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No Cards
''No Cards'' is a "musical piece in one act" for four characters, written by W. S. Gilbert, with music composed and arranged by German Reed. It was first produced at the Royal Gallery of Illustration, Lower Regent Street, London, under the management of German Reed, opening on 29 March 1869 and closing on 21 November 1869. The work is a domestic farce of mistaken identities and inept disguises, as two men desperately compete to marry a wealthy young lady. One is young and poor, and the other is a rich miser. Each disguises himself as her guardian. ''No Cards'' was the first of Gilbert's six pieces for the Gallery of Illustration. It was also Gilbert's first libretto with prose dialogue and the first stage work for which he wrote lyrics to be set to music, rather than lyrics to pre-existing music. ''No Cards'' was played on a double bill with Arthur Sullivan and F. C. Burnand's ''Cox and Box'', although Gilbert and Sullivan did not meet until later that year. After a successfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paddington Pollaky
Ignatius Paul Pollaky (po'laki; 1828 – 25 February 1918) also known as "Paddington" Pollaky, born in Hungary, became one of the first and best-known professional private detectives in Britain. He also worked with London's Metropolitan Police, specialising in intelligence on aliens living in Britain and advocating alien registration, which was eventually introduced by the Aliens Act 1905 Biography Pollaky was born in Pressburg, Hungary (''Pozsony'', now Bratislava, Slovakia). He was exiled and came to live in Britain in 1850. In 1856 he married Julia Devonald. However she died in 1859. Two years later he married Mary Anne Hughes. They had a son and three daughters over the next nine years. In 1862 he started an early private detective agency in Britain, Pollaky's Private Inquiry Office. One of his first commissions was from Henry Sanford who asked him to spy on Confederate agents in Britain who were purchasing supplies for the American Civil War. From 1865 until 1882 his off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priscilla Horton German Reed
Priscilla Horton, later Priscilla German Reed (2 January 1818 – 18 March 1895), was an English singer and actress, known for her role as Ariel in W. C. Macready's production of '' The Tempest'' in 1838 and "fairy" burlesques at Covent Garden Theatre. Later, she was known, along with her husband, Thomas German Reed, for establishing and performing in the family-friendly German Reed Entertainments. There, she was a mentor to W. S. Gilbert, and her performances inspired Gilbert to create some of his famous contralto roles. Life and career Early years Horton was born in Birmingham. Her parents were Thomas Horton and Barbara, ''née'' Westwater. She performed on the stage in London from the age of ten, when she played the Gipsy Girl in ''Guy Mannering'' at the Surrey Theatre.Stedman, Jane W"Reed, (Thomas) German (1817–1888)" ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004, accessed 13 November 2008 The next year, Horton sang at Vauxhall Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Rosa D'Erina
Rosa D'Erina (22 February 1848– 13 April 1915), born Rose Anna O'Toole and known as the "Irish prima donna", was an Irish soprano, pianist and organist. She was the "vocalist by command to the Prince and Princess of Wales and the Irish court." Early life Rose Anna O'Toole was from Armagh, and trained as a singer in Paris with M. Duprez. Career D'Erina performed as lead female in 1869 debut of W. S. Gilbert's ''No Cards'', first produced at the Royal Gallery of Illustration in London, under the management of Thomas and Priscilla German Reed, opening on 29 March 1869 and closing on 21 November 1869. D'Erina emigrated to North America in 1870. She was popular in Ottawa, giving several performances in that city between 1872 and 1876. She toured in Europe in 1874. In 1880, she encountered legal problems with a fraudulent booker in Iowa. In 1889, she and her husband sang in Ireland, and toured Australia. D'Erina toured in the United States, including to the remote Ray, North ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Cecil
Arthur Cecil Blunt (1 June 1843 – 16 April 1896), better known as Arthur Cecil, was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of ''Cox and Box'', by Arthur Sullivan and F. C. Burnand, at the Royal Gallery of Illustration. Born in London, Cecil took up amateur dramatics at an early age. In 1869, he made his professional debut in the one-act comic opera ''Cox and Box'' at the Gallery of Illustration in the role of Mr. Box, a part that became his signature role. There Cecil started a successful association with the German Reed Entertainments, appearing in numerous comedies, farces, operettas and burlesques, such as ''Beggar My Neighbour: A Blind Man's Bouffe'' and ''Charity Begins at Home'' in 1872. He remained with the company for five years. Cecil appeared at many London theatres during his career including the Globe, the Gaiety, and Prince of Wales's Theatre. He app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champagne Charlie (song)
"Champagne Charlie" is a music hall song from the 19th century composed by Alfred Lee with lyrics by George Leybourne. Leybourne popularised the song which premièred in August 1866 at the Princess' Concert Hall in Leeds. For the act, he caused some controversy when he appeared in a cut down top hat, similar to a style worn by the murderer Franz Muller. It was one of Leybourne's most famous songs and he would later be nicknamed Champagne Charlie. Leybourne's rival Alfred Vance introduced a number called " Cliquot", starting a fierce competition between the two men. Enthusiasm for the song was increased with its use in November 1866 in the new "Operatic Burlesque" called "The Latest Edition of Black-Eyed Susan", or "The Little Bill that was Taken Up". The song was sung by the crowd at the public execution of Michael Barrett in 1868, the last public execution in Great Britain. It later featured in the play '' Champagne Charlie'' and, with changed lyrics, the 1944 film '' Cham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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