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Priscilla Horton German Reed
Priscilla Horton, later Priscilla German Reed (2 January 1818 – 18 March 1895), was an English singer and actress, known for her role as Ariel in W. C. Macready's production of '' The Tempest'' in 1838 and "fairy" burlesques at Covent Garden Theatre. Later, she was known, along with her husband, Thomas German Reed, for establishing and performing in the family-friendly German Reed Entertainments. There, she was a mentor to W. S. Gilbert, and her performances inspired Gilbert to create some of his famous contralto roles. Life and career Early years Horton was born in Birmingham. Her parents were Thomas Horton and Barbara, ''née'' Westwater. She performed on the stage in London from the age of ten, when she played the Gipsy Girl in ''Guy Mannering'' at the Surrey Theatre.Stedman, Jane W"Reed, (Thomas) German (1817–1888)" ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004, accessed 13 November 2008 The next year, Horton sang at Vauxhall Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priscilla Horton (Mrs
Priscilla Horton, later Priscilla German Reed (2 January 1818 – 18 March 1895), was an English singer and actress, known for her role as Ariel in W. C. Macready's production of '' The Tempest'' in 1838 and "fairy" burlesques at Covent Garden Theatre. Later, she was known, along with her husband, Thomas German Reed, for establishing and performing in the family-friendly German Reed Entertainments. There, she was a mentor to W. S. Gilbert, and her performances inspired Gilbert to create some of his famous contralto roles. Life and career Early years Horton was born in Birmingham. Her parents were Thomas Horton and Barbara, ''née'' Westwater. She performed on the stage in London from the age of ten, when she played the Gipsy Girl in ''Guy Mannering'' at the Surrey Theatre.Stedman, Jane W"Reed, (Thomas) German (1817–1888)" ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004, accessed 13 November 2008 The next year, Horton sang at Vauxhall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Money (play)
''Money'' is a comic play by Edward Bulwer-Lytton, premièred at the Theatre Royal, Haymarket on 8 December 1840. Plot As relations gather for the reading of the wealthy Mr. Mordaunt's will, Sir John Vesey's poor cousin Alfred Evelyn and the equally poor Clara part ways for fear that a marriage without money would bring them both misery. Sir John Vesey expects his own daughter Georgina to be the will's main beneficiary, but this instead turns out to be Evelyn, previously employed by Vesey as his secretary to make Vesey appear more generous (and thus more wealthy) than he really is. Evelyn decides that - if Clara would not marry him poor - she is too principled to accept him now he is rich and so leaves their relationship broken off. Vesey suggests Evelyn marries Georgina and he makes a show of acquiescence, but Evelyn simultaneously embarks on schemes to convince Vesey to break off the engagement by tricking him into believing Evelyn has lost his new fortune. Another rich man, Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bulwer-Lytton
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC (25 May 180318 January 1873) was an English writer and politician. He served as a Whig member of Parliament from 1831 to 1841 and a Conservative from 1851 to 1866. He was Secretary of State for the Colonies from June 1858 to June 1859, choosing Richard Clement Moody as founder of British Columbia. He was created Baron Lytton of Knebworth in 1866. Bulwer-Lytton's works sold and paid him well. He coined famous phrases like "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", " dweller on the threshold", and the opening phrase "It was a dark and stormy night." The sardonic Bulwer-Lytton Fiction Contest, held annually since 1982, claims to seek the "opening sentence of the worst of all possible novels". Life Bulwer was born on 25 May 1803 to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenaeum (British Magazine)
The ''Athenæum'' was a British literary magazine published in London, England, from 1828 to 1921. Foundation Initiated in 1828 by James Silk Buckingham, it was sold within a few weeks to Frederick Denison Maurice, Frederick Maurice and John Sterling (author), John Sterling, who failed to make it profitable. In 1829, Charles Wentworth Dilke (Dilke the Elder), Charles Wentworth Dilke became part proprietor and editor; he greatly extended the influence of the magazine. In 1846, he resigned the editorship and assumed that of the ''Daily News (London), Daily News'' of London, but contributed a series of notable articles to the ''Athenaeum''. The poet and critic Thomas Kibble Hervey succeeded Dilke as editor and served from 1846 until his resignation due to ill health in 1853. Historian and traveller William Hepworth Dixon succeeded Hervey in 1853, and remained editor until 1869. Contributors George Darley was a staff critic during the early years, and Gerald Massey contributed many l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Nottingham Webster
Benjamin Nottingham Webster (3 September 17973 July 1882) was an English actor-manager and dramatist. Early life Webster was born in Bath, the son of a dancing master. Career First appearing as Harlequin, and then in small parts at Drury Lane, he went to the Haymarket Theatre in 1829, and was given leading comedy character business. Webster was the lessee of the Haymarket from 1837 to 1853; he built the new Adelphi Theatre (1859); later the Olympic Theatre, Princess's Theatre, London and St James's Theatres came under his control; and he was the patron of all the contemporary playwrights and many of the best actors, who owed their opportunity of success to him. He wrote, translated or adapted nearly a hundred plays. As a character actor he was unequalled in his day, especially in such parts as Triplet in ''Masks and Faces'', Joey Ladle in ''No Thoroughfare'', and John Peerybingle in his own dramatization of ''The Cricket on the Hearth''. Webster took his formal farewe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Elizabeth Vestris
Lucia Elizabeth Vestris (''née'' Elizabetta Lucia Bartolozzi; 3 March 1797 – 8 August 1856) was an English actress and a contralto opera singer, appearing in works by, among others, Mozart and Rossini. While popular in her time, she was more notable as a theatre producer and manager. After accumulating a fortune from her performances, she leased the Olympic Theatre in London and produced a series of burlesques and extravaganzas, especially popular works by James Planché, for which the house became famous. She also produced his work at other theatres she managed. Early life and education She was born in London in 1797, the first of two daughters of German pianist Theresa Jansen Bartolozzi and art dealer Gaetano Stefano Bartolozzi. He was a musician and son of the immigrant Francesco Bartolozzi, a noted artist and engraver, appointed as Royal Engraver to the king. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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