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Magdalena Project
The Magdalena Project is an international network of women in contemporary theatre and performance. It aims to increase awareness of women's contributions to theatre and to create the artistic and economic structures and support networks to enable women to work. Background The idea for a network of women theatre practitioners was born in a café in Trevignano, Italy in September 1983, during a festival of alternative theatre: a discussion on the predominance of male directors and writers at the festival led Jill Greenhalgh to ask what such a festival might be like if the primary creative voices were those of women. Inspired by this, Greenhalgh organised MAGDALENA '86 - The First International Festival of Women in Contemporary Theatre, in Cardiff, Wales in August 1986 and at this event the Magdalena Project was founded. From then until 1999, The Magdalena Project operated from an administrative base in Cardiff, with a board of advisors and Greenhalgh as its artistic director. During ...
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Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ...
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Performance
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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Trevignano
Trevignano is a town and ''comune'' in the province of Treviso, Veneto, Italy. Geography The municipality borders with Istrana, Montebelluna, Paese, Vedelago and Volpago del Montello Volpago del Montello is a ''comune'' (municipality) in the Province of Treviso in the Italian region Veneto, located about northwest of Venice and about northwest of Treviso on the southern slopes of Montello. History The fall of the Republic of .... The commune contains the town of Trevignano and the hamlets of Signoressa, Musano and Falzé (listed in order of population size). References External links

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Cardiff
Cardiff (; cy, Caerdydd ) is the capital and largest city of Wales. It forms a principal area, officially known as the City and County of Cardiff ( cy, Dinas a Sir Caerdydd, links=no), and the city is the eleventh-largest in the United Kingdom. Located in the south-east of Wales and in the Cardiff Capital Region, Cardiff is the county town of the historic county of Glamorgan and in 1974–1996 of South Glamorgan. It belongs to the Eurocities network of the largest European cities. A small town until the early 19th century, its prominence as a port for coal when mining began in the region helped its expansion. In 1905, it was ranked as a city and in 1955 proclaimed capital of Wales. Cardiff Built-up Area covers a larger area outside the county boundary, including the towns of Dinas Powys and Penarth. Cardiff is the main commercial centre of Wales as well as the base for the Senedd. At the 2021 census, the unitary authority area population was put at 362,400. The popula ...
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Arts Council Of Wales
The Arts Council of Wales (ACW; cy, Cyngor Celfyddydau Cymru) is a Welsh Government-sponsored body, responsible for funding and developing the arts in Wales. Established within the Arts Council of Great Britain in 1946, as the Welsh Arts Council ( cy, Cyngor Celfyddydau Cymru), its English name was changed to the Arts Council of Wales when it was independently established by royal charter on 30 March 1994 (the Welsh name remained the same), upon its merger with the three Welsh regional arts associations. It became accountable to the National Assembly for Wales on 1 July 1999, when responsibility was transferred from the Secretary of State for Wales. The Welsh Government provides ACW with money to fund the arts in Wales. ACW also distributes National Lottery funding for the arts in Wales, allocated by the Department for Digital, Culture, Media and Sport (DCMS). The Arts Council of Wales is a registered charity under English law and has a board of trustees who meet six ti ...
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Odin Teatret
Odin Teatret is an avant-garde theatre group based in Holstebro, Denmark. It was founded by Italian theatre director and investigator Eugenio Barba in 1964. Odin Teatret is a part of NTL, Nordisk Teaterlaboratorium, which also includes the International School of Theatre Anthropology (ISTA), founded in 1979, and the Centre for Theatre Laboratory Studies (CTLS), founded in 2002 Background and History In 1961, Italian theatre student Eugenio Barba left his studies at the State Theatre School in Warsaw to join Jerzy Grotowski at Teatr 13 Rzędów in Opole. After three years with Grotowski, Barba travelled to India where he learned Kathakali, then returned to Oslo with the intention of becoming a theatre director. As a foreigner in Norway he found this was not easy, so he formed his own company, Odin Teatret, in October 1964. The company members were young people who had failed to gain admission to the Oslo State Theatre School and they rehearsed their first production in an air ra ...
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Grenland Friteater
Grenland Friteater is one of the oldest independent theatres in Norway, based in the small industrial town Porsgrunn. Every year in June, Grenland Friteater organises the Porsgrunn International Theatre Festival. Startup and members Grenland Friteater was founded in 1976 by Trond Hannemyr, Lars Steinar Sørbø, Lars Vik and Tor Arne Ursin. Lars Steinar Sørbø was the first Norwegian actor from an independent theatre to become part of a national theatre, ''Den Nationale Scene'' in Bergen. Trond Hannemyr, Lars Vik and Tor Arne Ursin are still a part of Grenland Friteater. In the early 80s, the theatre was reinforced by actors Geddy Aniksdal and Anne Erichsen, and producer Hans Petter Eliassen. From the early 90s, Grenland Friteater has also cooperated with a lot of young talents. Today there are 9 core members, and several freelancers working on the different projects. Evolution In the last few years, the theatre has done some bigger projects, many of them outdoors. Some ...
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Double Edge Theatre
Double Edge Theatre, an artist-run organization, was founded in 1982 by Stacy Klein. The company applies vigorous physical training and the principle of an artist's autonomy to create work in an ensemble setting intimately woven with the community. Double Edge's name in part comes from the double-edged axe known as the labrys, which was used in Bacchic sacrifices in ancient Greek cult-worship. Double Edge's first production, ''Rites'', was based on Euripides's ''The Bacchae''. The Double Edge ensemble creates performance cycles that tour internationally, including the Women's Cycle, the Song Trilogy, and the Garden of Intimacy and Desire. The Chagall Cycle, which includes ''The Odyssey'', ''Shahrazad'', and ''The Grand Parade'', responds to the life, work and indomitable imagination of Russian-Jewish artist Marc Chagall, while engaging with international collaborators in music, design and dramaturgy. The Latin American Cycle (2015–present) is inspired by the magical realist ...
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Susan Bassnett
Susan Edna Bassnett, (born 21 October 1945) is a translation theorist and scholar of comparative literature. She served as pro-vice-chancellor at the University of Warwick for ten years and taught in its Centre for Translation and Comparative Cultural Studies, which closed in 2009. As of 2016, she is Professor of Comparative Literature at the Universities of Glasgow and Warwick. Educated around Europe, she began her career in Italy and has lectured at universities in the United States. In 2007, she was elected a fellow of the Royal Society of Literature. Early life and education Bassnett was born on 21 October 1945. She studied English and Italian at the University of Manchester, graduating with a first class honours Bachelor of Arts (BA) degree in 1968. She studied for a Doctor of Philosophy (PhD) degree in French at the University of Lancaster, which she completed in 1975. Academic career Bassnett began her academic career as a lecturer at the University of Rome from 196 ...
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Theatrical Organizations
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pav ...
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Physical Theatre
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ...
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Performance Artist Collectives
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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