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Odalisque
An odalisque (, tr, odalık) was a chambermaid or a female attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan. In western usage, the term came to mean the harem concubine, and refers to the eroticized artistic genre in which a woman is represented mostly or completely nude in a reclining position, often in the setting of a harem. Etymology The word "odalisque" is French in form and originates from the Turkish ''odalık'', meaning " chambermaid", from ''oda'', "chamber" or "room". It can also be transliterated ''odahlic'', ''odalisk'', and ''odaliq''. Joan DelPlato has described the term's shift in meaning from Turkish to English and French: The English and French term odalisque (rarely odalique) derives from the Turkish 'oda', meaning "chamber"; thus an odalisque originally meant a chamber girl or attendant. In western usage, the term has come to refer specifically to the harem concubine. By the eighteenth century the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingres Odalisque Esclave Fogg Art
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odalisque
An odalisque (, tr, odalık) was a chambermaid or a female attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan. In western usage, the term came to mean the harem concubine, and refers to the eroticized artistic genre in which a woman is represented mostly or completely nude in a reclining position, often in the setting of a harem. Etymology The word "odalisque" is French in form and originates from the Turkish ''odalık'', meaning " chambermaid", from ''oda'', "chamber" or "room". It can also be transliterated ''odahlic'', ''odalisk'', and ''odaliq''. Joan DelPlato has described the term's shift in meaning from Turkish to English and French: The English and French term odalisque (rarely odalique) derives from the Turkish 'oda', meaning "chamber"; thus an odalisque originally meant a chamber girl or attendant. In western usage, the term has come to refer specifically to the harem concubine. By the eighteenth century the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Imperial Harem
The Imperial Harem ( ota, حرم همايون, ) of the Ottoman Empire was the Ottoman sultan's harem – composed of the wives, servants (both female slaves and eunuchs), female relatives and the sultan's concubines – occupying a secluded portion (seraglio) of the Ottoman imperial household. This institution played an important social function within the Ottoman court, and wielded considerable political authority in Ottoman affairs, especially during the long period known as the Sultanate of Women (approximately 1533 to 1656). Multiple historians claim that the sultan was frequently lobbied by harem members of different ethnic or religious backgrounds to influence the geography of the Ottoman wars of conquest. The utmost authority in the Imperial Harem, the valide sultan, ruled over the other women in the household; the consorts of the sultan were normally of slave origin, and thus were also his mother, the valide sultan. The Kizlar Agha (, also known as the "Chief Black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Court Ladies
A lady-in-waiting or court lady is a female personal assistant at a court, attending on a royal woman or a high-ranking noblewoman. Historically, in Europe, a lady-in-waiting was often a noblewoman but of lower rank than the woman to whom she attended. Although she may either have received a retainer or may not have received compensation for the service she rendered, a lady-in-waiting was considered more of a secretary, courtier, or companion to her mistress than a servant. In other parts of the world, the lady-in-waiting, often referred to as ''palace woman'', was in practice a servant or a slave rather than a high-ranking woman, but still had about the same tasks, functioning as companion and secretary to her mistress. In courts where polygamy was practised, a court lady was formally available to the monarch for sexual services, and she could become his wife, consort, courtesan, or concubine. ''Lady-in-waiting'' or ''court lady'' is often a generic term for women whose re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concubine
Concubinage is an interpersonal and sexual relationship between a man and a woman in which the couple does not want, or cannot enter into a full marriage. Concubinage and marriage are often regarded as similar but mutually exclusive. Concubinage was a formal and institutionalized practice in China until the 20th century that upheld concubines' rights and obligations. A concubine could be freeborn or of slave origin, and their experience could vary tremendously according to their masters' whim. During the Mongol conquests, both foreign royals and captured women were taken as concubines. Concubinage was also common in Meiji Japan as a status symbol, and in Indian society, where the intermingling of castes and religions was frowned upon and a taboo, and concubinage could be practiced with women with whom marriage was considered undesirable, such as those from a lower caste and Muslim women who wouldn't be accepted in a Hindu household and Hindu women who wouldn't be accepted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köçek
The ''köçek'' (plural in Turkish) was typically a very handsome young male slave or a Romani dancer (''rakkas''), who usually cross-dressed in feminine attire, and was employed as an entertainer. Roots The Persian word ''kuchak'' derives itself from Turkish ''küçük'' meaning "little", "small", or "young". In the Crimean Tatar language, the word ''köçek'' means "baby camel". The culture of the ''köçek'', which flourished from the 17th to the 19th century, had its origin in the customs in Ottoman palaces, and in particular in the harems. Its genres enriched both the music and the dance of the Ottomans. The support of the Sultans was a key factor in its development, as the early stages of the art form was confined to palace circles. From there the practice dispersed throughout the Empire by means of independent troupes. Culture A ''köçek'' would begin training around the age of seven or eight after he was circumcised and would be considered accomplished afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Views On Slavery
Islamic views on slavery represent a complex and multifaceted body of Islamic thought,Brockopp, Jonathan E., “Slaves and Slavery”, in: Encyclopaedia of the Qurʾān, General Editor: Jane Dammen McAuliffe, Georgetown University, Washington DC. with various Islamic groups or thinkers espousing views on the matter which have been radically different throughout history.Lewis 1994 Slavery was a mainstay of life in pre-Islamic Arabia and surrounding lands. The Quran and the ''hadith'' (sayings of Muhammad) address slavery extensively, assuming its existence as part of society but viewing it as an exceptional condition and restricting its scope.Brunschvig. 'Abd; ''Encyclopedia of Islam'' Early Islamic dogma forbade enslavement of free members of Islamic society, including non-Muslims (''dhimmis''), and set out to regulate and improve the conditions of human bondage. Islamic law regarded as legal slaves only those non-Muslims who were imprisoned or bought beyond the borders of Islami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Bath
A hammam ( ar, حمّام, translit=ḥammām, tr, hamam) or Turkish bath is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model of the Roman ''thermae.'' Muslim bathhouses or hammams were historically found across the Middle East, North Africa, al-Andalus (Islamic Spain and Portugal), Central Asia, the Indian subcontinent, and in Southeastern Europe under Ottoman rule. A variation on the Muslim bathhouse, the Victorian Turkish bath, became popular as a form of therapy, a method of cleansing, and a place for relaxation during the Victorian era, rapidly spreading through the British Empire, the United States of America, and Western Europe. In Islamic cultures the significance of the hammam was both religious and civic: it provided for the needs of ritual ablutions but also provided for general hygiene in an era before private plumbing and served other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The Ottoman Empire
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Law Society Of British Columbia
The Law Society of British Columbia is the regulatory body for lawyers in British Columbia, Canada. Purpose The society's primary mandate under the ''Legal Profession Act'' is to uphold and protect the public interest in the administration of justice by preserving and protecting the rights and freedoms of all persons, ensuring the independence, integrity, honour and competence of lawyers, establishing standards and programs for the education, professional responsibility and competence of BC lawyers. The society is also mandated to regulate the practice of law, and support and assist lawyers, articled students and lawyers of other jurisdictions who are permitted to practise law in British Columbia in fulfilling their duties in the practice of law. Governance structure The Law Society is overseen by a board of governors known as Benchers, composed of 25 lawyers elected by the registrants of the Law Society, up to six Benchers who are not lawyers and who are appointed by the gov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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