Nimm, O Gott, Die Gaben, Die Wir Bringen
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Nimm, O Gott, Die Gaben, Die Wir Bringen
"" (Accept, O God, the gifts we bring) is the beginning of a Christian offertory hymn with German text by Raymund Weber, and a melody that Andrew Lloyd Webber composed for his musical ''Jesus Christ Superstar''. The song, of the genre Neues Geistliches Lied (NGL), is part of German hymnals, including ''Gotteslob''. Two other songs use the same melody. History Raymund Weber wrote the text of "" inspired by a melody by Andrew Lloyd Webber that he wrote for a scene, "The last supper", in the musical ''Jesus Christ Superstar''. In this scene, the apostles show little understanding for what Jesus tells them about the Last Supper, but are concerned about their own role and fame in the future. The hymn, in four stanzas of four lines each, is of the genre Neues Geistliches Lied (NGL). Weber wrote his text in the first person plural, from the perspective of a community. The first stanza reflects that the offering of bread and wine stand for the persons who bring them, in their failures a ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ...
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Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948), is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were successful outside of their parent musicals, such as "Memory" from '' Cats,'' "The Music of the Night" and " All I Ask of You" from ''The Phantom of the Opera'', "I Don't Know How to Love Him" from ''Jesus Christ Superstar'', "Don't Cry for Me Argentina" from ''Evita'', and " Any Dream Will Do" from '' Joseph and the Amazing Technicolor Dreamcoat.'' In 2001, ''The New York Times'' referred to him as "the most commercially successful composer in history". ''The Daily Telegraph'' ranked him the "fifth most powerful person in British culture" in 2008, lyricist Don Black writing "Andrew more or less single-ha ...
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Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ...
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Jesus Christ Superstar
''Jesus Christ Superstar'' is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms. Initially unable to get backing for a stage production, the composers released it as a concept album, the success of which led to the show's Broadway on-stage debut in 1971. By 1980, the musical had grossed more than worldwide. Running for over eight years in London between 1972 and 1980, it held the record for longest-running West End musical before it was overtaken by '' ...
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Neues Geistliches Lied
''Neues Geistliches Lied'' (, ''new spiritual song''), abbreviated NGL, is a music genre of songs in German intended for church usage, and based on contemporary lyrics and with music by contemporary composers. History The idea to reach young people by new songs for church services began in the 1950s. The first song in the genre was in 1955 ''Seigneur, mon ami'' by Père Duval who performed his religious chansons at the Protestant church assembly ''Kirchentag'' in 1962. Christians looked for an expression for reformation of thoughts and liturgy in the churches. The Protestant Evangelische Akademie Tutzing organised competitions, initiated by the minister for students (''Studentenpfarrer'') in Munich, Günther Hegele. The first competition in 1962 received 996 entries, the first prize went to " Danke" with text and music by Martin Gotthard Schneider. "Stern über Bethlehem" was written by Alfred Hans Zoller for the third competition in 1964, and became a common song of the s ...
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Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ...
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Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's The Last Supper (Leonardo), late-1490s mural painting in Milan, Italy, being the best-known example. ''(Clickable image—use cursor to identify.)'' poly 550 2550 750 2400 1150 2300 1150 2150 1200 2075 1500 2125 1525 2300 1350 2800 1450 3000 1700 3300 1300 3475 650 3500 550 3300 450 3000 Bartholomew the Apostle, Bartholomew poly 1575 2300 1625 2150 1900 2150 1925 2500 1875 2600 1800 2750 1600 3250 1425 3100 1400 2800 1375 2600 James, son of Alphaeus, James Minor poly 1960 2150 2200 2150 2350 2500 2450 2575 2375 2725 2375 2900 2225 3100 2225 3225 1600 3225 1825 2700 1975 2450 1925 2300 Saint Andrew, Andrew poly 2450 2575 2775 2500 2700 2650 2800 2700 2600 3000 2600 3250 2300 3250 2200 3200 2300 3000 Saint Peter, Peter p ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Eislingen
Eislingen () is a town in the district of Göppingen in Baden-Württemberg, Germany. History Southern Eislingen (Kleineislingen) became a possession Württemberg in 1492 while Northern Eislingen (Großeislingen) was annexed by the Prince-Bishopric of Würzburg. The period of municipal division brought about strife between local Imperial Knights (''Reichsritter'') until Dissolution of the Holy Roman Empire, the dissolution of the Holy Roman Empire in 1803. The events of Protestant Reformation in Germany brought another third of Eislingen under the sovereignty of the Duchy of Württemberg and joint control with Würzburg with the rest of the city. In 1802, Würzburg was annexed by the Electorate of Bavaria. This, by extension, made Northern Eislingen a Bavarian possession until it was ceded in 1806 to the now Kingdom of Württemberg. Stuttgart assigned Eislingen to , a district was reorganized in 1938 as Landkreis Göppingen. Northern and Southern Eislingen united into a single cit ...
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2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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21st-century Hymns In German
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, a ...
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