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Köçek
The ''köçek'' (plural in Turkish) was typically a very handsome young male slave or a Romani dancer (''rakkas''), who usually cross-dressed in feminine attire, and was employed as an entertainer. Roots The Persian word ''kuchak'' derives itself from Turkish ''küçük'' meaning "little", "small", or "young". In the Crimean Tatar language, the word ''köçek'' means "baby camel". The culture of the ''köçek'', which flourished from the 17th to the 19th century, had its origin in the customs in Ottoman palaces, and in particular in the harems. Its genres enriched both the music and the dance of the Ottomans. The support of the Sultans was a key factor in its development, as the early stages of the art form was confined to palace circles. From there the practice dispersed throughout the Empire by means of independent troupes. Culture A ''köçek'' would begin training around the age of seven or eight after he was circumcised and would be considered accomplished afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery In The Ottoman Empire
Slavery in the Ottoman Empire was a lawful institution and a significant part of the Ottoman Empire's economy and traditional society. The main sources of slaves were wars and politically organized enslavement expeditions in the Caucasus, Eastern Europe, Southern Europe, the Balkans, and Africa. It has been reported that the selling price of slaves decreased after large military operations.Spyropoulos Yannis, Slaves and freedmen in 17th- and early 18th-century Ottoman Crete, ''Turcica'', 46, 2015, p. 181, 182. In Constantinople (present-day Istanbul), the administrative and political center of the Ottoman Empire, about a fifth of the 16th- and 17th-century population consisted of slaves. Statistics of these centuries suggest that Istanbul's additional slave imports from the Black Sea have totaled around 2.5 million from 1453 to 1700. Even after several measures to ban slavery in the late 19th century, the practice continued largely unabated into the early 20th century. As late a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karsilamas
Karsilamas (From tr, karşılama, in Greek: ) is a Turkish folk dance spread all over Northwest Turkey and carried to Greece by Anatolian Greek immigrants. The term "karşılama" means "encounter, welcoming, greeting" in Turkish. The dance is popular on Northwestern areas of Turkey, especially on wedding parties and festivals. In Greece and Cyprus there is a similar dance named, Antikrystos. Antikrystos, translates also, as "anti-face", i.e., face-to-face. Karsilamas is a couple dance that is still danced in what was the Ottoman Empire, from Persia to Serbia, and in the Macedonia and Thrace regions of Northern Greece. Figures of the dance may vary from region to region, but the main theme is two people face each other, and music rhythmically controls their next moves. Traditionally people dance without any figure on their minds, just figures they have seen from their elders. The meter is , and the basic move is danced in four small steps with durations , respectively. The sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', '' dastgah'' or '' echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaşık Havası
Kaşık Havası ( tr, Kaşık Havası, spoon tune) or Kaşık Oyunları ( tr, Kaşık Oyunları, spoon dances; el, Χορός κουταλιών) are folk dances mostly spread over the Mediterranean region In biogeography, the Mediterranean Basin (; also known as the Mediterranean Region or sometimes Mediterranea) is the region of lands around the Mediterranean Sea that have mostly a Mediterranean climate, with mild to cool, rainy winters and ... and have a varying structure of their arrangement, performance, rhythmic, and melodic characteristics. They are always rendered with wooden spoons and the characteristic measure is or . The instruments used are beast bow (later violin), baglama and clarinet, in general, they are accompanied by folk songs. References {{DEFAULTSORT:Kasik Havasi Turkish folk music Turkish folk dances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: castaño), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The origins of the instrument are not known. The practice of clicking hand-hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davul
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum. Names Some names of davuls include: *''dhol'' ( hy, դհոլ) *''dawola/davola'' ( syr, ܛܲܒܼܠܵܐ) *''dohol'' ( fa, دهل dohol) *''doli'' ( ka, დოლი doli) *''davul'' ( tr, davul, lit=drum) *''dahol'' ( ku, dahol, sdh, Dîweł) *''davil'' ( ta, davil) *''davula'' ( Sinhala: දවුල) *''tupan'' ( Goranian: tupan) *''daul'', ''tǎpan'', ''tupan'' ( bg, тъпан, тупан) *''goč'', ''tapan'', ''tupan'' ( sr, гоч, тапан, тупан) *''tapan, tupan'' ( mk, тапан, тупан) *''tobă/dobă'' ( ro , tobă) *''tabl'' ( a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laouto
The laouto ( el, λαούτο, pl. laouta ) is a long-neck fretted instrument of the lute family, found in Greece and Cyprus, and similar in appearance to the oud. It has four double-strings. It is played in most respects like the oud (plucked with a long plectrum); in Cyprus the laouto is plucked with a feather. This instrument is known in Albania as "llautë" (indefinite form) or "llauta" (definite form), and in Romania as "lăuta". Construction Unlike the oud and other short-necked lutes, the laouto has a higher string tension due to its steel strings and longer neck, and hence it is brighter in tone than the oud. It also has movable frets to permit the playing of the dromoi, or modes of Greek traditional music. The laouto also tends to have only one sound hole (sometimes two) whereas the oud family tend to have three. Despite this, there are many similarities between the laouto and the oud. The soundboard is often made of spruce or cedar wood, while the body is usually made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Turk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraglio
A seraglio, serail, seray or saray (from fa, سرای, sarāy, palace, via Turkish and Italian) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman sultans in Istanbul (known as Constantinople in English at the time of Ottoman rule). The term can also refer to other traditional Turkish palaces (every imperial prince had his own) and other grand houses built around courtyards. Etymology The term ''seraglio'', from Italian, has been used in English since 1581. The Italian Treccani dictionary gives two derivations: # one via tr, seray or (with the variants ''seraya'' or ''saraya''), which comes from fa, سرای, sarāy, palace or, per derivation, the enclosed court for the wives and concubines of the harem of a house or palace (see ); # the other — in the sense of e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dede Efendi
DeDe, De De, Dedé or Dédé may refer to: People Nickname or stage name * Dedé (Angolan footballer), born Adérito Waldemar Alves Carvalho * Dedé (footballer, born 1978), Brazilian footballer born Leonardo de Deus Santos * Dedé (footballer, born 1987), Brazilian footballer born Derivaldo Beserra Cavalcante * Dedé (footballer, born 1988), Brazilian footballer born Anderson Vital da Silva * Dede Allen (1923–2010), American film editor * Dede Barry (born 1972), American cycle racer * Dédé Fortin (1962–2000), Canadian musician * DeDe Lattimore (born 1991), American football player * DeDe Lind (born 1947), American model and ''Playboy'' Playmate of the Month * Denise Lopez (Swedish singer), Mexican-born Swedish singer * De De Pierce (1904–1973), American jazz trumpeter and cornetist * Dedé Santana (born 1936), Brazilian comedian * Dede Westbrook (born 1993), American football player * Dede Wilsey (born 1944), American philanthropist Given name * Dedé Anderson (born 1980 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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