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Octopus4
''Octopus4'' is the second studio album by French musical project the Algorithm. It was released on 2 June 2014 through Basick Records. Track listing Notes * All track titles are stylised in lowercase, except for "ピタゴラスPythagoras", which is stylised in all caps. * "Autorun" is stylised as "autoRun". * "Synthesizer" is stylised as "synthesiz3r". Personnel * Rémi Gallego – synthesizer, sequencer, guitar, programming, production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a stati ..., vocals (tracks 6 and 10) * Mike Malyan – drums * Tim Reynolds – mastering References {{Authority control 2014 albums The Algorithm albums Albums produced by Rémi Gallego Basick Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Algorithm
The Algorithm is the musical project of French musician Rémi Gallego (born 7 October 1989) from Perpignan. His style is characterised by an unusual combination of electronic dance music with progressive metal. Gallego chose the name The Algorithm to highlight the music's complex and electronic nature. History Early years (2009–2010) After the demise of his band Dying Breath, Rémi Gallego decided in 2009 to look for potential members for a band that focused on mathcore, which came as an inspiration from The Dillinger Escape Plan. After a futile search for new members, with the help of his guitar and a DAW, Gallego began to produce his own music. In December 2009 and July 2010, he published the two demos "The Doppler Effect" and "CRITICAL.ERROR", which were / released via his own website for free download. Towards the end of 2010, he announced that he was working on a new EP named "Identity" (it was never completed). Also, he was preparing for his first live appearances. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Algorithm
The Algorithm is the musical project of French musician Rémi Gallego (born 7 October 1989) from Perpignan. His style is characterised by an unusual combination of electronic dance music with progressive metal. Gallego chose the name The Algorithm to highlight the music's complex and electronic nature. History Early years (2009–2010) After the demise of his band Dying Breath, Rémi Gallego decided in 2009 to look for potential members for a band that focused on mathcore, which came as an inspiration from The Dillinger Escape Plan. After a futile search for new members, with the help of his guitar and a DAW, Gallego began to produce his own music. In December 2009 and July 2010, he published the two demos "The Doppler Effect" and "CRITICAL.ERROR", which were / released via his own website for free download. Towards the end of 2010, he announced that he was working on a new EP named "Identity" (it was never completed). Also, he was preparing for his first live appearances. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brute Force (album)
''Brute Force'' is the third studio album by French musical project the Algorithm. The album was released on 1 April 2016 through FiXT. It is the project's first studio release with the label. Promotion and release Promotional video single "Floating Point" was announced through ''Metal Hammer'' on 30 January 2016 with a remix released on the project's official blog the following month. On 9 March 2016, ''Metal Underground'' premiered the music video for "Pointers" along with the track listing for the album. Commenting on the release, Gallego stated the track was "one of my favorite ongsso far". The same day, the album was made available for pre-order on the project's website with various bundle options. Some bundles included a MIDI version of the album on a floppy disk. On 30 March 2016, two days before official release, the full album was streamed with ''Metal Hammer'' accompanied by Gallego's track-by-track analysis of the album. Critical reception Upon release, the album gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basick Records
Basick Records is a British record label founded in 2005 by Nathan "Barley" Phillips and his half brother Jake Smith. Their business has since expanded into the Invictus Music & Media group, which includes Basick Records itself, the hardcore punk-oriented label Destroy Everything and the PR company Hold Tight! PR. Basick Records' first release was a compilation album, entitled, "Do You Feel This?", released on 8 August 2005. The first band to be signed to Basick was Fellsilent. They were also the first label to release material from Enter Shikari. In 2011, Basick made a global distribution deal (excluding North America) with Warner ADA. Then, on 17 January 2012, they announced a North American distribution partnership with Prosthetic Records, in which selections from Basick's back catalog and all forthcoming releases would see distribution in North America from Prosthetic. Roster Current artists *A Dark Orbit *A Trust Unclean *Alaya *Aliases *Bad Sign *BEAR *Chimp Spanner *Cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polymorphic Code
In computing, polymorphic code is code that uses a polymorphic engine to mutate while keeping the original algorithm intact - that is, the ''code'' changes itself every time it runs, but the ''function'' of the code (its semantics) will not change at all. For example, the simple math expressions 3+1 and 6-2 both achieve the same result, yet run with different machine code in a CPU. This technique is sometimes used by computer viruses, shellcodes and computer worms to hide their presence. Encryption is the most common method to hide code. With encryption, the main body of the code (also called its payload) is encrypted and will appear meaningless. For the code to function as before, a decryption function is added to the code. When the code is ''executed'', this function reads the payload and decrypts it before executing it in turn. Encryption alone is not polymorphism. To gain polymorphic behavior, the encryptor/decryptor pair is mutated with each copy of the code. This allows di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Hammer
''Metal Hammer'' is a heavy metal music magazine and website founded in 1983, published in the United Kingdom by Future, with other language editions available in numerous other countries. ''Metal Hammer'' features news, reviews and long-form articles covering both major and underground bands in heavy metal, as well as covering rock, punk, grunge and other alternative music genres. Publication History Wilfried F. Rimensberger conceived ''Metal Hammer'' in 1983, taking the idea of a rock magazine publishing in different languages to Jürgen Wigginghaus, publisher of the German magazine ''MusikSzene'', where Rimensberger was chief editor. Wigginghaus helped launch the German edition of ''Metal Hammer'' soon after, while Rimensberger launched the flagship, English language version from London in November 1986, installing Harry Doherty, formerly of ''Melody Maker'', as editor. The magazine would grow to be published in 11 different languages around the world, including local langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Storm (webzine)
Metal Storm (also known as MetalStorm.net, MetalStorm.ee, MetalStorm.eu or just MS) is a webzine specializing in various forms of heavy metal music. It is based in Tallinn, Estonia, but caters to an international audience, symbolically recognized by the acquisition of an EU domain in 2008. As of June 2013, the website hosts 7,812 band profiles, 7,800 reviews, 553 interviews and 16,753 news items. Community Members Metal Storm users can register for free and create a custom profile based on their specific preferences. The comprehensive profile format allows for users to display detailed information about their musical taste, activity on the site, and other miscellaneous information, including up to three photos. "Community Points" are awarded to users for contributing forum reports, band info, lyrics, news, events, reviews, and articles, with the number awarded depending on the value of the contribution. Users may also add albums to their "Collection," an interactive list of al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
