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Niccolò Di Buonaccorso
Niccolò di Buonaccorso, also Niccolò di Niccolò di Buonaccorso or Bonaccorso, (active 1355 – 1388) was an Italian painter and one of the most prominent Sienese School, Sienese painters of the 14th century. The small body of his work that survives shows the artist's highly refined miniaturist technique.Niccolò di Buonaccorso, ''The Coronation of the Virgin'' at the Metropolitan Museum of Art The artist was also briefly involved in local politics.H. B. J. Maginnis. "Niccolò di Buonaccorso." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 July 2016 Life Very little is known about this painter. It is believed his father was the painter Buonaccorso di Pace (fl c. 1348–c. 1362). In 1355 Niccolò di Buonaccorso enrolled in t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of The Virgin
The Marriage of the Virgin is the subject in Christian art depicting the marriage Marriage, also called matrimony or wedlock, is a culturally and often legally recognized union between people called spouses. It establishes rights and obligations between them, as well as between them and their children, and between ... of the Virgin Mary and Saint Joseph. The marriage is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th century compilation the ''Golden Legend''. Unlike many other scenes in Life of the Virgin cycles (like the Nativity of Mary and Presentation of Mary), it is not a feast in the church calendar, though it Espousals of the Blessed Virgin Mary, sometimes has been in the past. In the Eastern Orthodox tradition, essentially the same scene, with very similar iconography, is considered to represent the earlier scene of the "Entrusting of Mary to Joseph", with Joseph being made Mary's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Di Mino Del Pellicciaio
Jacopo di Mino del Pellicciaio (14th century) was an Italian painter, active in Siena. He is also called Giacomo di Mino. He appears to be a follower of Simone Martini. He was the contemporary of Lippo Vanni and Luca Thome, being in 1373 appointed to value one of latter's pictures. His name appears in the Sienese records from 1362 to 1389. In 1367 he aided Bartolo di Maestro Fredi at the Siena cathedral. He is known to have painted book-covers for the Biccherna, and was several times a member of the Grand Council of Siena. He frescoed for the Basilica In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's Forum (Roman), forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building ... of San Francesco. Milanesi mentions a Sienese painter Giacomo del Pellicciaio'' of the order of Friars Minor (Frate Minore). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century Italian Painters
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Pope-Hennessy
Sir John Wyndham Pope-Hennessy (13 December 1913 – 31 October 1994), was a British art historian. Pope-Hennessy was Director of the Victoria and Albert Museum between 1967 and 1973, and Director of the British Museum between 1974 and 1976. He was a scholar of Italian Renaissance art. Many of his writings, including the tripartite ''Introduction to Italian Sculpture,'' and his magnum opus, ''Donatello: Sculptor'', are regarded as classics in the field. Early years Born into an Irish Catholic family in the Belgravia district of Central London, Pope-Hennesssy's father was Major-General Richard Pope-Hennessy, who was the son of the politician John Pope Hennessy. Pope Hennessy's mother was Dame Una Pope-Hennessy. He was the elder of two sons; his younger brother, James Pope-Hennessy was a noted writer. Pope-Hennessy was educated at Downside School, a Catholic boarding school for boys, in Stratton-on-the-Fosse. He then went on to Balliol College at the University of Oxford, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Martini
Simone Martini ( – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. Very little documentation of Simone's life survives, and many attributions are debated by art historians. According to E. H. Gombrich, he was a friend of Petrarch and had painted a portrait of Laura. Biography Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the ''Maestà'' of 1315 in the Palazzo Pubblico in Siena. A copy of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – 9 June 1348) or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted ''The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti. Biography Lorenzetti was highly influenced by both Byzantine art and classical art forms, and used these to create a unique and individualistic style of painting. His work was exceptionally original. Individuality at this time was unusual due to the influence of patronage on art. Because paintings were often commissioned, individualism in art was infrequently seen. It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, ''Pietro and Ambrogio Lorenzetti'', (Florence: Scala B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionism (art)
Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer"Illusionism," ''Grove Art Online''. Oxford University Press, ccessed 17 March 2008 or more broadly the attempt to represent physical appearances precisely – also called mimesis. The term '' realist'' may be used in this sense, but that also has rather different meanings in art, as it is also used to cover the choice of ordinary everyday subject-matter, and avoiding idealizing subjects. Illusionism encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes ''trompe-l'œil'', anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as ''di sotto in sù'' and ''quadratura''. Sculptural illusionism includes works, often painted, that appear real from a distance. Other forms, such as the il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro. Important sculptors included two pupils of Giovanni Pisano: Arnolfo di Cambio and Tino di Camaino, and Bonino da Campione. Vernacular writing The Trecento was also famous as a time of heightened literary activity, with writers working in the vernacular instead of Latin. Dante, Petrarch and Boccaccio were the leading writers of the age. Dante produced his famous ''La divina commedia'' (The ''Divine Comedy''), now seen as a summation of the medieval worldview, and Petrarch wrote verse in a lyrical style influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_basilica_inferiore_di_assisi_(1310-1329).jpg "Click for more on -> Pietro Lorenzetti")
