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O, Wie Will Ich Triumphieren
"O, wie will ich triumphieren" (or, "Ha, wie will ich triumphieren"), is an aria for low bass from Mozart's ''singspiel'' opera ''Die Entführung aus dem Serail'' (The Abduction from the Seraglio). It is well known for the extraordinary technical demands it makes on the singer, and is sometimes performed in recitals and featured in anthologies by basses who are able to sing it. It features rapid coloratura, abrupt octave-leaps between the upper and lower registers, and extended low notes, including a drawn-out low D ( D2, one of the lowest notes demanded of any voice in opera). Mozart wrote it with one particular bass in mind: the very famous Ludwig Fischer Ludwig Fischer (16 April 1905 – 8 March 1947) was a German Nazi Party lawyer, politician and a convicted war crimes, war criminal who was executed for war crimes. Background Born into a Catholic family in Kaiserslautern, Fischer joined the .... Sentiment Osmin, the bad-tempered house-servant to Pasha Selim, has caught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition resulted in more than List of compositions by Wolfgang Amadeus Mozart, 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Prince-Archbishopric of Salzburg, Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard instrument, keyboard and violin, he composed from the age of fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura.Steane, J. B.; Jander, Owen, "Coloratura" in Sadie (1992) 1: 907. Its instrumental equivalent is ornamentation. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color"). History The term ''coloratura'' was first defined in several early non-Italian music dictionaries: Michael Praetorius's ''Syntagma musicum'' (1618); Sébastien de Brossard's ''Dictionaire de musique'' (1703); and Johann Gottfried Walther's ''Musicalisches Lexicon'' (1732). In these early texts "the term is dealt with briefly and always with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Fischer (bass)
Johann Ignaz Ludwig Fischer (c. 18 August 1745 – 10 July 1825), commonly called Ludwig Fischer, was a German opera singer, a notable bass of his time. Life Ludwig Fischer was born in Mainz on 18 August 1745 or 19 August 1745. Fischer began his musical studies not as a singer but with the violin and cello.Grove Online article "Ludwig Fischer" When he was heard singing in a church choir and in student operetta productions, his voice was noticed and he took up singing seriously. He was then made a "supernumerary" singer in the Electoral court of Mainz. Starting in 1770, he studied voice with the tenor Anton Raaff in Mannheim, where he had first sung professionally on stage in 1767. He continued to rise to prominence in Mannheim. In 1772 he was appointed ''virtuoso da camera'' at the Mannheim court, and Prince-elector Karl Theodor gave him a scholarship to enable him to continue his studies with Raaff. In 1775 he became responsible for singing instruction in the Mannheim ''Seminariu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias By Wolfgang Amadeus Mozart
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Arias
Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass guitar, with a hollow body ** Bass clarinet, a clarinet with a lower sound ** Bass cornett, a low pitched wind instrument ** Bass drum, a large drum ** Bass flute, an instrument one octave lower than a flute ** Bass guitar, with a solid body and electric pickups ** Bass recorder, an instrument one octave lower than the alto recorder ** Bass sarrusophone, a low pitched double reed instrument ** Bass saxophone ** Bass trombone, a lower pitched trombone ** Bass trumpet ** Bass violin ** Double bass, the largest and lowest pitched bowed string instrument ** Electric upright bass, the electric version of a double bass ** Tuba, often called "the bass" in the context of brass instruments * Bass (voice type), a type of classical male singing voice * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
