father's posting at various locations in the region, s ...
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Roberta Carreri
''Roberta'' is a musical from 1933 with music by Jerome Kern, and lyrics and book by Otto Harbach. The musical is based on the novel ''Gowns by Roberta'' by Alice Duer Miller. It features the songs " Yesterdays", "Smoke Gets in Your Eyes", "Let's Begin", "You're Devastating", "Something Had To Happen", "The Touch of Your Hand" and "I'll Be Hard to Handle". Productions The original Broadway production opened at the New Amsterdam Theatre on November 18, 1933, and ran for 295 performances closing on 21 July 1934. It starred Tamara Drasin (billed as Tamara), Bob Hope, George Murphy, Lyda Roberti, Fred MacMurray, Fay Templeton, Ray Middleton (billed as Raymond E. Middleton), Allan Jones, and Sydney Greenstreet. Hope, Murphy, MacMurray and Greenstreet were not yet the Hollywood stars they would soon be, and Middleton was not the Broadway leading man he would become after '' Annie Get Your Gun''. An Australian production opened at His Majesty's Theatre in Melbourne on December 22, ...
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Aarhus University
Aarhus University ( da, Aarhus Universitet, abbreviated AU) is a public research university with its main campus located in Aarhus, Denmark. It is the second largest and second oldest university in Denmark. The university is part of the Coimbra Group, the Guild, and Utrecht Network of European universities and is a member of the European University Association. The university was founded in Aarhus, Denmark, in 1928 and comprises five faculties in Arts, Natural Sciences, Technical Sciences, Health, and Business and Social Sciences and has a total of twenty-seven departments. It is home to over thirty internationally recognised research centres, including fifteen centres of excellence funded by the Danish National Research Foundation. The university has been ranked among the top 100 world's best universities. ''Times Higher Education'' ranks Aarhus University in the top 10 of the most beautiful universities in Europe (2018). The university's alumni include Bjarne Stroustrup, the ...
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Theatrum Mundi
Theatrum Mundi (or the Great Theater of the World) is a metaphorical concept developed throughout Western literature and thought, apparent in theories of the world such as Plato's Allegory of the Cave, and a popular idea in the Baroque Period among certain writers. This metaphysical explanation of the world portrays the world as a theater (apparent in Shakespeare's saying that "all the world's a stage") wherein people are characters and their actions form a drama, with God as the author, specifically for some Christian thinkers. This metaphor can take various forms, some more deterministic than others, and has also been formulated in different fashions, such as the world as chess game by the Persian philosopher Omar Khayyam. In each formulation of the ''theatrum mundi'', though, the world is a sum greater than its parts, where various roles are played by different actors. History The world as a stage was expressed among the ancient Greeks, and especially gained popularity among ...
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Opole
Opole (; german: Oppeln ; szl, Ôpole) ; * Silesian: ** Silesian PLS alphabet: ''Ôpole'' ** Steuer's Silesian alphabet: ''Uopole'' * Silesian German: ''Uppeln'' * Czech: ''Opolí'' * Latin: ''Oppelia'', ''Oppolia'', ''Opulia'' is a city located in southern Poland on the Oder River and the historical capital of Upper Silesia. With a population of approximately 127,387 as of the 2021 census, it is the capital of Opole Voivodeship (province) and the seat of Opole County. Its built-up (or metro area) was home to 146,522 inhabitants. It is the smallest city in Poland that is also the largest city in its province. Its history dates to the 8th century, and Opole is one of the oldest cities in Poland. An important stronghold in Poland, it became a capital of a duchy within medieval Poland in 1172, and in 1217 it was granted city rights by Duke Casimir I of Opole, the great-grandson of Polish Duke Bolesław III Wrymouth. During the Medieval Period and the Renaissance, the city was ...
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Holstebro
Holstebro is the main town in Holstebro Municipality, Denmark. The town, bisected by ''Storåen'' ("The Large Creek") and has a population of 36,489 (1 January 2022).BY3: Population 1. January by urban areas, area and population density
The Mobile Statbank from


History

The town arose at a by the creek, and later a bridge was erected. The name probably derives from ''holdested ved broen'' (lit, "a resting place by the bridge"). Holstebro was first mentioned in a letter from Bishop Thyge ...
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Jerzy Grotowski
Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzeszów, in southeastern Poland, in 1933 and studied acting and directing at the Ludwik Solski Academy of Dramatic Arts in Kraków and Russian Academy of Theatre Arts in Moscow. He debuted as a director in 1957 in Kraków with Eugène Ionesco's play ''Chairs'' and shortly afterward founded a small laboratory theatre in 1959 in the town of Opole in Poland. During the 1960s, the company began to tour internationally and his work attracted increasing interest. As his work gained wider acclaim and recognition, Grotowski was invited to work in the United States and left Poland in 1982. Although the company he founded in Poland closed a few years later in 1984, he continued to teach and direct productions in Europe and America. However, Grotowski b ...
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